Korn – The Path Of Totality (2011)

CD1

01 – Chaos Lives in Everything
02 – Kill Mercy Within
03 – My Wall
04 – Narcissistic Cannibal
05 – Illuminati
06 – Burn the Obedient			play
07 – Sanctuary
08 – Let’s Go
09 – Get Up!
10 – Way Too Far
11 – Bleeding Out
12 – Fuels the Comedy
13 – Tension

CD2 – Instrumental Edition

01. Chaos Lives In Everything (feat. Skrillex) (Instrumental)
02. Kill Mercy Within (feat. Noisia) (Instrumental)
03. My Wall (feat. Excision and Downlink) (Instrumental)
04. Narcissistic Cannibal (feat. Skrillex and Kill The Noise) (Instrumental)
05. Illuminati (feat. Excision and Downlink) (Instrumental)
06. Burn The Obedient (feat. Noisia) (Instrumental)
07. Sanctuary (feat. Downlink) (Instrumental)
08. Let’s Go (feat. Noisia) (Instrumental)					play
09. Get Up! (feat. Skrillex) (Instrumental)
10. Way Too Far (feat. 12th Planet) (Instrumental)
11. Bleeding Out (feat. Feed Me) (Instrumental)
12. Fuels The Comedy (Bonus Track) (feat. Kill The Noise) (Instrumental)
13. Tension (Bonus Track) (feat. Excision, Datsik and Downlink) (Instrumental)

Musicians:
    Jonathan Davis – lead vocals, electronic bagpipes
    James "Munky" Shaffer – guitars
    Reginald "Fieldy" Arvizu – bass, additional guitars
    Ray Luzier – drums, percussion

Korn remembered who they were just in time to forget it all again on The Path of Totality, an unexpected left turn into dubstep and all manner of dark electronica from the kings of nu metal. Unexpected this move may be, but not unnatural. Korn always emphasized texture over riffs, so shifting from a gray guitar grind toward claustrophobic electronic collage doesn’t induce shock, apart from the shock that the album actually works. Korn’s cast of collaborators -- notably the Grammy-nominated Skrillex, but also Noisia, Excision, Feed Me, and 12th Planet -- does not redefine the band’s character but rather reinterpret it, retaining the same tempos, the same creeping minor-key melodies and riffs, the same sense of enveloping angst that have been present since their 1994 debut. The difference of arrangement -- heavy on skittish drums and electro walls of assault -- has the curious effect of making Korn seem not adventurous but rather mature: the content of Jonathan Davis’ rants matter less than his tone, and the producers have folded his vocals, along with Munky’s buzzing guitar, into a web that feels like Korn even if it doesn’t strictly sound like any other Korn album, not even the industrial-funk of See You on the Other Side. Despite all the electronics, there’s no mistaking The Path of Totality as a Korn album...and one of their better ones to boot. --- Stephen Thomas Erlewine, allmusic.com

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