01 - Concerto A-Dur fur Diskant, Str & BC - Allegro
02 - Affettuoso
03 - Allegro
04 - Concertino A 4 D-Dur fur Traverso, Diskant, Str & BC - Moderato
05 - Allegro
06 - Menuetto I, II
07 - Concerto F-Dur fur Diskant, Str & BC - Allegro         play
08 - Largo
09 - Vivace
10 - Concertino A 4 E-Moll fur Traverso, Diskant, Str & BC - Moderato
11 - Allegro
12 - Menuetto I, II
13 - Sonata G-Dur fur Diskant, Vl, Vla & BC - Allegro
14 - Largo alla Siciliana                                  play
15 - Vivace
16 - Concero G-Dur fur Diskant, Str & BC - Moderato
17 - Adagio
18 – Vivace

Simone Eckert, diskant-viola da gamba
Hamburger RatsMusik

Johann Melchior Molter was a German Baroque composer and violinist. He was the son of a Kantor, and attended the Eisenach Preparatory School (Gymnasium) before entering the service of the Margrave Carl-Wilhelm of Boden-Durlach in Karlsruhe in 1717, working as a violinist. Here he married Maria Salome Rollwagen, with whom he had eight children. Studies of composition in Venice and Rome during 1719-1721 brought him into direct contact with Italian musicians such as Antonio Vivaldi and Alessandro Scarlatti.

Johann Melchior Molter was appointed to the post of court Kapellmeister (music director) in Karlsruhe in 1722. After the disbandment of the court orchestra at the end of 1733 as a result of the outbreak of the Polish War of Succession, Molter was appointed to the then vacant Kapellmeister's post at the court of Duke Wilhelm Heinrich of Saxe-Eisenach. He began his service in Eisenach during Easter 1734 and held this post until the dissolution of the Eisenach court in the summer of 1741. Maria died in 1737 and by 1742 Molter had married Maria Christina Wagner. In that year he returned to Karlsruhe and began teaching at the Gymnasium there. From 1747 to his death Molter was employed by Margrave Carl Friedrich of Baden-Durlach, the son of his first employer.

Johann Melchior Molter's surviving works include an oratorio; several cantatas; over 140 symphonies, overtures, and other works for orchestra (or 170 sinfonias, according to Answers.com); over 40 solo concertos (including some of the first clarinet concertos ever written); 21 orchestral sonatas (a genre unique Molter), other orchestral music and over 100 chamber works. His music reflects many influences and shows a move from late Baroque to galant style; imaginative instrumentation is often a feature. He also composed oratorios, cantatas and keyboard music. One of Molter's many Trumpet Concertos is the signature piece of C-SPAN's ---Washington Journal.

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Sinfonia in D Major, MWV 7.24 for two violins, viola and continuo
Source: digitalized autograph manuscript, 1738, BLB Karlsruhe, D-KA, Mus. Hs. 531
1 I. — 00:01:57
2 II. Andante 00:04:11
3 III. — 00:03:36

Cantata in G Major, MWV 2.26 for soprano, strings and continuo (with ripieno flute “ad libitum”)
Text by Adriano Morselli; Source: digitalized autograph manuscript, ca. 1742, BLB Karlsruhe, D-KA, Mus. Hs. 431
4 I. Aria “In petto ho un certo affanno” 00:06:59
5 II. Recitativo “Ardo tacita amante” 00:01:12
6 III. Aria “l’adorar beltà che piace” 00:05:57

Concerto in A Major, MWV 6.13 for flute, strings and continuo
Source: digitalized autograph manuscript, ca. 1734-1741, BLB Karlsruhe, D-KA, Mus. Hs. 314
7 I. — 00:04:06
8 II. Adagio 00:04:05
9 III. — 00:02:59

Sonata à quadro in F Major, MWV 9.20 for oboe, violin, viola and continuo
Source: digitalized autograph manuscripts, ca. 1725-1733, BLB Karlsruhe, D-KA, Mus. Hs. 343 + Mus. Hs. 1130
10 I. Allegro 00:02:04
11 II. Largo 00:03:05
12 III. Allegro 00:01:56

Overture in B-Flat Major, MWV 3.7 for Dessus premier, Dessus second, Haut Contre, Basse
Source: digitalized autograph manuscript, ca. 1730, BLB Karlsruhe, D-KA, mus. Hs. 392
13 I. Overture 00:04:32
14 II. Paisan. Viste 00:01:38
15 III. Passecaille 00:02:51
16 IV. Menuet 00:01:17

Cantata in E-Flat Major, MWV 2.25 for soprano, strings and continuo
Text by anonymous; Source: digitalized autograph manuscript, 1738?, BLB Karlsruhe, D-KA, Mus. Hs. 426
17 I. Aria “Care erbette amiche piante” 00:07:45
18 II. Recitativo “dilettissimo tirso” 00:00:48
19 III. Aria “colle ninfe e coi pastori” 00:04:54

Camerata Bachiensis
Julia Kirchner – soprano
Roberto de Franceschi – oboe, flauto traverso 

Born in 1696 in Thuringen, Johann Melchior Molter’s musical talent was recognized at an early age. He served in the court orchestra at Karlsruhe, and later studied alongside Vivaldi and Scarlatiti in Italy before returning home to live the rest of his life as a court composer. Molter’s work is characterized by ceremonial and festive tunes. His happy mix of German counterpoint, French grandeur, and Italian brilliance create a charming and intricate listening experience. This new release, which is performed on period instruments by the Camerata Bachiensis, includes a variety of cantatas and orchestral works. ---arkivmusic.com

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