1.We're Gonna Rock 2:15
2.I Got Loaded 3:03
3.Our Last Night 3:20
4.Come On, Let's Go 2:52
5.Walking Song 3:04
6.A Matter of Time 3:28
7.Evangeline 2:31
8.Instrumental 3:50
9.Farmer John 2:42
10.Let's Say Goodnight 3:30
11.Will the Wolf Survive? 3:41
12.Don't Worry Baby 3:02
13.300 Pounds of Heavenly Joy> 7:21
14.La Bamba 4:36
15.I Got To Let You Know 2:37
16.Why Do You Do? 3:20

Cesar Rosas – vocals, bass
Conrad Lozano – vocals, guitarron
David Hidalgo – vocals, accordion, guitar
Steve Berlin – saxophone
Louie Perez - drums

Biddy Mulligans Chicago 1984-12-14

In 1984, the band was coming off the release of their major label debut record How Will the Wolf Survive. Unbeknownst to many, the record would go on to become a classic that helped spike the fanfare Los Lobos received.

On December 14, 1984, Los Lobos made their first appearance in Chicago playing at Biddy Mulligan’s in Rogers Park.

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01. Burn It Down 
02. On Main Street 
03. Yo Canto 
04. Tin Can Trust 
05. Jupiter of the Moon 
06. Do the Murray 
07. All My Bridges Burning 
08. West L.A. Fadeaway 
09. The Lady and the Rose 
10. Mujer Ingrata 
11. 27 Spanishes

David Hidalgo - guitar, violin, accordion, percussion, vocals
Cesar Rosas - guitar, vocals
Louie Pérez - guitar, drums, vocals
Conrad Lozano - bass, vocals
Steve Berlin - saxophones, keyboards
Cougar Estrada - drums, percussion
Susan Tedeschi - backing vocals (1)
Rev. Charles Williams - keyboards (3, 7)

Over the course of a recording career that's poised to enter its fourth decade, Los Lobos are a band who have never shied away from writing about folks struggling to make their way through hard times, and one might argue that in the wake of America's financial meltdown and a recession that won't seem to go away, the rest of the United States is starting to catch up with the East L.A. barrios that have been the locale of the group's most powerful songs. The title cut on Tin Can Trust, Los Lobos' 14th studio album, collects the thoughts of a guy trying to make ends meet collecting cans and bottles, whose wardrobe consists of "a dime store shirt/and two bucks for a good pair," and it's a song that carries more weight than usual in a time where seemingly everyone is having trouble getting by. But later in the same number, the same character tells the woman he loves "I can give you one thing a man can bring," and it's hardly the only moment on Tin Cast Trust where this band of survivors has something to say about simple determination in the face of bad luck. On Tin Can Trust, some folks are trying to repair broken love affairs, others are hoping to outrun hatred and bad luck, and a few are struggling to sort out just where their culture and their history have left them. The musicians in Los Lobos are too smart to think they have the answers to all the questions they pose, but they're clever enough to know that sometimes giving them a good, long ponder can help, and on songs like "Burn It Down," "Jupiter or the Moon," and "27 Spanishes" they offer some powerful food for thought that happens to have some great music attached. Tin Can Trust captures this exceptional band in truly great form -- the guitar interplay between David Hidalgo and Cesar Rosas shows both men are playing at the top of their game, bassist Conrad Lozano and drummer Cougar Estrada are a strong and soulful rhythm section, and Steve Berlin's keys and sax add just the right coloring. These performances are low on ego-driven flash but high on exciting, emotionally compelling music, and as Los Lobos try to sort out what's happening in their neighborhood (and our nation), they still find some room to celebrate a good, sunny day ("On Main Street") and the power of a righteous guitar rave-up ("Do the Murray"). On Tin Cast Trust, Los Lobos prove that tough times don't last, but tough music does, and those are words we can all live by. ---Mark Deming, AllMusic Review

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1.  Dream in Blue — 3:34
2.  Wake up Delores — 2:55
3.  Angels with Dirty Faces — 4:02
4.  That Train Don’t Stop Here — 3:53
5.  Kiko and the Lavender Moon — 3:36
6.  Saint Behind the Glass — 3:17
7.  Reva’s House — 3:05
8.  When the Circus Comes — 3:16
9.  Arizona Skies — 2:45
10.  Short Side of Nothing — 2:57
11.  Two Janes — 3:53
12.  Wicked Rain — 3:05
13.  Whiskey Trail — 2:41
14.  Just a Man — 3:40
15.  Peace — 3:56
16.  Rio De Tenampa — 1:59

Bass, Guitarrón, Backing Vocals – Conrad R. Lozano
Drums – Pete Thomas
Drums, Vocals, Guitar, Percussion, Other [Couch And Phone] – Louis Pérez
Electric Guitar, Acoustic Guitar, Vocals – Cesar Rosas
Guitar, Accordion, Violin, Banjo, Piano, Percussion, Vocals – David Hidalgo
Percussion – Alex Acuña, Victor Bisetti
Saxophones, Flute, Melodica, Harmonica, Organ, Piano, Synthesizer, Percussion – Steve Berlin 

Los Lobos had earned a reputation as one of the most intelligent and creative roots rock acts in America with the albums By the Light of the Moon and The Neighborhood, but it was with 1992's Kiko that they really demonstrated the breadth of their sonic ambitions. Produced in collaboration with Mitchell Froom, Kiko exchanged the more straightforward approach of Los Lobos' previous sessions for a uniquely textured sound, with the group's guitars thrown into sharp relief against Froom's collection of vintage tape-loop keyboards, and the arrangements are often unusually spare, most powerfully in the ghostly spaciousness of "Kiko and the Lavender Moon" and "Wake Up Delores." Even the more full-bodied cuts, such as the rollicking "That Train Don't Stop Here" and the hard-rocking "Whiskey Trail," boast a different personality than in Los Lobos' previous work, with the guitars clean but cutting like a switchblade and the drums snapping hard, and the more contemplative selections drip with a mysterious, otherworldly ambience that's matched by the impressionistic imagery of David Hidalgo and Louie Pérez's superb songs. At its best, Kiko sounds like the musical equivalent of a Luis Buñuel dream sequence, balancing beauty and menace with intelligence and a skill that's little short of dazzling; it's a brilliant, singular achievement, and the most rewarding album in the group's catalog. ---Mark Deming, AllMusic Review

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