1 	Orange Driver 	
2 	When I Get Drunk 	
3 	Kidman 	
4 	Bottle Up And Go 	
5 	Inflation Blues 	
6 	Detroit 	
7 	Butterfly 	
8 	Boom Boom 	
9 	Time Out 	
10 	New Highway 61 	
11 	Blue Jay 	

Bass – Frank Bryant
Drums – Bobby Smith
Guitar, Harmonica, Vocals – Eddie Burns
Piano – Joe Hunter 

If you like the Blues and just want to listen to a good standard Blues record you really have many to choose and Eddie Burns' "Detroit" is one of them. From the first cut to the last there are plenty of classic Blues you can enjoy. All songs are on a similar level, but I want to highlight the open track 'Orange Driver', the typical slow Chicago Blues 'Inflation Blues' and 'Buterfly', the typical shuffle 'Detroit' where Burns simulates the well-known 'Goin to Chicago', the instrumental 'Time', perhaps the best song with a good work both in guitar and harp, a good acoustic Blues 'New Highway 61' and the relaxing last cut 'Blue Jay', a great band work, piano, harp and of course vocals. As for acoustic Blues 'Bootle up and go' and 'Boom Boom', I prefer the John Lee Hooker's covers. ---Bluesman From Barcelona, amazon.com

Impressive contemporary outing that captures Burns's traditional leanings very effectively. Backed by a mean little combo that includes ex-Motown staff pianist Joe Hunter, Burns revives his classic "Orange Driver" and offers a few fresh compositions as well. Originally issued on Toledo, OH-based Blue Suit Records. ---Bill Dahl, llMusic Review

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1 	Snake Eyes 	3:17
2 	Your Cash Ain't Nothin' But Trash 	2:52
3 	Lonely Man Plea 	3:59
4 	Go 'Head Angel 	4:31
5 	Night Shift 	6:01
6 	Papa Likes To Boogie 	3:39
7 	I Call It Love 	3:46
8 	Jail Time 	5:23
9 	Treat Me Like I Treat You 	2:37
10 	Goin' To New Orleans 	4:23
11 	Lend Me Your Love 	5:15
12 	Hastings Street Special 	3:30
13 	For You My Love 	2:41
14 	Hello Miss Jessie Lee 	4:54
15 	Don't Let Money Change You 	4:08

Eddie Burns - Vocals, Harmonica, Electric Guitar, Acoustic Guitar
Jimmy Burns - Electric Guitar, Acoustic Guitar
Roosevelt Purifoy – Piano
Roosevelt Purifoy – Bass
Larry Taylor – Drums

Like Muddy Waters, Howlin' Wolf, and John Lee Hooker, Eddie "Guitar" Burns is a perfect example of a bluesman who was born and raised in Mississippi but made his mark after he moved north and went electric. The main difference between Burns and those other bluesmen -- all of whom he outlived -- is the fact that he isn't a great singer. While Waters, Wolf, and Hooker were all both great singers and great musicians, Burns is a fine musician but a limited singer. Of course, having a limited vocal range hasn't prevented Madonna from providing meaningful dance-pop -- and similarly, Burns doesn't let his vocal limitations hold him back on Snake Eyes. A 73-year-old Burns recorded this CD for Delmark on September 12 and 13, 2001 -- right after the 9/11 terrorist attacks -- and the veteran bluesman is in good form throughout the album. Burns' vocals are on the thin side, but he still gets his points across on original songs, as well as on performances of Memphis Slim's "Lend Me Your Love," Paul Gayten's "For You My Love," and Charles E. Calhoun's "Your Cash Ain't Nothin' But Trash" (which has been recorded by everyone from the Clovers to Steve Miller). And his musicianship (on harmonica as well as guitar) is certainly nothing to complain about. Burns, whose brother Jimmy Burns is also employed on guitar, offers an appealing Detroit/Chicago blend -- Snake Eyes is primarily an album of Detroit-style electric blues, but the disc isn't without Windy City influences. In fact, the brothers produced Snake Eyes with Delmark founder/president Bob Koester, who is a major expert when it comes to Chicago blues. Although not a five-star masterpiece, Snake Eyes is an enjoyable outing from a blues survivor who has spent many years in the trenches. ---Alex Henderson, Rovi

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