1. Ljubo, bratcy, ljubo 
2. Milen"kij ty moj        play
3. Brodjaga 
4. Chernyj voron 
5. Okrasilsja mesjac bagrjancem 
6. Svetit mesjac 
7. Shumel kamysh 
8. Vechernij zvon 
9. Step" da step" krugom 
10. Kazach"ja pritcha      play
11. Pod muzyku Vival"di 
12. Na fone Pushkina snimaetsja semejstvo 
13. Davajte delat" pauzy v slovah 
14. Gospoda oficery 
15. O Volode Vysockom 
16. Car" Nikolaj II ...

Zhanna Vladimirovna Bichevskaya (or Jeanne Bichevskaya; Russian: Жанна Владимировна Бичевская, born June 17, 1944), is a prominent Soviet and Russian bard and folk musician.

In the 1970s, Zhanna started to perform Russian folk songs and romances. At that time she was deeply influenced by Bulat Okudzhava, and she quickly gained popularity in Russia and abroad with some critics dubbing her the Russian Joan Baez. Her unique style of music is often described as Russian country-folk. In the late 1980s and early 1990s, Zhanna Bichevskaya's songs started to have more political, nationalist and spiritual themes. She performed a series of White Guard officer's songs, as well as a series of religious songs. The lyrics to the latter were composed by Father Roman, a priest of the Pskovo-Pechorsky Monastery.

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CD1
1.  Brodyaga  	
2.  Poslednij noneshnij denechek 
3.  Chetyre kumy 
4.  Nevinnaya zhertva 
5.  Stakanchiki granenye 
6.  Na dal'nej storone 	
7.  E'h, zagulyal molodec         play
8.  Shumel kamysh 
9.  Ya ego lyubila 
10.  Svetit mesyac 
11.  Pesn' uznika 
12.  Milen'kij ty moj 	
13.  Zachem sidish' do polunochi  play
14.  U cerkvi stoyala kareta


CD2
1. Donskaya ballada 
2. Kazach'ya pritcha 
3. Na okoshke dva cvetochka 
4. Vy sestricy- podruzhen'ki      play
5. Poseyu lebedu 
6. E'to bylo davno 
7. Cvetik moj 
8. Okrasilsya mesyac bagryancem 
9. Matushka 
10. Komariki 
11. O chem zadumalsya, sluzhivyj 
12. Kumanek                       play
13. Stradaniya izvozchika Eremy 
14. Chernyj voron 
15. Ya v sadochke byla 
16. Ballada o dvenadcati razbojnikah


CD3
1.  Kaby mne mladoj 
2.  Pojdu, vojdu v chisto pole 
3.  Vot tronulsya poezd 
4.  Suhoj by ya korochkoj pitalas' 
5.  Golubchik moj, Vanyusha       play
6.  Grustnye chastushechki 	
7.  Zelenyj sarafan 
8.  Katerina 	
9.  Vinovata li ya 
10.  Ne tvoi li e'to slezy 
11.  Solovejko 
12.  Step', da step' krugom 	
13.  U menya mladoj muzh gnedoj   play	
14.  Sredi doliny rovnyya 
15.  Byvali dni veselye 
16.  O, moj synochek


CD4
1.  Oblomilas' doska 
2.  Kon' boevoj 
3.  Provozhala ya druzhka 
4.  Duma ob Aleshe Popoviche 
5.  Razluka                       play
6.  Mezh vysokih hlebov zateryalsya 
7.  Ah! Ne budite menya 
8.  Dolyushka 
9.  Letyat utki 	
10.  Tyurya 
11.  O chem zadumalsya sluzhivyj 	
12.  V zelenom boru               play
13.  Horosha, ya horosha 
14.  Vechernij zvon 
15.  Matushka 
16.  Kak sluzhil soldat 
17.  Vy sestricy-podruzhen'ki

Zhanna Vladimirovna Bichevskaya (born June 17, 1944), is a prominent Soviet and Russian bard and folk musician. She was born in Moscow and in 1971 she graduated from the Moscow Circus and Performing Arts School. She was teacher of music in Zagorsk (Sergiev Posad). In the 1970s, Zhanna started to perform Russian folk songs and romances. At that time she was deeply influenced by Bulat Okudzhava, and she quickly gained popularity in Russia and abroad with some critics dubbing her the Russian Joan Baez. Her unique style of music is often described as Russian country-folk. In the late 1980s and early 1990s, Zhanna Bichevskaya's songs started to have more political, nationalist and spiritual themes. She performed a series of White Guard officer's songs, as well as a series of religious songs. The lyrics to the latter were composed by Father Roman, a priest of the Pskovo-Pechorsky Monastery. In 1999, Zhanna also became the host of her own show on Voice of Russia radio station. Her album "Hieromonk Romans's songs" was benedicted by Hieromonk Roman in 1997.

