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Home Classical Dupuy Bernard Dupuy - Noel Motet Magnificat (1994)

Dupuy - Noel Motet Magnificat (1994)

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Dupuy - Noel Motet Magnificat (1994)

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1. 	Noel "Au Milieu De La Nuit" - Ouverture 	4:16 	
2. 	Noel "Au Milieu De La Nuit" - Un Pasteur Effrayé 	1:20 	
3. 	Noel "Au Milieu De La Nuit" - Choeur Très Vif De Pasteurs Effrayés 	0:31 	
4. 	Noel "Au Milieu De La Nuit" - Récitatif: Un Ange 	2:16 	
5. 	Noel "Au Milieu De La Nuit" - Air: Un Ange [Basse] 	3:37 	
6. 	Noel "Au Milieu De La Nuit" - Air Gracieux Et Leger 	1:28 	
7. 	Noel "Au Milieu De La Nuit" - Récit Tendre [Haute-Contre] 	1:40 	
8. 	Noel "Au Milieu De La Nuit" - Choeur 	2:41 	
9. 	Noel "Au Milieu De La Nuit" - Gavotte: Un Pasteur Et Choeur 	4:18 	
10. 	Noel "Au Milieu De La Nuit" - Deux Airs 	2:18 	
11. 	Noel "Au Milieu De La Nuit" - Recitatif: Un Ange [Ténor] 	2:30 	
12. 	Noel "Au Milieu De La Nuit" - Ariette [Ténor] 	2:28 	
13. 	Noel "Au Milieu De La Nuit" - Duo De Pasteurs 	2:11 	
14. 	Noel "Au Milieu De La Nuit" - Air Gai Et Choeur 	3:00 	
15. 	Motet À 5 Voix "Cantate Domino Canticum Novum" - Air De Soprano Et Grand Choeur 	3:31 
16. 	Motet À 5 Voix "Cantate Domino Canticum Novum" - Duo Soprano Et Haute-Contre 	3:01 
17. 	Motet À 5 Voix "Cantate Domino Canticum Novum" - Air De Soprano 	2:12 	
18. 	Motet À 5 Voix "Cantate Dominum Canticum Novum" - Grand Choeur Et Petit Choeur 	4:22 
19. 	Motet À 5 Voix "Cantate Dominum Canticum Novum" - Air De Basse 	2:28 	
20. 	Motet À 5 Voix "Cantate Domino Canticum Novum" - Grand Choeur Et Petit Choeur 	2:48 	
21. 	Magnificat - Air De Soprano 	2:34 	
22. 	Magnificat - Choeur 	1:49 	
23. 	Magnificat - Duo De Baryton Et Basse 	1:49 	
24. 	Magnificat - Choeur 	1:10 	
25. 	Magnificat - Récit Tendre De Ténor 	2:20 	
26. 	Magnificat - Petit Choeur 	2:50

Isabelle Poulenard - soprano
Jean-Louis Comoretto - countertenor
Erik Gruchet - tenor
Dominique Miraille - baritone
Jean-Louis Bindi - bass

Groupe Vocal de Toulouse
Ensemble Instrumental baroque
Alix Bourbon – director

 

Eighteenth-century French composer Bernard Dupuy's oratorio-like composition on the birth of Christ, Au milieu de la nuit combines French grace and Italian virtuosity into a work of great expressive power. His motet Cantate Domino Canticum Novum (Psalm 97) belongs to the great tradition of the grands motets of the Versailles school, in which the text is broken down into several verses that alternate arias, duets, and large choruses. In the Magnificat in F, the solo soprano voice rings out of both small and large choruses to glorify the Mother of God. --- daedalusbooks.com

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