1 	Momento 	5:14
2 	Bring Back The Love	4:27
3 	Close To You 	3:18
4 	Os Novos Yorkinos 	3:39
5 	Azul 	3:11
6 	Caçada 	4:32
7 	Night And Day 	4:55
8 	Tranquilo	4:04
9 	Um Segundo 	3:10
10 	Cadê Você? 	3:30
11 	Words 	2:32

Acoustic Guitar – Masa Shimizu (tracks: 1, 2, 7, 9, 11), Pedro Baby (tracks: 1, 3, 5, 10)
Acoustic Guitar, Acoustic Guitar [Steel Strings] – Celso Fonseca (tracks: 6)
Bass – Jorge Helder (tracks: 6)
Cello – Ian Burdge (tracks: 1, 3, 5, 10)
Drum [Pífano] – Jorge Continentino (tracks: 6)
Pandeiro, Caxixi, Snare, Triangle, Congas, Repinique, Gong, Shaker, Udu, Agogô, Tambourine – Mauro Refosco (tracks: 1, 2, 3, 4, 5, 6, 7, 10)
Programmed By – Guy Sigsworth (tracks: 1, 3, 10)
Saxophone – Jorge Continentino (tracks: 7)
Tenor Saxophone, Flute [Alto] – Paulo Levi (tracks: 7)
Vocals – Bebel Gilberto (tracks: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11)
Vocals, Backing Vocals, Charango – Sabina Sciubba (tracks: 4)
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Backing Vocals – Sabina Sciubba
Bass – Jesse Murphy
Drums – Aaron Johnston
Featuring – Brazilian Girls
Keyboards – Didi Gutman
Backing Vocals – Nina Becker, Rodrigo Amarante
Bells, Guiro, Sampler – Berna Ceppas
Congas – Moreno Veloso
Cowbell – Stephane San Juan
Drums – Domenico Lancellotti
Featuring – Orquestra Imperial
Flugelhorn – Max Sette
Flute – Felipe Pinaud
Guitar – Bartolo, Nelson Jacobina, Pedro Sá
Percussion – Léo Monteiro
Trombone – Marlon Sette
Trombone, Bass Trombone – Bidu Cordeiro
Vocals, Backing Vocals – Thalma De Freitas

On her self-titled 2004 sophomore album, Bebel Gilberto ditched the loungey grooves she explored on her debut and stuck to mostly acoustic elements -- guitars, percussion, strings -- to complement her voice, but her next release, Momento, finds the singer returning to both electronica and more traditional bossa nova. Gilberto is still, of course, thoroughly modern, with a much more lush, produced sound than her predecessors had (including her father), but it works for her, the overall gentle ambiance she's trying to create, even when she's singing old favorites. In Chico Buarque's lovely "Caçada," she adds more bass to the underbelly of the song and lets the woodwinds play a bigger role, and the cover of Cole Porter's "Night and Day" comes off well, gentle, and with a jazzy tenor sax solo. In fact, it's when Gilberto stays simple, and looks more closely at her roots for inspiration, that she sounds the best. It's her ventures into the Rio lounge world that are less interesting, safe to a fault. Gilberto's unfortunately perfected the Brazilian version of smooth jazz or adult contemporary, shown all too clearly on songs like "Cadê Você" or "Bring Back the Love" (which features all four members from the non-Brazilian Brazilian Girls), with their programmed drums and keyboards layered behind her voice. It's too much, too clean, too pretty, sounding nice but nothing more. To be fair, the singer has never tried nor claimed to be cutting-edge, or to challenge her audience, but tracks like "Close to You" and "Momento" are so inoffensive they're hard to pay much attention to. It's very possible to be both memorable and smooth, remarkable and mild (and this is something Gilberto is capable of, like on the sparse "Um Segundo" or the mellow "Os Novos Yorkinos," for example), but more often than not, Momento ends up a shallow listen. This CD was nominated for a Grammy award in 2007 for Best Contemporary World Music Album. ---Marisa Brown, AllMusic Review

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1. Somewhere Else
2. Nada Não
3. Tom de Voz
4. Novas Idéias
5. Harvest Moon
6. Tudo
7. Saudade Vem Correndo
8. Areia
9. Tout Est Bleu
10. Lonely in My Heart
11. Vivo Sonhando
12. Inspiração

A soft, breezy summer record, Tudo befits Bebel Gilberto's status as a member of Brazilian musical royalty. The daughter of João Gilberto and singer Miúcha, as well as the niece of the legendary Chico Buarque, she crafts a work that's light but never boring.

Gilberto has been performing since childhood, and has Brazilian music woven into her DNA. Where it lacks in innovation, Tudo compensates in immaculate execution; she just lets herself be, and it works. To start, focus on two tracks: "Tout Est Bleu," which simulates the sounds of a French disco that's been relocated in the clouds, and the soothing title track. Both strike the perfect Brazilian mix of chill and melancholy that's become Bebel Gilberto's specialty. --- npr.org

Bebel Gilberto lança seu novo álbum “Tudo”. O primeiro disco de estúdio da artista em 5 anos. Gravado entre o Brasil, Nova York e Los Angeles, e produzido e mixado por Mario Caldato Jr., “Tudo” conta com 12 faixas e traz seis novas canções originais, incluindo a arrebatadora “Somewhere Else”, faixa cantada em inglês que é um dos destaques do disco; a leve “Nada Não”; “Tom de Voz”; e a belíssima “Novas Ideias”, que ela escreveu e gravou ao lado do velho amigo Seu Jorge. Bebel também interpreta com maestria a clássica “Vivo Sonhando”, de Tom Jobim, e presta homenagem a um de seus músicos favoritos, Neil Young, em um lindo cover de “Harvest Moon”. Além disso, a letra do single “Tudo” foi escrita em parceria com Adriana Calcanhotto. --- livrariasaraiva.com.b

