Rock, Metal The best music site on the web there is where you can read about and listen to blues, jazz, classical music and much more. This is your ultimate music resource. Tons of albums can be found within. http://theblues-thatjazz.com/en/rock/2004.html Thu, 25 Apr 2024 22:05:43 +0000 Joomla! 1.5 - Open Source Content Management en-gb Shakin' Stevens - Rockin' & Shakin' (1972) http://theblues-thatjazz.com/en/rock/2004-shakin-stevens/14711-shakin-stevens-rockin-a-shakin-1972.html http://theblues-thatjazz.com/en/rock/2004-shakin-stevens/14711-shakin-stevens-rockin-a-shakin-1972.html Shakin' Stevens - Rockin' & Shakin' (1972)

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1.Roll Over Beethoven
2.White Lightning
3.One Night With You
4.Hi-Heel Sneakers
5.Tallahassie Lassie
6.Yakety Yak
7.Maybellene
8.Hearts Made Of Stone
9.Good Rockin' Tonight
10.At The Hop
11.Walking On The Water
12.Rip It

Shakin' Stevens - Primary Artist, Vocals
Mike Barrett - Vocals
Sunsets - Primary Artist  

 

Born Michael Barratt, 4 March 1948, Ely, South Glamorgan, Wales, the youngest of 12 children. A rock 'n' roll singer in the style of the early Elvis Presley, Stevens brought this 50s spirit to a long series of pop hits during the 80s. In the late 60s, he teamed up with a Welsh rock revival group, the Backbeats, who immediately changed their name to Shakin' Stevens And The Sunsets. During the early 70s, the band, with Stevens as lead singer, recorded unsuccessful albums for Parlophone Records, CBS Records and Dureco Records in Holland, where the Sunsets had a large following. In 1976, they recorded a cover version of the Hank Mizell hit "Jungle Rock" before disbanding.

Shakin' Stevens now began a solo career, and his debut single was "Never', in March 1977. He appeared on stage in Jack Good's West End musical Elvis, which won a number of awards. He also appeared on Good's stage revival of his pioneering television series Oh Boy!, and had further exposure on television with the same revival, which was later known as Let's Rock. His recording career still did not take off, and following the disappointing Shakin" Stevens for Track Records he signed a more lucrative contract with Epic Records under the guidance of his new manager Freya Miller. Three singles followed; Roy Head's "Treat Her Right", Jody Reynolds' death song "Endless Sleep", in the style of 50s UK rocker Marty Wilde, and "Spooky', produced by ex-Springfields member Mike Hurst, but there was still no chart action. A change of producer to Stuart Colman in 1980 brought Stevens" first Top 20 hit, "Marie Marie", first recorded by the Blasters, and the following year Colman's infectious rockabilly arrangement of the 1954 Rosemary Clooney number 1 "This Ole House" topped the UK chart and became a huge international success.

Over the next seven years, Stevens had 32 Top 40 hits in the UK, and similar popularity followed in Europe and beyond (he was the first artist to go double platinum in Sweden), although he made almost no impact in the USA. Among his hits were three further chart-toppers - a revival, of Jim Lowe's 1956 song "Green Door' (1981), Stevens" own composition "Oh Julie" (1982), and "Merry Christmas Everyone" (1985). With an audience equally divided between young children and the middle-aged, his other recordings included brief excursions into soul (the Supremes' "Come See About Me" in 1987) and MOR ballads (the Bing Crosby/Grace Kelly film theme "True Love", 1988). He duetted with fellow Welsh artist Bonnie Tyler on "A Rockin' Good Way (To Mess Around And Fall In Love)" (1984), which was first recorded in 1960 by Dinah Washington and Brook Benton.

