Ray Manzarek Trio UCLA - Live At Lighthouse Jazz Club Hermosa Beach 1961

1.Moanin'	
2.'Round Midnight
3.Ikin Retnin	
4.Joey	
5.Softly, As In A Morning Sunrise

Ray Manzarek  - piano,vocal
Jonh Halliberton - bass
Sam Beale – drums

Lighthouse Jazz Club Hermosa Beach, CA (29.03.1961)

The earliest live recording of Ray Manzarek when he was a member of a jazz group at UCLA. Ray introduces each song and plays piano, John Hallibertan plays bass, and Sam Beale plays drums. --- thedoorsguide.com

One of the most influential keyboard players in the history of rock music, Doors member Ray Manzarek was born on February 12, 1939. Born to Polish immigrants in Chicago, IL, he grew up admiring the boogie-woogie piano players that became popular in the '50s. After dropping out of U.C.L.A.'s law program, he reconsidered going to graduate school, eventually going back under their prestigious film program. It was in this environment that Manzarek helped form the Doors. Being one of the most influential rock bands in America, they would go on to release several albums before the untimely death of lead singer Jim Morrison in July of 1971. Devastating the band, they attempted two albums without Morrison featuring Manzarek on vocals, but fan support was low and the band slowly fell apart. In 1973, he released his first solo album, The Golden Scarab, and began to tour again. 1974's The Whole Thing Started With Rock & Roll Now It's out of Control came next, but Manzarek was itching to work with a band again and eventually started Ray Manzarek's Nite City. They released an eponymous album in 1976 and Golden Days Diamond Nights in 1977, but they failed to capitalize on the success of the original Doors and fell apart again. It was soon after that that the punk movement became a driving force in Los Angeles, and the band X contacted Manzarek about working with them in a production capacity. The end result was Los Angeles, one of the all-time most important punk albums. Reinvigorated, he began work on Carmina Burana, a high concept solo album about opera and minstrels that was released in 1983. Unfortunately, the effort was viewed as too pretentious and he quietly faded away for almost ten years. When Oliver Stone's film biography The Doors was released in 1991, Manzarek came out of semi-retirement to voice his displeasure in how the band was portrayed by the controversial filmmaker. In 1993, he released an album of Michael McClure's beat poetry over his keyboard playing, Love Lion, to a warm reception. The duo toured the country with the act, while Manzarek worked on his autobiography and a Doors tribute album. Both eventually came out, and he has continually voiced his desire to make a musical based on the career of his former band. At the turn of the century, he released an album with British musician/actor Darryl Read and saw his son score a major-label record deal with his band A.I. Although he has made some challenging and interesting music since that time, including the soundtrack to the film Love Her Madly in 2006, his huge influence over the world of rock will forever associate him with the Doors, and luckily Manzarek seems completely comfortable with that legacy. --- Bradley Torreano, Rovi

download (mp3 @256 kbs):

yandex mediafire mega ulozto gett

back