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A1		Tão Bom
A2		Agora
A3		Cliché
A4		Bolero
A5		Essence
B1		Na Cara
B2		Deixa
B3		Raio
B4		Yet Another Love Song
B5		O Que Nao Foi Dito
B6		Teletransportador

Backing Vocals – Mart'Nália (tracks: 6, 8)
Mixed By, Programmed By, Bass, Keyboards, Percussion – Thomas Bartlett
Drums, Percussion – Magrus Borges (tracks: 1, 6, 7)
Lead Vocals, Backing Vocals – Bebel Gilberto

As the daughter of João Gilberto and Miúcha, singer/songwriter Bebel Gilberto was born into Brazilian music royalty. Hers has been a nomadic life. Born in New York City, she was raised in Brazil, Mexico, and the U.S.; she left school at 14 and has lived all over the world. That wandering spirit has informed her musical life from the beginning. Early on, she added global club and dance music into MPB and vice-versa. Her restlessness is also reflected in Agora, her first album in six years. After 2014's Tudo, Gilberto felt creatively stuck; she took a long trip to Italy for inspiration. Upon her return she called longtime friend and producer Thomas Bartlett to catch up. He invited her to stop by Reservoir Studios the next day. With no goal, their collaborative sessions netted 17 co-written tracks. Between 2018 and 2019, Gilberto lost her best friend and both parents. She and Bartlett subsequently worked together sporadically, adding three more cuts. At the end of the year, they culled 11 tracks from 20. Agora translates as "now" in English, and is arguably the most electronic record Gilberto has ever released. Informed by love, romance, grief, endings, and beginnings, it's loopy yet mature, vulnerable, and nakedly sincere. The title track, initially composed in 2008, has been thoroughly remapped by Bartlett's attractive layers of strings, organic-sounding ambience, and bassy beats, and contains a lovely hook from the intro to Dr. John's "I Walk on Gilded Splinters." "Cliché" was conjured on the spot in the studio. Gilberto completely improvised its lyrics (about clichés, of course) atop multi-tracked electric pianos, celeste, electric bass, muted snares, and organ. First single "Deixa" commences with shifting Afro-Brazilian rhythms and dark, multi-tracked, and dubby horns before Gilberto unfolds its sensual melody around the bassline as harp and marimba paint the backdrop. "Bolero" follows a crooked pathway between Cuban and Brazilian balladry, with plucked strings, claves, and piano. Its steamy mix enfolds Gilberto's sensual melody and lyric. With its ticking, treated maraca beats, "Na Cara" adds moody electronic funk to Brazilian jazz as Gilberto and duet partner Mart'náli present a languid call-and-response lyric to contrast their distinct vocal qualities. The final two tracks, "O Que Nao Foi Dito" and "Teletransportador," showcase Gilberto at her most experimental. The former is a dark-tinged processional wrapped in exotic percussion, a bossa melody, and hovering keys under Gilberto's powerful singing. The latter is a dreamy, nocturnal ballad wrapped in lush textures, hushed vocals, percussion, and jazz piano. As a whole Agora's ranging, sensual production provides an alluring, even beguiling, frame for this duo's sophisticated songwriting. With a laid-back pace, the album's slipstream sonic quality may require a couple of listens to fully absorb, but it's well worth the effort. Gilberto has made a career of seeking adventure in her music, but her partnership with Bartlett on Agora surpasses all expectations and creative limits. ---Thom Jurek, allmusic.com

Ikona brazylijskiej bossa novy, Bebel Gilberto, powróciła w sierpniu 2020 roku wydawnictwem „Agora”. Nowy materiał wyprodukował Thomas Bartlett (Sufjan Stevens, St. Vincent).

„Wiele przeszłam w trakcie tworzenia tego albumu. Straciłam przyjaciela, po pół roku mamę i niedługo potem ojca. To bardzo trudne dla mnie doświadczenia. W przypadku „Agory” zastosowała zupełnie inne podejście i otrzymałam wiele miłości i wsparcia od Thomasa, producenta albumu. Zaufał mi i pozwolił być sobą. W efekcie końcowym nowy materiał jest bardziej szalony, dojrzalszy i niesamowicie szczery” - mówi Bebel.

Wielokrotnie nominowana do nagrody Grammy, kompozytorka i wokalistka, Bebel Gilberto od czasu ukazania się jej solowego debiutu w 1986 r. oczarowuje fanów oraz krytyków na całym świecie. Na międzynarodową scenę muzyczną wkroczyła dzięki utworowi, który znalazł się na słynnej kompilacji „RED HOT+RIO”. Wydany w 2000 r. krążek „Tanto Tempo” odniósł światowy sukces. Dzięki niemu Gilberto uzyskała status najlepiej sprzedającej się brazylijskiej artystki od lat 60-tych. Wśród uznanych przez krytykę albumów znalazły się - „Bebel Gilberto” (2004 r.), na którym dopracowała swoje brzmienie, tworząc akustyczny styl lounge, który pokazał jej mocne strony jako brazylijskiej kompozytorki oraz „Momento” (2007 r.) ukazujący jej umiejętności łączenia wszystkich stylów muzycznych. Krążek „All in One”, nominowany do Grammy w 2009 r., w większym stopniu podkreślił osobowość Bebel i jej zamiłowanie do organicznych rytmów. Ostatnie wydawnictwo artystki zatytułowane „Tudo” ukazało się w 2014 r. ---voiceshop.pl

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