The Piano Blues Vol. 6 - 'Take Your Big Legs Off' Walter Roland 1933-1935 (1978)
The Piano Blues Vol. 6 - 'Take Your Big Legs Off' Walter Roland 1933-1935 (1978)
1 –Jolly Jivers Piano Stomp Piano – Walter Roland Voice [Speech], Percussion [Tapping] – Sonny Scott 2 –Walter Roland Early This Morning ('Bout Break Of Day) Vocals, Piano – Walter Roland 3 –Lucille Bogan Changed Ways Blues Piano – Walter Roland Vocals – Lucille Bogan 4 –Walter Roland Back Door Blues Vocals, Piano – Walter Roland 5 –Walter Roland Big Mama Vocals, Piano – Walter Roland 6 –Walter Roland Red Cross Blues Vocals, Piano – Walter Roland 7 –Lucille Bogan B.D. Woman's Blues Piano – Walter Roland Vocals – Lucille Bogan 8 –Jolly Jivers Jookit Jookit Piano – Walter Roland Voice [Speech] – Sonny Scott 9 –Walter Roland House Lady Blues Vocals, Piano – Walter Roland 10 –Walter Roland Every Morning Blues Vocals, Piano – Walter Roland 11 –Walter Roland Collector Man Blues Vocals, Piano – Walter Roland 12 –Lucille Bogan Down In Boogie Alley Piano – Walter Roland Vocals – Lucille Bogan 13 –Jolly Jivers Watch Gonna Do Vocals – Lucille Bogan, Sonny Scott Vocals, Piano – Walter Roland 14 –Walter Roland Bad Dream Blues Vocals, Piano – Walter Roland 15 –Lucille Bogan Stew Meat Blues Piano – Walter Roland Vocals – Lucille Bogan 16 –Jolly Jivers Hungry Man's Scuffle Piano – Walter Roland Voice [Speech] – Lucille Bogan Voice [Speech], Percussion [Tapping] – Sonny Scott
Despite a relatively prolific recording career which yielded upwards of 40 solo sides in addition to a series of celebrated collaborations with vocalist Lucille Bogan, pianist/singer Walter Roland remains one of the blues' most elusive and mysterious figures. Likely born in or around Birmingham, AL, circa 1900, he first emerged on the city's blues circuit during the 1920s, presumably running in the same circles as the equally enigmatic pianist Jabo Williams; a skilled, versatile pianist whose repertoire ran the gamut from slow, gut-wrenching blues to exuberant boogie-woogies, Roland was also a persuasive vocalist and even a fine guitarist. He went to New York City three times between 1933 and 1935 to record for ARC; during this same period he also accompanied Bogan (by now calling herself Bessie Jackson), additionally recording with Sonny Scott and Josh White. After 1935, however, Roland seems to have dropped off the face of the earth -- his subsequent activities and ultimate fate remain unknown. ---Jason Ankeny, Roi
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