J.S. Bach - Concerts avec plusieurs instruments V

1. Ouverture No. 3 en Ré Majeur, BWV 1068: I. Ouverture	9:33
2. Ouverture No. 3 en Ré Majeur, BWV 1068: II. Air	3:32
3. Ouverture No. 3 en Ré Majeur, BWV 1068: III. Gavottes I et II	  3:54
4. Ouverture No. 3 en Ré Majeur, BWV 1068: IV. Bourrée	1:06	
5. Ouverture No. 3 en Ré Majeur, BWV 1068: V. Gigue	2:38
6. Concerto pour clavecin en Fa Mineur, BWV 1056: I. Allegro	3:06
7. Concerto pour clavecin en Fa Mineur, BWV 1056: II. Adagio	2:43
8. Concerto pour clavecin en Fa Mineur, BWV 1056: III. Presto	3:17	
9. Concerto Brandebourgeois No. 6 en Si Bémol Majeur, BWV 1051: I.	5:27
10. Concerto Brandebourgeois No. 6 en Si Bémol Majeur, BWV 1051: II. Adagio ma non tanto	4:38
11. Concerto Brandebourgeois No. 6 en Si Bémol Majeur, BWV 1051: III. Allegro	5:45	
12. Concerto pour trois clavecins en Ré Mineur, BWV 1063: I.	4:36
13. Concerto pour trois clavecins en Ré Mineur, BWV 1063: II. Alla siciliana	3:39
14. Concerto pour trois clavecins en Ré Mineur, BWV 1063: III. Allegro	4:29

Antoine Torunczyk – oboe
Amandine Beyer – violin
Café  Zimmermann
Pablo Valetti – violin, conductor

Bach s suites and concertos have long been part of concert repertoires. It is, however, interesting to mentally replace their first executions in the context of the time, so different from what we see on present-day stages. Apart from at the courts, whatever their size, there were no permanent orchestras in Bach s time and age. Café Zimmermann has brilliantly recreated the spirit of these orchestras, allowing each musician (chosen among the best on the European baroque scene) to express himself. The penultimate opus in this outstanding series, this is the first time we hear Café Zimmermann in such a large formation, and we discover a Bach more alive than ever! ---Editorial Reviews

download

back