1 	Go Wherever You Wanna Go 	3:46
2 	Don't Let Me Die In Florida 	3:47
3 	Ohio 	5:12
4 	Wild Old Dog 	4:46
5 	Mom & Dad's Waltz 	2:55
6 	Faithful Son 	4:54
7 	Highway Song 	3:12
8 	That Kind Of Lonely 	4:23
9 	Irish Boy 	2:45
10 	Get Ready Marie 	2:59
11 	Not A Bad Man 	3:44
12 	Gonna Miss You When You're Gon 	4:05

Backing Vocals – Craig Ross (tracks: 6), Robert Plant (tracks: 6)
Baritone Guitar – Craig Ross (tracks: 2 to 4, 7), Doug Lancio (tracks: 11)
Bass – Craig Ross (tracks: 2, 10)
Bass [Bowed] – Byron House (tracks: 7, 8)
Choir [Drunken] – Cody (tracks: 10), Doug (tracks: 10), Luther (tracks: 10), Patty (tracks: 10), Roy (tracks: 10)
Drums – Cody Dickinson (tracks: 1-4, 10)
Guitar – Craig Ross (tracks: 1, 3, 7, 8), Doug Lancio (tracks: 2, 3, 5, 6), Luther Dickinson (tracks: 3 to 6, 10),
 PG (tracks: 1 to 8, 10 to 12)
Instruments [Canjo] – Luther Dickinson (tracks: 2)
Jug – Cody Dickinson (tracks: 10)
Mandolin – Doug Lancio (tracks: 1, 4, 5, 10)
Omnichord – Craig Ross (tracks: 12)
Organ – Craig Ross (tracks: 6, 7), John Deaderick (tracks: 10, 12)
Percussion – Cody Dickinson (tracks: 1, 3, 4, 6), Craig Ross (tracks: 3)
Piano – Craig Ross (tracks: 11), John Deaderick (tracks: 10), PG (tracks: 9)
Slide Guitar – Luther Dickinson (tracks: 1)
Vocals – PG, Robert Plant (tracks: 3, 7)

American Kid is Patty Griffin's seventh album and her first of new material since 2007 – with a gap for the Grammy-winning gospel CD Downtown Church and her work with Robert Plant's Band of Joy.

After the deceptively simply opening track Go Wherever You Wanna Go, Griffin weaves a complex and moving tapestry about life in general and her late father, Lawrence Joseph Griffin, in particular.

There is rousing music – Please Don’t Let Me Die in Florida – that is driven on by musicians Luther and Cody Dickinson, of the North Mississippi Allstars, and Doug Lancio, and also the slow grace of songs such as Ohio (co-written with Plant and one of three songs on which he offers subtle support). Faithful Son has a stinging sadness. It's almost as Griffin has turned Henry David Thoreau's line "most men lead lives of quiet desperation" into a family song.

Griffin's father is the specific focus of Irish Boy and this ruminative track is complemented by a witty cameo song about her grandparents, Get Ready Marie. There is one cover song, of country singer Lefty Frizzell's Mom & Dad's Waltz. ---Martin Chilton, telegraph.co.uk

Centred around her father's passing, this seventh from the American country singer is a suitably ruminative affair, mixing her sadness with cameos from his life. Its gentle acoustic arrangements, full of intricate guitars and mandolin, come with only the odd up-tempo piece, such as the ringing Don't Let Me Die in Florida. Griffin reaches deep for the songs, taking her father's part as a young man on Not a Bad Man and the piano ballad Irish Boy, while the lovely Ohio, to which her sidekick, Robert Plant, adds harmonies, reflects on waters that are "softer and deeper than time". A triumph. ---Neil Spencer, theguardian.com

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01 – Little God
02 – Truth #2
03 – Boston
04 – Perfect White Girls
05 – Sooner Or Later
06 – What You Are
07 – Silver Bell
08 – Fragile
09 – Mother of God
10 – One More Girl
11 – Sorry and Sad
12 – Driving
13 – Top of the World
14 – So Long

Musicians:
Patty Griffin - Guitar, Piano, Vocals
Jay Joyce - Guitar, Producer
Doug Lancio - Guitar
John Deaderick 	- Keyboards
Frank Swart – Bass
Billy Beard – Drums
Emmylou Harris - Vocals (Background)

Shelved during of the great record label consolidation of the early 2000s, Patty Griffin's Silver Bell is indeed a "lost album" but it is not one that carries mythic weight. Griffin rebounded relatively quickly after Silver Bell's abandoned release -- two years later, she signed with ATO and released 1000 Kisses, the first in a series of regular records all receiving greater acclaim and stronger sales -- and Silver Bell itself strengthened her reputation and bank account due to covers by the Dixie Chicks, who cut "Top of the World" and "Truth #2" on 2002's Home (over a decade later, Natalie Maines once again returned to this album for its title track, recording "Silver Bell" for her 2013 solo debut, Mother). If the Chicks' covers suggest that the album has a strong country flavor, that's not necessarily wrong, but there’s a roiling rock undertow tempered by a smoky, late-night soulfulness that gives this album its emotional resonance. These sounds are not mutually exclusive. Often, Griffin blends it all together, pushing a song that starts as country into bracing, cathartic territory, a trick that is an outgrowth of Flaming Red. Despite the success the Dixie Chicks had with songs from this album, Silver Bell is not necessarily a record that would've brought Griffin to a larger audience. It is simultaneously inward and explosive, a record that demands close listening and certainly rewards the attention. Griffin may have gotten a little more accessible not much later, but it's hard to hear Silver Bell and not think of it as a compelling transitional LP that's the missing piece of the puzzle, the moment when Patty Griffin inadvertently learned that the hard road not only resulted in a rewarding journey, but it was the road she was destined to take. --- Stephen Thomas Erlewine, Rovi

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