CD1:
01. Cast In Steel
02. Under The Makeup
03. The Wake
04. Forest Fire
05. Objects In The Mirror
06. Door Ajar
07. Living At The End Of The World
08. Mythomania
09. She’s Humming A Tune
10. Shadow Endeavors
11. Giving Up The Ghost
12. Goodbye Thompson

CD2:
01. The End Of The Affair
02. Mother Nature Goes To Heaven ((Original Version))
03. Nothing Is Keeping You Here ((Original Version))
04. Shadowside ((Demo Version))
05. Start The Simulator ((Stereophonic Mix))
06. Foot Of The Mountain ((Mark Saunders Remix))

Morten Harket - vocals
Magne Furuholmen - keyboards
Paul Waaktaar-Savoy - guitars

It was difficult to get too emotional once the last strains of ‘Take On Me’ had echoed around the Brighton Centre, one of the dates on a-ha’s ‘Ending On A High Note’ UK tour in 2010. By their very nature, farewell tours generally attract a greater audience, and I always felt the so-called split was more a cynical marketing ploy rather than a desire to draw a permanent line under an extraordinary career. As guitarist and principal songwriter, Paul Waaktaar-Savoy, confirmed to the band’s official website: “The idea to end the band was forced. Not natural. It felt like a business decision to me. Just someone’s bright idea.”

a-ha actually reformed less than a year later in August 2011, albeit in exceptional circumstances, performing ‘Stay On These Roads’ at the Oslo Spektrum, in remembrance of the victims of the Norway massacre the previous month. And, if there was ever a reminder needed of the band’s enduring popularity in their native country, it came in November 2012 when they were awarded the Knights First Class of the Royal Norwegian Order of St. Olav for their outstanding contribution to music.

With an opportunity to perform again at ‘Rock In Rio’ (the scene of, arguably, their biggest triumph in 1991) too tempting to resist, the full scale of a-ha’s reunion was eventually announced – somewhat nervously – at a press conference in March this year, with details of a 2-year plan encompassing a brand new studio album and tour.

During the conference, Paul flippantly observed that he’d been “super busy and released one song” (the excellent ‘Manmade Lake’) in five years. In fact, he’d also collaborated with Jimmy Gnecco on ‘Weathervane’ for the Headhunters soundtrack in 2011, and contributed to albums by Linnea Dale and Hågen Rørmark. He also continued work on the next studio album for his other excellent band Savoy (who have to date released five studio albums and a retrospective), and other solo endeavours.

Magne Furuholmen, meanwhile, busied himself composing the soundtrack for last year’s Norwegian film, Beatles, and also contributed to albums by Tini Flaat Mykland, Marius Beck, Martin Halla and the Backstreet Boys. In 2012, the ‘supergroup’ Mags formed with Coldplay’s Guy Berryman, Apparatjik, released their second album, Square Peg In A Round Hole. He has also continued his dual-career as a visual artist, and in 2013 released a compendium of his 20+ year career, titled In Transit.

Morten Harket was equally as active, consolidating his career as a credible solo artist with a brace of fine albums. Out Of My Hands (unfairly lambasted by the Norwegian media upon its release in 2011) picked up where Foot Of The Mountain left off (retaining the core of its musicians and producers) and featured collaborations with Pet Shop Boys and Swedish band, Kent, By contrast, 2012’s Brother was a more organic and retrospective affair.

With the 30th anniversary of ‘Take on Me’ chart success fast approaching there is still plenty more to look forward to. Not only have fans been rather spoilt with a mouth-watering 5-disc edition of ‘Hunting High and Low’ , but there are also deluxe reissues of the band’s mid-period albums, Stay On These Roads, East Of The Sun, West Of The Moon and Memorial Beach due for imminent release. A new biography of the band is also in the pipeline. And, of course, there’s also a-ha’s tenth studio release, Cast In Steel…

Whilst the sun doesn’t always shine on this new opus, it certainly glistens in places. Gone is the back-to-basics approach employed so successfully on the excellent Foot Of The Mountain album, which – save for one Mags composition and a collaboration on the cut and paste title track – saw Paul restored as the primary songwriter. In its place is the more democratic template that fans have been accustomed to since their first reunion album in 2000 (Minor Earth Minor Sky), with each member making equal – though rather mixed – contributions to the new project.

The album starts in earnest with the excellent mid-tempo title track, surprisingly overlooked as a single in favour of the next track, the epic ballad, ‘Under The Make-Up’. This was a brave choice of single, beautifully sung by Morten and effectively augmented by strings, but the chorus doesn’t quite hit the mark for me. Arguably the biggest surprise of the album is the songwriting input from Morten – ‘The Wake’, already garnering heavy rotation on Radio 2, is a fine pop single with an excellent chorus, while the beautiful, shimmering ‘Living At The End Of The World’ is one of the highlights of the album. Mags’ highlights include the full-on synthpop of ‘Forest Fire’ and the lyrically-biting ‘Mythomania’, (“You caught belief, like some disease/No words can save ya”), which has shades of De/Vision and some lovely OMD-esque choral flourishes. Somewhat surprisingly, the two weakest offerings come from Paul: There’s the rather plodding ‘Door Ajar’ (“I hit my head on the pillow hard” – really?!) and the similarly over-produced ‘Shadow Endeavours’ which, though featuring a nice gliding Harket vocal, ultimately loses itself in its frenetic arrangement and fizzles out in the coda. Fortunately he redeems himself with the lovely Beatles-esque closing track, ‘Goodbye Thompson’. And then there’s the stunning ‘She’s Humming A Tune’. It’s a track that dates to the band’s early days – bookended by some vinyl crackles to emphasize its early 80s vintage – and seemingly cut from the same musical cloth as ‘Scoundrel Days’.

