1 	Brink Of Destruction 	
2 	Brothers In Blood 	
3 	Live Love Lie 	
4 	Signposts To Bedposts 	
5 	Anytime Anyplace 	
6 	Raised Voices And Confrontations 	
7 	Rock Bottom 	
8 	Hollywood Whore 	
9 	Diseased And Distraught 	
10 	Can't Write A Love Song

Amadeus - bass
Micky Satiar - vocals
Smeth - guitar
Benj - drums
Milton "Stewy" Gunns - guitar

With a band name like Dear Superstar I was quite sure that "Heartless" was a new album made for emo kids. You know what? I wasn't wrong but yes I know the guess was easy. The world of music is really funny especially if you have a look at the trends. Some years ago female fronted bands were trendy, later it was Metalcore then emo Gothic stuff and finally everybody tries to come back to Glam (with of course a good dose of "Emo" business in the music). Dear Superstar plays in the last category and if I cannot say that the album is badly interpreted I cannot find anything special in this release and I will let you know why.

"Heartless" is a real living clichés. If you're a bit open-minded and don't live in a cave you've probably already seen all the Emo bands which try to play Metal and Hard Rock so I won't give any names because I'm sure that you know them and know what kind of music they play. Dear Superstar is a weeding between Glam Rock and Metalcore a la Emo sauce. If you know Avenged Sevenfold and believe me when I say that they've mixed their music with Mötley Crüe you already know of what I'm talking about… "Heartless" is just full of hyper commercial catchy choruses with this really irritating (at least for me) emo voice in addition of Metaclore riffs and Glam guitars soli… The mix can sounds a bit strange but let's be honest it works and will be attractive for a lot of people who are into such kind of music. I'm not a crusader who wants to exterminate all those bands and their fans, really that's their business and not mine but I won't say that it's good to say that it's good, this is just trendy as hell and damn even if I can conceded that some bands are not so terrible I don't see where is the interest to do and play something that we've already heard 100000… other times. "Heartless" doesn't give anything new and that's sad…

As you can guess the production of the album is perfect and Dear Superstar was probably reviewed by all the "big" Rock and Metal magazines… Yes life is cool for this new band and everybody is happy! They don't really need anymore help the music business is here to help them so I won't say anything else and let you see if you can stand their music or not. The musicians are not so bad at least and the music is well interpreted but this is boring and linear in the end.

If you're into emo music, "Heartless" is a must for you. There is nothing new but all the ingredients that you want to see are present in this release. This is just not for me and I'm probably not really objective through this review but I tried to listen to the album and no I just can't. Recommended to all the people who are into the emo trend but if you want something deeper, buy something else or do some speleology. ---Jeff, metalstorm.net

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01. Damned Religion 3:27		play
02. Change Yesterday 4:22
03. Last Rites 4:37
04. Our City Sleeps (feat. Stevie D of Buckcherry) 3:51
05. Anthem To My Life 3:52
06. Turn To Dust 3:26
07. Sirens 3:47		play
08. Tomorrow 3:48
09. Glitter Just Like Gold 4:33
10. Crystallized 5:0

Micky Satiar – vocals
Adam Smethurst – lead guitar
Benj Ashmead - drums
Stew Milton - rhythm guitar
Ben Grimsley - bass

Dear Superstar are a rather awesome band, that deal in the sleaziest, dirtiest and heaviest hard rock, who deliver the sound of the rock n' roll sunset strip... from Lancashire. Yep, Hollywood hard rock from the county that invented the hotpot. Clearly, we are dealing with some classy stuff here, as their heavier more metallic take on glam rock, something we've seen achieved by the likes of Escape the Fate, Papa Roach and the groups most recent tour buddies, Glamour of the Kill, a group I like to think of as "the working man's Bullet for My Valentine." Make what you will of that. Third album Damned Religion hits listeners with force and proves that stepping down from all their Mancunian rock n' roll parties is not something that Dear Superstar are looking to do any time soon.

On their website, the band make the claim that what they like to do is "combine their love for classic hard rock with the power and bile of modern metal." And yes, they are successful in doing just that. Their endless pack of relentless breakdowns and punching hard riffs packs a gripping and adrenaline packed rush of violent and furious heavy metal with a similarity to more modern mainstream practitioners like Atreyu and All That Remains, as tracks like Damned Religion and Change Yesterday tear speakers apart with frenzied grooves and violent shredding from Adam Smelthurst and Ben Grimsley. But when, this furious metallic rush isn't the full focus, an influence from a number of hard rock groups is present, classic and more contemporary. With their hook filled rhythms and massive choruses, Turn to Dust and Last Rites have the fun hair metal qualities of Mötley Crüe about them, whilst the more pounding and rapid Our City Sleeps has a greater reminiscence of the definitive modern sleaze rock group Buckcherry, which is obviously aided by the guest guitar solo from their Stevie D. to add to the mix. Meanwhile, tracks like Sirens and Tomorrow with a grungier vibe with the prominent rapid velocity contains much more a relation to many modern southern rock groups a la Black Stone Cherry and Shinedown. My final spotted similarity can be found in closer Crystallized which with it's surprisingly pretty shimmering lead guitar backdrops which reveal a talent within the group for creating textures made me think of some of the layers of various sounds and effects that were present on Bones, the latest album from High Wycombe's Young Guns. That's unlikely to have been viewed as influential though. Both albums were released on the same day y'know. However, the frenzied impassioned performance from Dear Superstar across the album reveals a clear attention paid to their fellow hard rock and heavy metal peers.

Of course, if you know of Dear Superstar, there's a good chance you'll know about all the bands I've just mentioned here as well and you'll realise that all these bands really do have their similarities, so Damned Religion is on the whole pretty low on variation and tracks can blend into one at times with a lack of stand out moments or moments of true astonishment. So, this album gives Dear Superstar a chance once more to reveal their talent for mixing classic sleazy hard rock with the juddering adrenaline and fury of modern heavy metal but it shows that the band still has room for improvement and shows that their next steps are to come back with a bigger sound that they can truly adapt upon and call their own. --- Andy Davidson, ramblingsofarockfan.blogspot.com

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