2 Violins and Guitar Vol.1 (1992)

Georg Philipp Telemann

Trio Sonata in A minor, TWV 42:a1 
I. Affettuoso  00:02:20 
II. Vivace  00:01:53 
III. Grave  00:02:14 
IV. Menuet and Trio  00:03:16
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Johann Rosenmuller

Trio Sonata in E minor 
I. Grave  00:01:06 
II. Allegro  00:01:30 
III. Adagio  00:01:23 
IV. Prestissimo  00:00:44 
V. Andante  00:02:50 
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Arcangelo Corelli

Sonata da camera in D minor 
I. Allemanda: Adagio  00:04:17 
II. Corrente: Allegro  00:02:25 
III. Giga: Allegro  00:01:49 
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Johann Adolf Hasse

Trio Sonata in C major 
I. Allegro  00:05:49 
II. Adagio  00:03:55 
III. Allegro  00:03:17 
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Domenico Gabrielli

Balletto a tre 
I. Balletto  00:03:45 
II. Giga  00:01:53 
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Anton Diabelli

Trio  
I. Marcia  00:00:53 
II. Andante cantabile  00:02:57 
III. Scherzando un poco allegro  00:02:02 
IV. Menuetto: Moderato  00:04:36 
V. Allegretto  00:02:51 
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Artists:
Anna Holbling, Quido Holbling - violin
Jozef Zsapka - guitar
Jan Slavik - cello

The Trio Sonata, an instrumental composition generally demanding the services of four players reading from three part-books, assumed enormous importance in Baroque music, developing from its earlier beginnings at the start of the seventeenth century to a later flowering in the work of Handel, Vivaldi and Bach, after the achievements of Arcangelo Corelli in the form. Instrumetation of the trio sonata, possibly for commercial reasons, allowed some freedom of choice. Nevertheless the most frequently found arrangement became that for two violins and cello, with a harpsichord or other chordal instrument to fill out the harmony. Although some composers tended to compromise in matters of form, trio sonatas were more often than not either in the form of the Sonata da chiesa, or Church Sonata, with a sequence of four movements, slow, fast, slow, fast, the quicker movements fugal in character, or in the form of the Sonata da camera, or Chamber Sonata, rather resembling a suite of dance movements. ---guitarsalon.com

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