Overall it’s a worthy, if not entirely cohesive, addition to the catalogue; one that could have been tightened up with the loss of a couple of tracks. It’s great to have them back. ---PaulB, electricity-club.co.uk

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01. Hunting High And Low (Special Club Remix) 8:26
02. Stay On These Roads (Special Extended 12'' Remix) 8:32
03. I've Been Losing You (Special Extended 12'' Remix) 10:12
04. Take On Me (Special Extended 12'' Remix) 7:55
05. Cry Wolf (Special Extended 12'' Remix) 8:49
06. The Blood That Moves The Body (Special Extended 12'' Remix) 8:50
07. The Sun Always Shines On TV (Special Club Remix) 8:32
08. Manhattan Skyline (Special Extended 12'' Remix) 10:23
09. You Are The One (Special Extended 12'' Remix) 9:13
10. Train Of Thought (Special Club Remix) 9:21
11. Out Of The Blue Comes Green (Special Extended 12'' Remix) 13:16
12. Hunting High And Low (Special Extended 12'' Remix) 8:57
13. The Living Daylights (Special Extended 12'' Remix) 8:46
14. The Sun Always Shines On TV (Special Extended 12'' Remix) 9:54
15. Touchy! (Special Extended Mix) 6:50
16. Train Of Thought (Special Extended 12'' Remix) 9:48
17. The Blood That Moves The Body (Special Club Remix) 9:43
18. Recycled (Medley) 7:38
19. Take On Me (Extended UltraTraxx Retro Version) 9:06
20. Stay On These Roads (Darkest Star Piano Edit) 4:35

Pal Waaktaar and Magne Furuholmen, formerly of Bridges, formed Norwegian synth pop group a-ha in the early '80s. Nimble vocalist Morten Harket joined the duo, and they left for the now "legendary London flat" (so called because of its state of disrepair) to make it. By late 1983 they had achieved part of that goal by signing to WEA. Their debut single, "Take On Me," went through three versions before becoming a hit in the U.K., eventually reaching number two in November 1985. It went one better in the U.S., mainly due to the wide exposure of its stunning video on MTV, which fused animation with real-life action. They returned to the charts with "The Sun Always Shines on T.V." which became a U.K. number one in early 1986, helping take the album Hunting High and Low to the Top Ten. The song hit the Top 20 in the U.S., where the album reached number 15.

With a-ha's debut album mainly consisting of romantic synth pop, the press were quick to dismiss them as a teeny bop sensation; however, there was more than met the ear at first impression in Waaktaar's writing, and a more mature effort, Scoundrel Days, was released in October 1986. More focused, it had a stronger band feel thanks to its live drumming evident on "The Swing of Things" and lead single "I've Been Losing You," which surprised critics at the time. Further striking imagery accompanied "Cry Wolf." The album landed in the Top 30 in Norway and cracked the top half of the Billboard 200 in the U.S. After a world tour, a-ha provided the theme to the James Bond flick The Living Daylights. A remix appeared on their third album, Stay on These Roads, in 1988.

In 1990, a-ha were commended by the Everly Brothers for their rendition of "Crying in the Rain" from their fourth album, East of the Sun, West of the Moon, which was largely ignored in the U.K. due to a shift in interests toward dance and the Manchester scene. The year 1993 heralded some much needed new blood in the U2 terrain of "Dark Is the Night" from the Memorial Beach album. Following the unfortunate lack of success following Memorial Beach, Furuholmen retreated into the art world while Waaktaar released the album Mary Is Coming with his new band Savoy. Seven years after the release of Memorial Beach, a-ha issued Minor Earth Major Sky in summer 2000. Released in 2002, Lifelines sold well in Europe and was followed by a lengthy tour, documented on the live album How Can I Sleep with Your Voice in My Head, issued in 2003.

A year later a-ha celebrated their 20th anniversary by releasing Singles 1984-2004, a collection that would put them back in the U.K. Top 20. In July of 2005, the band performed in Berlin as part of the massive worldwide event Live8, and in November they released the album Analogue. It was supported by a worldwide tour that included gigs in Russia and a festival in Chile. In 2009, upon issuing their ninth studio album, Foot of the Mountain, a-ha announced that they would be retiring. However, they returned in 2015 with Cast in Steel, which was followed by a world tour.

Coinciding with the 2017 summer solstice, the group headed to the remote island of Giske off of Norway's west coast to record their first ever acoustic concerts, for MTV Unplugged. With arrangements by producer Lars Horntveth, the, by then, perennial arena band played a career-spanning set with guests Ian McCulloch (Echo & the Bunnymen), Alison Moyet, Lissie, and Ingrid Helene Håvik (Highasakite) for an audience of only 250. That October, the show was released in seven different versions under the title MTV Unplugged: Summer Solstice, along with an abbreviated, single-disc Acoustic Hits: MTV Unplugged. Summer Solstice debuted at number three on the album chart in Germany, number six in the U.K., and number 11 in their home country, and was followed by another world tour in 2018. ---Kelvin Hayes, allmusic.com

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