The Rolling Stones – The Rolling Stones Rock and Roll Circus (1996)

01.	Mick Jagger's Introduction Of Rock And Roll Circus
02.	Entry Of The Gladiators
03.	Mick Jagger's Introduction Of Jethro Tull
04.	Song For Jeffrey (Jethro Tull)
05.	Keith Richard's Introduction Of The Who
06.	A Quick One While He's Away (The Who)
07.	Over The Waves
08.	Ain't That A Lot Of Love (Taj Mahal)
09.	Charlie Watts' Introduction Of Marianne Faithfull	
10.	Something Better (Marianne Faithfull)
11.	Mick Jagger's And John Lennon's Introduction 
12.	Yer Blues (The Dirty Mac) 
13.	Whole Lotta Yoko 
14.	John Lennon's Introduction Of The Rolling Stones
15.	Parachute woman 
16.	No Expectations 
17.	You Can't Always Get What You Want 
18.	Sympathy For The Devil 
19.	Salt Of The Earth 

Bass – Bill Wyman 
Drums – Charlie Watts 
Guitar, Slide Guitar – Brian Jones 
Keyboards – Nicky Hopkins 
Lead Guitar, Acoustic Guitar, Vocals – Keith Richards 
Lead Vocals – Mick Jagger 
Liner Notes [Essay] – David Dalton 
Percussion – Rocky Dijon 

The most interesting archival release of the Rolling Stones since More Hot Rocks, 20 years ago, and the first issue of truly unreleased material by the Stones from this period. And the Stones have some competition from the Who, Taj Mahal, and John Lennon on the same release. Filmed and recorded on December 10-11, 1968, at a North London studio, Rock and Roll Circus has been, as much as the Beach Boys' Smile, "the one that got away" for most '60s music enthusiasts. The Jethro Tull sequence is the standard studio track, but the rest -- except for the Stones' "Salt of the Earth" -- is really live. The Who's portion has been out before, courtesy of various documentaries, but Taj Mahal playing some loud electric blues is new and great, the live Lennon rendition of "Yer Blues" is indispensable, and the Stones' set fills in lots of blanks in their history -- "Jumpin' Jack Flash" in one of two live renditions it ever got with Brian Jones in the lineup, "Sympathy for the Devil" in an intense run-through, "Parachute Woman" as a lost live vehicle for the band, "You Can't Always Get What You Want" as a show-stopping rocker even without its extended ending (no Paul Buckmaster choir), and "No Expectations" as their first piece of great live blues since "Little Red Rooster." ---Bruce Eder, AllMusic Review

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