Vivaldi - Concerti con molti strumenti (Spinosi) [1996,2004]

CD1
	Concerto En Do / C Majeur F.XII No.37 (RV558) 	9:25
1 	Allegro Molto 	4:50
2 	Andante Molto 	2:00
3 	Allegro 	2:35
	Concerto Funebre En Si / B Bemol Flat Majeur F.XII No.12 (RV579) 	8:08
4 	Largo 	1:20
5 	Allegro Poco Poco 	3:15
6 	Adagio 	0:28
7 	Allegro 	3:05
	Concerto En Do / C Majeur F.XII No.23 (RV555) 	8:50
8 	Allegro 	3:30
9 	Largo 	2:00
10 	Allegro 	3:20
	Concerto En Do / C Majeur F.XII No.1 (RV560) 	9:00
11 	Larghetto - Allegro 	4:05
12 	Adagio 	2:05
13 	(Allegro) 	2:55
	Concerto En Do / C Majeur F.XII No.2 (RV559) 	10:45
14 	Larghetto (Allegro) 	3:25
15 	Largo 	3:55
16 	Allegro 	3:25
	Concerto En Do / C Majeur "Per La Solennita Di S. Lorenzo" F.XII No.14 (RV556) 	12:15
17 	Largo - Allegro Molto 	5:20
18 	Largo E Cantabile 	3:00
19 	(Allegro) 	3:55

CD2
	Concerto F.XII No.3 (RV577) "Per L'Orchestra Di Dresda" En Sol Mineur 	9:25
1 	Allegro 	3:30
2 	Adagio 	2:21
3 	Allegro 	3:21
	Concerto (RV572) "Il Proteo, Ò Il Mondo Al Rovesico" En Fa Majeur 	9:19
4 	Allegro 	3:29
5 	Largo 	2:42
6 	Allegro 	3:05
	Concerto F.XII No.31 (RV566) En Ré Mineur 	7:06
7 	Allegro Assai 	2:44
8 	Largo 	1:50
9 	Allegro 	2:32
	Concerto F.XII No.48 (RV585) "In Due Cori" En La Majeur 	10:45
10 	Allegro 	3:33
11 	Adagio 	4:42
12 	Allegro 	2:30
	Concerto F.XII No.14 (RV556 2E Version) "Per La Solennità Di S. Lorenzo" En Ut Majeur 	11:01
13 	Largo-Allegro Molto 	5:14
14 	Largo & Cantabile 	2:47
15 	Allegro 	3:40
	Concerto F.XII No.17 (RV557) En Ut Majeur 	8:18
16 	Allegro Non Molto 	2:49
17 	Largo 	2:38
18 	Allegro 	2:51
	Concerto F.XII No.33 (RV576) "Sua Altezza Reale Di Sassonia" En Sol Mineur 	10:32
19 	Allegro 	4:05
20 	Larghetto 	2:15
21 	Allegro 	4:12

Ensemble Matheus
Jean-Christophe Spinosi - director

Vivaldi is always inventive, but these Concertos count alongside the perennial Four Seasons among his most progressive. The album title comes from the composer's own description of a couple of these works, the somewhat unimaginative "concerti con molti istromenti" (the latter an archaic spelling of the modern Italian 'strumenti'), or what Bach in his 'Brandenburg' concertos called 'concerts avec plusieurs instruments' - the 'molti' and 'plusieurs' referring each time to variety rather than sheer quantity. --- Byzantion, musicweb-international.com

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