The Ultimate Jazz Archive CD08 – Buster Bailey [1924-1942]
The Ultimate Jazz Archive CD 08 – Buster Bailey [1924-1942] [2005]
01.Copenhagen 02.Santa Claus Blues 03.Jazzbo Brown From Memphis 04.Sensation 05.Kentucky 06.Theres A House In Harlem For Sale 07.Wild Party 08.Shaghai Shuffle 09.Warmin Up 10.More Than That 11.Rhythm, Rhythm 12.Ive Found A New Baby 13.Dizzy Debutante 14.Lorna Doone Short Bread 15.Knock-Kneed Sal 16.Corrine Corrini 17.Royal Garden Blues 18.Im Cuttin Out 19.Eccentric Rag 20.Cant We Be Friends 21.Coquette 22.St. Louis Blues
Buster Bailey was a brilliant clarinetist who, although known for his smooth and quiet playing with John Kirby's sextet, occasionally really cut loose with some wild solos (including on a recording called "Man With a Horn Goes Berserk"). Expertly trained by the classical teacher Franz Schoepp (who also taught Benny Goodman), Bailey worked with W.C. Handy's band in 1917. He moved to Chicago in 1919 and was soon working with Erskine Tate and King Oliver's Creole Jazz Band. He gained some fame in 1924 when he joined Fletcher Henderson's orchestra in New York. Bailey was with Henderson off and on during 1924-1934 and 1936-1937, also playing with Noble Sissle and the Mills Blue Rhythm Band (1934-1935). Next up was the cool-toned swing of John Kirby's sextet (1937-1946), a role he fit perfectly. With the end of the Kirby band, Bailey was mostly employed in Dixieland settings with Wilbur DeParis (1947-1949), Big Chief Russell Moore (1952-1953), Henry "Red" Allen (1950-1951 and 1954-1960), Wild Bill Davison (1961-63), and the Saints and Sinners (1963-1965), finishing up with the Louis Armstrong All-Stars (1965-1967). One of the most technically skilled of the clarinetists to emerge during the 1920s, Buster Bailey never modernized his style or became a leader, but he contributed his talents and occasional wit to a countless number of rewarding and important recordings. ---Scott Yanow, Rovi
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