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Irene Cara ‎– What A Feelin' (1983/2006)

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Irene Cara ‎– What A Feelin' (1983/2006)

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1 	Flashdance... What A Feeling (Radio Edit) 	3:57
2 	Why Me? (12" Mix) 	7:03
3 	Breakdance (Radio Edit) 	3:27
4 	The Dream (Hold On To Your Dream) 	4:49
5 	You Took My Life Away 	3:53
6 	Keep On 	3:29
7 	Romance '83 	3:56
8 	Cue Me Up 	3:24
9 	Receiving 	3:42
10 	You Were Made For Me 	4:21
11 	Talk Too Much 	4:01
12 	Breakdance (Extended Remix) 	5:26
13 	The Dream (Hold On To Your Dream) (Dance Remix) 	6:49
14 	Flashdance...What A Feeling (Extended Remix) 	7:09
15 	Flashdance...What A Feeling (Instrumental) 	8:03

Backing Vocals – Joe Esposito, Maxine Waters, Stephanie Spruell
Bass – Neil Stubenhaus
Bass Guitar, Keyboards – Arthur Barrow
Drums – Keith Forsey, Mike Baird
Drums [Linn and Simmons Drums], Keyboards, Guitar – Richie Zito
Guitar – William Seidman, Joe Caro, Dean Parks
Keyboards – Sylvester Levay
Percussion – Carol Steele, Leo Adamian, Victoria Berdy
Piano, Synthesizer – James Newton Howard
Vocals [Guest Vocalist] – Joe Pizzulo
Vocals - Irene Carra

 

As a general rule, you would expect that an album featuring a gold-selling number one hit, a Top Ten hit, and two Top 40 follow-ups would itself be a considerable success, but Irene Cara's second album had trouble staying among the 100 best-sellers. Why? That chart-topper, "Flashdance...What a Feeling," had come the previous spring, and most people who wanted to own it had purchased it either as a single or on the multi-platinum soundtrack album. Plus, Cara never established a base beyond her individual hits. This wasn't surprising, really, since, despite her participation as singer and co-lyricist, Cara essentially was the mouthpiece of Euro-disco producer Giorgio Moroder on these recordings. Thus, although she was all over the airwaves in 1983-1984, and although this album contained all five of her chart entries from the period, Cara herself failed to benefit over the long term, and as a glut for this kind of material set in, she was left behind. ---William Ruhlmann, AllMusic Review

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