Hot Tuna – Burgers (1972)

Line-up: 
Jorma Kaukonen - guitar, vocals 
Jack Casady - bass, vocals 
Papa John Creach - violin, vocals 
Sammy Piazza - drums, percussion, vocals 
David Crosby - vocals 
Richmond Talbott - slide guitar, vocals 
Nick Buck - keyboards 

1 True Religion 4:43 
2 Highway Song [feat. David Crosby] 3:15 
3 99 Year Blues 3:58 
4 Sea Child 5:00 
5 Keep on Truckin' 3:40 
6 Water Song 5:16 
7 Ode for Billy Dean 4:50 
8 Let Us Get Together Right Down Here 3:26 
9 Sunny Day Strut 3:15

- Jorma Kaukonen - guitars, lead vocals, producer
- Jack Casady - bass, vocals, eyebrow
- Papa John Creach - violin, vocals
- Sammy Piazza - drums, tympani, other percussion, vocals
+
- Nikki Buck – organ & piano (1,5)
- Richmond Talbott - vocals & slide guitar (3)
- David Crosby – vocals (2)

Burgers, Hot Tuna's third album, marked a crucial transition for the group. Until now, Hot Tuna had been viewed as a busman's holiday for Jefferson Airplane lead guitarist Jorma Kaukonen and bassist Jack Casady. Their first album was an acoustic set of folk-blues standards recorded in a coffeehouse, their second an electric version of the same that added violinist Papa John Creach (who also joined the Airplane) and drummer Sammy Piazza. Then the Airplane launched Grunt, its own vanity label, which encouraged all bandmembers to increase their participation in side projects. Burgers, originally released as the fourth Grunt album, sounded more like a full-fledged work than a satellite effort. It was Hot Tuna's first studio album, and Kaukonen wrote the bulk of the material, not all of it in the folk-blues style that had been the group's métier. "Sea Child," for example, employed his familiar acid rock sound and would have fit seamlessly onto an Airplane album. And "Water Song," one of his most accomplished instrumentals, had a crystalline acoustic guitar part that really suggested the sound of rippling water. On the material that did recall the earlier albums, Hot Tuna split the difference between its acoustic and electric selves, sometimes, as on "True Religion," beginning in folky fingerpicking style only to add a rock band sound after the introduction. The result was more restrained than the second album, but not as free as the first, with the drums imposing steady rhythms that often kept Casady from soloing as much, though Creach's violin made for plenty of improvisation within the basic blues structures. All of which is to say that, not surprisingly, on its third album in as many years, Hot Tuna had evolved its own sound and music, and seemed less a diversion than its members' new top priority. --- William Ruhlmann, allmusic.com

download (mp3 @ kbs):

yandex mediafire ulozto gett solidfiles

back