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Strona Główna Muzyka Klasyczna Mercadante Saverio Saverio Mercadante - Flute Concertos (2004)

Saverio Mercadante - Flute Concertos (2004)

Sobota, 22 Luty 2014 17:01 | Wpisany przez bluesever | PDF Drukuj
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Saverio Mercadante - Flute Concertos (2004)

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Disc 1

Flute Concerto No. 1 in E major, Op. 49- 	00:21:25
1 	I. Allegro maestoso 		00:10:48
2 	II. Largo 		00:04:42
3 	III. Polacca brillante 		00:05:55

Flute Concerto No. 2 in E minor, Op. 57- 	00:20:31
4 	I. Allegro maestoso 		00:09:36
5 	II. Adagio 		00:04:13
6 	III. Rondo: Allegro giusto 		00:06:42

Flute Concerto No. 4 in G major- 		00:18:07
7 	I. Allegro maestoso 		00:08:41
8 	II. Largo espressivo 		00:04:29
9 	III. Polacca brillante 		00:04:57


Disc 2

Flute Concerto in F major- 		00:07:45
1 	I. Allegro 		00:01:49
2 	II. Andante con variazioni 		00:04:23
3 	III. Coda: Allegro 		00:01:33

Flute Concerto No. 6 in D major- 		00:19:36
4 	I. Allegro maestoso 		00:10:04
5 	II. Andante alla siciliana 		00:04:01
6 	III. Polacca: Allegro brillante 		00:05:31

Theme and Variations in A major- 		00:19:45
7 	Theme: Andante 		00:01:30
8 	Variation 1 		00:01:10
9 	Variation 2 		00:01:40
10 	Variation 3 		00:01:27
11 	Variation 4 		00:01:11
12 	Variation 5 		00:01:17
13 	Variation 6 		00:01:22
14 	Variation 7 		00:01:17
15 	Variation 8 		00:01:44
16 	Variation 9 		00:01:23
17 	Variation 10 		00:01:29
18 	Variation 11 		00:01:59
19 	Variation 12 		00:01:24
20 	Coda 	

Mario Carbotta – Flute
Angelo Teora - Clarinet
Marco Piazzai - Trombone
I Solisti Aquilani (Ensemble)
Vittorio Parisi - Conductor

 

The concertos for flute and orchestra by Giuseppe Saverio Mercadante (1795-1870), are undoubtedly a type of repertoire which interpreters like to perform and audiences enjoy to listen to, being among the few examples of authentically Italian 19th-century instrumental music written by a composer who was mainly renowned in the operatic field. The writing is virtuosic, aimed at impressing the listener with the performer’s skill, and keeps to belcanto stylistic models, though not without more slowly-paced and melodic passages. The form is mainly in three movements and follows the Italian fast-slow-fast scheme. This recording edition differs from the other existing ones in that it is based on the manuscript sources, some of them autograph, as well as on a 19th-century printed copy. --- prestoclassical.co.uk

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