J.S. Bach - St. John Passion (Kroper) (1991)

CD 1:

01 - Herr, Unser Herrscher
02 - Jesus Ging
03 - O Grosse Lieb
04 - Auf Dass Das Wort
05 - Den Will Gescheh
06 - Die Schar Aber
07 - Von Den Stricken
08 - Simon Petrus Aber
09 - Ich Folge Dir
10 - Derselbrige Juenger
11 - Wer Hat Dich So Geschlagen
12 - Und Hannas Sandte
13 - Ach, Mein Sinn
14 - Petrus, Der Nicht Denkt Zueruck
15 - Christus,der Uns Selig Macht
16 - Da Fuehreten Sie Jesum
17 - Ach Grosser Koenig
18 - Da Sprach Pilatus
19 - Betrachte, Meine Seel
20 - Erwaege
21 - Und Die Kriegsknechte
22 - Durch Dein Gefaengnis
23 - Die Juden Aber

CD 2:

01 - Eir, Ihr Angefochtnen (Aria)
02 - Ailda Kreuzigten Sie Ihn (Recit.)
03 - In Meines Herzens Grunde
04 - Die Kreigknecte Aber (Recit.)
05 - Er Nahm Alles Wohl In Acht (Choral)
06 - Und Von Stund (Recit.)
07 - Es Ist Volbracht (Aria)
08 - Und Neiget Das Haupt (Recit.)
09 - Mein Teurer Heiland (Aria)
10 - Und Siehe Da (Recit.)
11 - Mein Herz, Indem Die Granze Welt
12 - Zeifliessen, Mein Herze (Aria)
13 - Die Juden Aber (Recit.)
14 - O Hilf, Christe
15 - Darnach Bat Pilatum (Recit.)
16 - Ruht Wohl (Chorus)
17 - Ach Herr (Chorus)

Magdalena Kozena – soprano
Lenka Skornickova – soprano
James Griffett – tenor
Jiri Klecke – bass
Werner Marschall – counter-tenor

Brnénsky Akademicky Sbor
Gioia Della Musica Praha
Andreas Kröper - conductor

The St John Passion (in German: Johannes-Passion), BWV 245, is a sacred oratorio of Johann Sebastian Bach from the Passions. The original Latin title Passio secundum Johannem translates to "The Suffering According to John" and is rendered in English also as St. John Passion and in German as Johannespassion. During the first winter that Bach was responsible for church music at the St. Thomas Church, Leipzig and the St. Nicholas Church, he composed the St John Passion for the Good Friday Vespers service of 1724.

The St John Passion is a dramatic representation of the Passion, as told in the Gospel of John, constructed of dramatically presented recitatives and choruses, commented by reflective chorales, ariosos, and arias, framed by an opening chorus and a final one, followed by a last chorale. Compared to the St Matthew Passion, the St John Passion has been described as more extravagant, with an expressive immediacy, at times more unbridled and less "finished."

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