1. Another World / Do It Again / Get Yourself High 7:22
2. Horse Power / Chemical Beats 9:50
3. Swoon / Star Guitar 10:59
4. Three Little Birdies Down Beats / Hey Boy Hey Girl 5:34		play
5. Don't Think / Out Of Control / Setting Sun 10:12
6. Saturate 7:38
7. Believe 5:34
8. Escape Velocity / The Golden Path 8:34
9. Superflash 6:02		play
10. Leave Home / Galvanize 2:18
11. Block Rockin' Beats 4:51

Wayne Coyne - Vocals
Steven Drozd - Vocals
Bobby Gillespie - Vocals
Little Barrie - Guitar
Beverley Skeete - 	Vocals
Bernard Sumner - Guitar, Vocals 

The Chemical Brothers were packing arenas back when CDs were the hottest thing in digital entertainment, so the prospect of Don't Think being their first live set is a bit of a surprise. (Just after their first album, they released the possibly live DJ set Brothers Gonna Work It Out.) But Don't Think, filmed at the massive Fuji Rock Festival in Japan, is an opportunity for the brothers to show a viewing audience (and a listening audience) just what they're capable of -- a live show that's gotten bigger and brighter and ballsier even as their productions have become more streamlined and safe. First released in early 2012 to cinemas in multiple countries, Don't Think also benefits from the direction of Adam Smith, who has tailored and expanded the Chemical Brothers' light and video shows for nearly 15 years. His vision and creativity are easily a match for the music itself, which at its best is what great dance music always has been: absorbing and disorienting and the catalyst for a great night out. Tom Rowlands and Ed Simons are the masters of their domain as well. Their feel for pacing is superb, both on the DVD and the CD (which have different run times), and they choose material from their entire career (from pre-debut album to the title track, used in Black Swan). All that said, the audience's gushing reaction -- which has all the oohs and ahhs of a circus sideshow -- isn't much of a surprise. ---John Bush, AllMusic Review

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01 – Hanna’s theme
02 – escape 700
03 – chalice 1
04 – the devil is in the details
05 – map sounds chalice 2
06 – the forest
07 – quayside synthesis
08 – the sandman					play
09 – Marissa flashback
10 – bahnhof rumble
11 – the devil is in the beats
12 – car chase (arp worship)
13 – interrogation lonesome subway Grimm’s house
14 – Hanna vs Marissa				play
15 – sun collapse
16 – special ops
17 – escape wavefold
18 – isolated howl
19 – container park
20 – Hanna’s theme (vocal version)

ot on the heels of recent film scores from Daft Punk (Tron: Legacy) and Basement Jaxx (Attack the Block), the Chemical Brothers are the latest '90s electronica duo to transfer their knob-twiddling talents to the big screen with this official soundtrack to Hanna, the Joe Wright-directed tale of a young girl (Saoirse Ronan), trained by her father (Eric Bana) to become a multi-lingual assassin. Ignoring the temptation to smother their usual blend of hypnotic breakbeats and booming basslines in layers of cinematic orchestration, the album features several tracks that would fit quite comfortably on their recent studio effort, Further, such as the Middle Eastern-tinged "Escape 700," the claustrophobic, industrial electro of "Bahnhof Rumble," and the whirling sirens and old-school hip-hop samples of "The Devil Is in the Beats." But away from their superstar DJ sound, the pair pursue an uncharacteristically stripped-back, lo-fi production which perfectly suits the unsettling plot line of the Eastern Europe-based thriller. Opening number "Hanna's Theme" (also featured here in a vocal version featuring the ethereal tones of Stephanie Dosen) provides the motif which runs throughout its 20 tracks, with its twinkling music box instrumentation, eerie cooing harmonies, and lullaby-ish melodies also prevalent on the likes of the slightly creepy "The Sandman," the alternative kids' TV theme "The Devil Is in the Detail," and the atmospheric "Interrogation/ Lonesome Subway/Grimm's House." Elsewhere, "Car Chase (Arp Worship)" is a suitably adrenaline-charged fusion of twitchy techno and thundering trip-hop grooves, the ominous basslines and Italo-house piano chords of "Container Park" are underpinned by a series of sinister sound effects which should come with a health warning for those with a nervous disposition, while "Hanna vs. Marissa" brilliantly builds up the tension of the film's pivotal scene with an array of clattering rhythms, ambient noises, and ear-piercing synths. Several numbers are nothing more than brief pieces of incidental music ("Chalice 1," "Sun Collapse") which don't serve any purpose outside the context of the film, but strip away these occasional aimless noodlings, and you're left with an appropriately bold and brooding soundtrack which shows that 20 years into their career, the Chemical Brothers still have a few tricks up their sleeves. ---Jon O'Brien, AllMusic Review

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