At the dawn of the 90s, even though he was hugely popular in Europe, there were signs that Stevens' hold over his UK audiences was faltering. Although the Pete Hammond-produced "I Might" reached the UK Top 20, his subsequent records in 1990/1 made little impact. A promotion campaign for the compilation The Epic Years (billed as "Shaky") failed to dent the UK Top 50. 1993 started badly for Stevens, as litigation with his former band the Sunsets was resolved, it was alleged that Dave Edmunds and Shaky had to pay out £500,000 in back royalties. In 1995, he decided to take some time out, to review his career and business affairs. He returned to touring in 1999 and to the recording studio the following year, although no album has yet been forthcoming. --- music.us

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administration@theblues-thatjazz.com (bluesever) Shakin' Stevens Thu, 05 Sep 2013 15:40:28 +0000
Shakin’ Stevens – Hits & More! (2003) http://theblues-thatjazz.com/en/rock/2004-shakin-stevens/7239-shakin-stevens-hits-a-more-2003.html http://theblues-thatjazz.com/en/rock/2004-shakin-stevens/7239-shakin-stevens-hits-a-more-2003.html Shakin’ Stevens – Hits & More! (2003)

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CD1
01. This Ole House
02. It’s Late
03. Sea Of Love
04. Shirley
05. Because I Love You
06. Teardrops play
07. A Rockin’ Good Way
08. A Love Worth Waiting For
09. Don’t She Look Good
10. Hot Dog
11. Don’t Turn Your Back
12. Do You Really Love Me Too
13. Tired Of Toein’ The Line
14. A Little Boogie Woogie

CD2
01. Oh Julie
02. You Drive Me Crazy
03. This Time
04. I’m Knockin’
05. Give Me Your Heart Tonight
06. A Letter To You play
07. Merry Christmas Everyone
08. You And I Were Meant To Be
09. Que Sera, Sera
10. Blue Christmas (Album Version)
11. Josephine
12. What Do You Want To Make Those Eyes At Me For
13. With My Heart
14. Feel The Need In Me

CD3
01. Green Door
02. Cry Just A Little Bit play
03. The Shape I’m In
04. Turning Away
05. I’ll Be Satisfied
06. Breaking Up My Heart
07. Marie, Marie
08. Don’t Tell Me We’re Through
09. Treat Her Right
10. I Guess I Was A Fool
11. Your Ma Said You Cried In Your Sleep Last Night
12. Lipstick, Powder And Paint
13. It’s Raining
14. Radio
Ian Aitken Guitar Rod Argent Keyboards, Producer, Synthesizer Ray Beavis Sax (Tenor) Dick Bland Guitar (Bass) Billy Bremner Guitar John "Rabbit" Bundrick Piano Stuart Calver Vocals (Background) B.J. Cole Guitar (Steel) Stuart Colman Guitar (Bass) Les Davidson Guitar Mickey Gee Guitar, Guitar (Rhythm) Chris Gower Trombone Dick "Rabbit" Hansen Trumpet Eddie Jones Guitar (Electric) Albert Lee Guitar, Primary Artist Hank Marvin Guitar, Primary Artist Roger McKew Guitar, Guitar (Rhythm) Chris Neil Vocals (Background) John Frederick Perry Vocals (Background) Gavin Povey Accordion, Keyboards, Piano, Synthesizer Frank Ricotti Percussion Tony Rivers & The Castaways Vocals (Background) Anthony "Packrat" Thompson Vocals (Background) Howard Tibble Drums Geraint Watkins Accordion, Piano Paul "Wix" Wickens Synthesizer Pete Wingfield Piano Chris Wyles Drums

 

One of the linchpins of the British rock & roll revival of the 1970s and '80s, Shakin' Stevens ranks among the most persistent performers ever to emerge, ultimately, as a superstar. Stevens has no less than 30 U.K. Top 40 hits to his name, almost all of them racked up during a five-year span of chart invincibility. Yet his recording career pre-dated his first hit by over a decade, struggling through a period that might have forced any less committed artist to simply abandon all hope.

