Ella Mae Morse - Rocks (2010)

1 	Money Honey 	2:37
2 	Have Mercy Baby 	2:15
3 	Rock Me All Night Long 	2:25
4 	Daddy Daddy 	2:38
5 	The House Of Blue Lights 	2:52
6 	5-10-15 Hours 	2:31
7 	Teardrops From My Eyes 	2:55
8 	How Can You Leave A Man Like This 	2:45
9 	Lovey Dovey 	2:43
10 	Get Off It And Go 	2:20
11 	Okie Boogie 	2:14
12 	False Hearted Girl 	2:15
13 	Greyhound 	2:20
14 	Jump Back Honey 	2:05
15 	A Little Further Down The Road A Piece 	2:28
16 	Bouncin' Ball 	2:29
17 	Big Mamou 	2:23
18 	Forty Cups Of Coffee 	2:51
19 	Give A Little Time To Your Lover 	2:05
20 	The Blacksmith Blues 	3:01
21 	Won't You Listen To Me Baby 	2:06
22 	Okie Boogie 	2:28
23 	Smack Dab In The Middle 	2:33
24 	Yes, Yes I Do 	2:18
25 	Razzle Dazzle 	2:45
26 	Ain't That A Shame 	2:23
27 	Piddily Patter Patter 	2:08
28 	Seventeen 	2:19
29 	When Boy Kiss Girl 	1:59
30 	Give Me Love 	2:23
31 	Rockin' And Rollin' 	2:23
32 	Rock And Roll Wedding 	2:32
33 	Cow-Cow Boogie 	3:13
34 	Mr. Anthony's Blues 	2:33

Don Anderson 	Trumpet
William Anthens 	Trombone
Harry Babasin 	Bass
Robert "Bob" Bain 	Guitar
Danny Bank 	Sax (Baritone)
Les Baxter 	Leader
Victor Bay 	Violin
Henry J. "Heinie" Beau 	Sax (Alto)
Walter Benson 	Trombone
Milton Berngart 	Trombone
Gus Bivona 	Sax (Alto)
Ivy J. "Jimmy" Bryant 	Guitar 
Charles O. Butler 	Sax (Tenor)
George Sylvester "Red" Callender 	Bass
Walter P. "Pete" Candoli 	Trumpet
Frank Carlson 	Drums
Bennett Carter 	Sax (Alto)
Dave Cavanaugh 	Leader, Sax (Tenor)
Buddy Clark 	Saxophone
Mahlon Clark 	Clarinet
Buddy Cole 	Leader, Piano
Joseph G. Joe Comfort 	Bass
Morty Corb 	Bass
John Cyr 	Drums
Harold Diner 	Trombone
William V. Douglas 	Drums
Henry Evans 	Sax (Tenor)
Nick Fatool 	Drums
Tennessee Ernie Ford 	Duet, Vocals
Morton B. "Morty" Friedman 	Sax (Tenor)
Chuck Gentry 	Sax (Baritone)
Louis Gonzales 	Guitar
Bob Goodrich 	Trumpet
Conrad Gozzo 	Trumpet
Henry Gruen 	Sax (Alto)
David Grupp 	Xylophone
Chico Guerrero 	Percussion
Joe Guerrero 	Bongos
John Hamilton 	Saxophone
Al Harding 	Sax (Alto), Saxophone
Stanley Harris 	Viola
Bert Harry 	Trumpet
Roy Harte 	Drums
Alton R. "Al" Hendrickson 	Guitar
Francis L. Howard 	Trombone
Clyde L. Hurley Jr. 	Trumpet
Jules Jacob 	Sax (Tenor)
John Kee 	Trumpet
Barney Kessel 	Guitar
Harry Klee 	Flute, Sax (Alto)
Emanuel "Mannie" Klein 	Trumpet
Joe Knechtel 	Sax (Alto)
Joseph J. Koch 	Sax (Baritone)
Edward "Eddie Kusby" Kuczborski 	Trombone
Robert Lawson 	Sax (Baritone)
William Edward "Billy" Liebert 	Piano
Ray S. Linn Jr. 	Trumpet
Joe Lippman 	Leader
Jim Lynch 	Bass
Vito N. "Micky" Mangano 	Trumpet
J.W. Marshall 	Guitar
Jack W. Marshall 	Guitar
William Martinez 	Saxophone
Murray McEachern 	Trombone
Johnny Mercer 	Duet, Vocals
Hubert Meyers "Bumps" 	Sax (Tenor)
Ella Mae Morse 	Duet, Vocals
Ted Nash 	Sax (Tenor)
Richard L. Noel 	Trombone
T. "Tom" Pederson 	Trombone
Milton W. Raskin 	Piano
Alvino Rey 	Guitar
Nelson Riddle 	Leader
Paul Robyn 	Viola
Ted Romersa 	Sax (Tenor)
Edward Rosa 	Sax (Tenor)
James Rowles 	Piano
Meyer Rubin 	Bass
Joe Rushton 	Sax (Baritone)
Mischa Russell 	Violin
Babe Russin 	Sax (Tenor)
John Ryan 	Bass
Ray Sherman 	Piano
Shorty Sherock 	Trumpet
Abe Siegel 	Bass
Raymond "Ray" Sims 	Trombone
Lou Singer 	Drums, Xylophone
Charles Singleton 	Composer
Freddie Slack 	Leader, Piano
Eleanor Slatkin 	Cello
Felix Slatkin 	Violin
Paul T. Smith 	Piano
Vernon "Geechie" Smith 	Trumpet
Marshall Sosson 	Violin
Bruce Squires 	Trombone
Phil Stevens 	Bass
Alvin Stoller 	Drums
Cliffie Stone 	Bass, Leader, Producer
Billy Strange 	Guitar
Paul Tanner 	Trombone
George Van Eps 	Guitar
Paul Weirick 	Leader
George Wendt 	Trumpet
Speedy West 	Guitar (Steel)
Fred Whiting 	Bass
Gerald Wiggins 	Piano
Leonidas Raymond "Lee" Young 	Drums
Simon H. "Si" Zenthner 	Trombone 

The first high-profile single-disc compilation of the great Ella Mae Morse since 1992’s Capitol Collectors Series -- which itself was the first time her recordings were reissued in years -- Bear Family's 2010 disc Rocks trumps its predecessor by a country mile, offering 34 tracks cut between 1942 and 1957. This is a far greater time span than Capitol Collectors Series, which sampled her ahead-of-their time sides of the ‘40s, and it has a distinct focus on her rocking sides, trimming away numbers that might wind up sounding a bit too much like standard big-band fare. Ironically, the sides she cut during rock & roll’s ‘50s heyday sound closer to big band than the wild jump blues she cut in the ’40s, but ultimately, such distinctions are little more than talking points because what’s here is dynamite, and some of the rockingist blues and jumpingist rock you’ll ever hear. ---Stephen Thomas Erlewine, AllMusic Review

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