J.S. Bach - Lieder ohne Worte (Transcription for Oboe) [2003]

Clavier Übung II, BWV 971: Italienisches Konzert, BWV 971: Allegro
Orgelbüchlein (Choralvorspiele): "Ich ruf' zu dir, Herr Jesu Christ", BWV 639
Orchestersuite Nr. 2 h-moll, BWV 1067: Bourrée I und II
Flötensonate E-Dur, BWV 1035: Siciliano
Matthäus-Passion, BWV 244. Aria: "Erbarme dich"
Konzert für Cembalo und Orchestrer f-moll, BWV 1056: Largo
Magnificat, BWV 243: Aria: "Esurientes implevit bonis"
Choralvorspiele III, BWV 659: "Nun komm' der Heiden Heiland"
Oster-Oratorium "Kommt, eilet und laufet", BWV 249: Aria "Saget, saget mir geschwinde"
Kantate Nr. 12 "Weinen, Klagen, Sorgen, Zagen", BWV 12: Sinfonia
Matthäus-Passion, BWV 244: Aria: "Mache dich, mein Herze, rein"
Toccata, Adagio und Fuge C-Dur, BWV 564: Intermezzo: Adagio
Konzert für Cembalo und Orchester A-Dur, BWV 1055: Allegro ma non tanto
Kantate Nr. 208, "Was mir behagt, ist nur die muntre Jagd" ("Jagdkantate"), BWV 208: Aria: "Schafe können sicher weiden"
Oster-Oratorium "kommt, eilet und laufet", BWV 249: Sinfonia (Adagio)
Messe in h-moll, BWV 232: Aria: "Agnus Dei"

Albrecht Mayer - oboe
 Sinfonia Varsovia

Albrecht Mayer is constantly fascinated by the idea of lending his voice (that of the oboe) to “foreign” works - pieces written for other instruments or for singers. Having sung as a child, he is especially attracted to the human voice, as the most “natural” of all instruments. He’s already provided convincing proof of that claim in the recording “Lieder ohne Worte - Bach transcriptions for oboe and orchestra”, in which the Baroque style and bel canto are delightfully combined. The CD immediately entered the German classical charts at number 2. ---wiastrosfan.blogspot.com

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