"Shaky" was born Michael Barratt on March 4, 1948 in Ely, Wales. The youngest of 11 children and a keen amateur singer, he was already married and working as a milkman when he formed Shakin' Stevens & the Sunsets, his first professional band, in 1968. The bandmembers themselves had been playing together in one form or another since the late '50s (when they formed as the Backbeats), and knew Stevens as one of their most devoted fans; he would often join them on-stage to perform a guest vocal or two. With a ferocious live following around South Wales, the band signed to Parlophone in 1970 and recorded its debut album, the optimistically titled A Legend, with producer Dave Edmunds. Reports that they also opened for the Rolling Stones in December 1969 appear to be exaggerated, but the band gigged regularly around Germany and Holland, and scored several European hit singles.

Still, they seemed doomed to haunt the rock & roll revival circuit, all the more so after Stevens was cast in impresario Jack Good's musical Elvis in 1977 (he appeared as the Army-era King), and the band was forced into hiatus for the duration of the play's six-month run. Worse was to come (for the group), however, as Elvis went on to become one of the year's biggest musicals. Stevens' run was extended to two years, and exploding media attention made it clear that Shaky would not be returning to South Wales anytime soon. Stevens quit the Sunsets in late 1979 and, as a solo performer, was signed briefly to Track Records. However, three singles and the Play Loud LP were lost when the label went bankrupt and, while Stevens quickly bounced back, signing to CBS in 1980. His first attempt at recording an album for the label ended with rejection.

A role in Jack Good's reborn Oh Boy TV series kept Stevens at the forefront, however, and the CBS subsidiary Epic picked him up. Three singles flopped, but in February 1980 Stevens finally scored his first U.K. hit when a version of Buck Owens' "Hot Dog" reached number 24. "Marie Marie," a Top 20 hit, arrived that summer, and the following February, Stevens enjoyed his first U.K. chart-topper, "This Ole House." The follow-up, "You Drive Me Crazy," reached number two, before "Green Door" returned him to the top. Thereafter, the hits flew thick and fast; further chart-toppers "Oh Julie" (1982) and "Merry Christmas Everyone" (1985) sandwiched such smashes as "Shirley," "Give Me Your Heart Tonight," "I'll Be Satisfied," "Blue Christmas," "Cry Just a Little Bit," and many more.

A 1985 reunion with the Sunsets' first producer, Dave Edmunds, resulted in the Lipstick Powder & Paint LP (Edmunds also handled the Christmas number one), while Stevens' other albums included the Top Three successes This Ole House and Shaky (both 1981) and Give Me Your Heart Tonight (1982). There was even chart action for his early-'70s work with the Sunsets, gathered up on the 1981 compilation Shakin' Stevens. Litigation relating to this material would pursue Stevens through the remainder of the

80s and into the '90s, as his former bandmates battled over unpaid royalties. The hits grew smaller as the '80s progressed; his final U.K. Top Five entry was a revival of "What Do You Want to Make Those Eyes at Me For" in 1987; other singles struggled to even approach the peaks Shaky had once dominated, and in 1993, Stevens retired from recording and performing. His final hit, the previous year's "Radio," was recorded with Queen's Roger Taylor and reached number 37.

Stevens remained in retirement for six years. He was back on the live circuit in 1999, and in 2005 he returned to the U.K. chart with the hits compilation The Collection. That same year he appeared on, and won, the U.K. pop oldies reality TV show Hit Me Baby One More Time -- his victorious song, a cover of P!nk's "Trouble," brought him a Top 20 hit that summer, and paved the way for his first new album in 15 years, 2007's Now Listen. The following year saw Stevens celebrate his 60th birthday with a string of major concerts around the U.K. and Europe, including an appearance at the Glastonbury Festival. Another celebratory tour followed in 2011 when Stevens launched his 30th anniversary celebration and released a new album, Rockin' the Blues. Returning in 2016 with his 20th studio album, Stevens took inspiration from his own ancestral background for the much darker and Americana-influenced Echoes of Our Times. ---Dave Thompson, allmusic.com

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administration@theblues-thatjazz.com (bluesever) Shakin' Stevens Wed, 27 Oct 2010 21:46:41 +0000