C.P.E. Bach – Symphonies And Concertos Pour Violoncelle (2005)
C.P.E. Bach – Symphonies And Concertos Pour Violoncelle (2005)
Sinfonia pour deux violons, alto et basse en Do Majeur, WQ 182/3; 1. I. Allegro Assai 2. II. Adagio 3. III. Allegretto Sinfonia pour deux violons, alto et basse en Si Mineur, WQ 182/5; 4. I. Allegretto 5. II. Larghetto 6. III. Presto Concerto pour violoncelle, avec deux violons, alto et basse en La Majeur, WQ 172; 7. I. Allegro 8. II. Largo 9. III. Allegro Assai Sinfonia pour deux violons, alto et basse en Mi Majeur, WQ 182/6; 10. I. Allegro di molto 11. II. Poco andante 12. III. Allegro spirituoso Sinfonia pour deux violons, alto et basse en Sol Majeur, WQ 182/1; 13. I. Allegro di molto 14. II. Poco adagio 15. III. Presto Musicians: Pablo Valetti, violon & konzertmeister David Plantier, violons Fabrizio Zanella, violons Farran James, violons Nick Robinson, violons Helena Zemanova, violons Juan Roque Alsina, violons Laura Johnson, violons Patricia Gagnon, altos Diane Chmela, altos Petr Skalka, violoncelle solo Dmitri Dichtiar, violoncelles Etienne Mangot, violoncelles Ludek Brany, contrebasse Celine Frisch, clavecin
Carl Philipp Emanuel Bach (1714-1788) - more commonly known as C.P.E. Bach - was a German musician and composer of the early Classical period.
The second of eleven sons of Johann Sebastian Bach and Maria Barbara Bach, C.P.E. Bach was born in Weimar on 8th March 1714. He was one of the founders of the Classical style, composing in the rococo and classical periods.
Through the latter half of the eighteenth century, his reputation was very high. This was mainly because of his clavier sonatas, which marked an important development in the history of musical form. Lucid in style, delicate and tender in expression, they are even more notable for the freedom and variety of their structural design; they break away altogether from the exact formal antithesis which, with the composers of the italian school, had hardened into convention, and substitute the wider and more flexible outline which the great viennese masters showed to be capable of almost infinite development. ---last.fm
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