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Strona Główna Muzyka Klasyczna Bach C.P.E. C.P.E. Bach – Symphonies And Concertos Pour Violoncelle (2005)

C.P.E. Bach – Symphonies And Concertos Pour Violoncelle (2005)

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C.P.E. Bach – Symphonies And Concertos Pour Violoncelle (2005)

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Sinfonia pour deux violons, alto et basse en Do Majeur, WQ 182/3;
1. I. Allegro Assai
2. II. Adagio
3. III. Allegretto
Sinfonia pour deux violons, alto et basse en Si Mineur, WQ 182/5;
4. I. Allegretto
5. II. Larghetto
6. III. Presto
Concerto pour violoncelle, avec deux violons, alto et basse en La Majeur, WQ 172;
7. I. Allegro
8. II. Largo
9. III. Allegro Assai
Sinfonia pour deux violons, alto et basse en Mi Majeur, WQ 182/6;
10. I. Allegro di molto
11. II. Poco andante
12. III. Allegro spirituoso
Sinfonia pour deux violons, alto et basse en Sol Majeur, WQ 182/1;
13. I. Allegro di molto
14. II. Poco adagio
15. III. Presto


Pablo Valetti, violon & konzertmeister
David Plantier, violons
Fabrizio Zanella, violons
Farran James, violons
Nick Robinson, violons
Helena Zemanova, violons
Juan Roque Alsina, violons
Laura Johnson, violons
Patricia Gagnon, altos
Diane Chmela, altos
Petr Skalka, violoncelle solo
Dmitri Dichtiar, violoncelles
Etienne Mangot, violoncelles
Ludek Brany, contrebasse
Celine Frisch, clavecin


Carl Philipp Emanuel Bach (1714-1788) - more commonly known as C.P.E. Bach - was a German musician and composer of the early Classical period.

The second of eleven sons of Johann Sebastian Bach and Maria Barbara Bach, C.P.E. Bach was born in Weimar on 8th March 1714. He was one of the founders of the Classical style, composing in the rococo and classical periods.

Through the latter half of the eighteenth century, his reputation was very high. This was mainly because of his clavier sonatas, which marked an important development in the history of musical form. Lucid in style, delicate and tender in expression, they are even more notable for the freedom and variety of their structural design; they break away altogether from the exact formal antithesis which, with the composers of the italian school, had hardened into convention, and substitute the wider and more flexible outline which the great viennese masters showed to be capable of almost infinite development. ---last.fm

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Zmieniony (Niedziela, 04 Sierpień 2013 09:19)


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