Shakey Jake - Mouth Harp Blues (1960)

A1. Mouth Harp Blues    		play
A2. Love Me Baby    
A3. Jake's Cha Cha    
A4. Gimme a Smile    
A5. My Broken Heart    		play
B1. Angry Lover    
B2. Things Is Alright    
B3. Easy Baby    
B4. Things Are Different Baby    
B5. It Won't Happen Again

Credits:
Shakey Jake- Vocal, Harmonica
Robert Banks- Piano 
Jimmy Lee Robinson-  Guitar 
Leonard Gaskin- Bass 
Junior Blackmon- Drums

The late James Harris earned the moniker Shakey Jake due to his proficiency at dice, but he was equally adept at the blues game. The Arkansas-born, Chicago-based singer and harmonica blower traveled to Rudy Van Gelder's New Jersey studio in November 1960 to record this, his second album for the Bluesville label. Jake brought along Jimmie Lee Robinson, the brilliant, fast-fingered guitarist best known for his work with Little Walter's band. Also making tasty contributions to the session was Robert Banks, the New York R&B and gospel studio organist who, in this case, ably appointed himself as a two-fisted blues piano stylist. Among the 10 selections is the distinctively loping Easy Baby, a tune also associated with Jake's nephew Magic Sam.

Guitarist Jimmie Lee Robinson, who died in 2002, was the soul of Acoustic Sounds' own APO Records. He was the first to record at Blue Heaven Studios, having made three records (one still unreleased) in the converted church, and he was there several more times to perform. A Chicago native and lifelong resident, Robinson began playing guitar in the open-air market on Maxwell Street in 1942 with the likes of Big Bill Broonzy and Robert Nighthawk. He later teamed with Freddie King for a four-year partnership and went on to play guitar and bass with Little Walter, Howlin' Wolf, Eddie Taylor, Elmore James, Jimmy Rogers, Jimmy Reed, Magic Sam and of course Shakey Jake. This title is not eligible for further discount. --- soundstagedirect.com

When Harris returned to New Jersey later that same year to wax his Bluesville encore, he brought along fellow Chicagoan Jimmie Lee Robinson as his guitarist. A full rhythm section was used this time (New York cats all), but the overall approach was quite a bit closer to what he was used to hearing on Chicago's West side. ---Bill Dahl

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