Żanna Biczewska (ur. 17 czerwca 1944 w Moskwie) - rosyjska kompozytorka i pieśniarka ludowa, interpretatorka rosyjskich ballad i romansów.

Edukację muzyczną ropoczęła od ukończenia szkoły muzycznej w klasie gitary. W latach 1966-1971 studiowała w Instytucie Sztuki Cyrkowej i Estradowej. Już wówczas zaczęła gromadzić i zapisywać teksty ludowe. W czasie studiów podjęła pracę nauczycielki muzyki w Zagorsku a jednocześnie śpiewała jako solistka w zespole Eddiego Rozera. W latach 1971-73 była solistką instrumentalno-wokalnego zespołu "Dobryje mołodcy". Poza tradycyjnym repertuarem rosyjskim i białoruskim śpiewa też ballady Bułata Okudżawy. Występuje z mężem, kompozytorem i aranżerem Giennadijem Ponomariowem.

Wielokrotnie nagradzana w ZSRR, koncertowała w całej Europie. Często gościła w Polsce, również jako jurorka Festiwalu Piosenki Radzieckiej w Zielonej Górze.

Zhanna Bichevskaya - Narodnaya artistka Rossii, obladatel'nica priza "Zolotaya gitara San-Remo". Zakonchila gosudarstvennoe uchilische cirkovogo i estradnogo iskusstva. Nekotoroe vremya prepodavala gitaru v muzykal'noj shkole detyam. Izvestnost' priobrela ispolneniem narodnoj i avtorskoj pesni. V repertuare, v chastnosti, semnadcat' svoeobraznyh aranzhirovok pesen Bulata Okudzhavy, kotorogo pevica nazyvaet svoim uchitelem. V 1973-1979 - solistka Moskoncerta. V 1988 Zhanna prinyala kreschenie i obratilas' v tvorchestve v osnovnom k duhovnoj pravoslavnoj lirike i teme rossijskogo samoderzhaviya (belogvardejskaya pesnya i cikly pesen o care). Bog i Car' - segodnya dve glavnye temy tvorchestva Bichevskoj, a v poslednih al'bomah "Car' Nikolaj" i "Russkaya Golgofa" - edinstvennye. V poslednie gody zapisala neskol'ko al'bomov. Sredi nih "Imeni Tvoemu, Gospodi (duhovnye pesnopeniya)" i "Russkaya golgofa". Pervyj blagoslovil svyatejshij Patriarh Moskovskij i Vseya Rusi Aleksij II. V al'bom voshli russkie narodnye pesni, pesni ieromonaha Romana, arhidiakona Romana, pesni Bichevskoj i ee muzha Gennadiya Ponomareva, kotoryj vystupaet vmeste s nej v koncertah kak pevec i gitarist.

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Жанна Бичевская - Колокольный звон(2011)

01 Во Зеленом Бору (Vo zelenom boru)
02 Виновата Ли Я  (Vinovata li ya)
03 Вот Тронулся Поезд  (Vot tronulsa poezd)
04 Горе  (Gore)
05 Господи помилуй  (Gospodi pomilui)
06 Долюшка  (Dolushka)
07 Не Твои Ли Это Слезы  (Ne tvoi eto slozi)
08 О, Мой Сынок  )O, moi sinok)
09 Обломилась Доска (Oblomilas doska)
10 Покояние  (Pokayanye)
11 Провожала Я Дружка  (Provazhala ya druzhka)
12 Радость моя  (Radost moya)
13 Радуйся  (Raduisya)
14 Разлука  (Razluka)
15 Родник  (Rodnik)
16 Русь  (Rus)
17 Солнце  (Sonce)
18 Сон (Son)
19 Среди Долины Ровныя (Sredy Dolini Rovniya)
20 Сухой Бы Корочкой Питалась  (Suhoi bi korochkoi litalas)
21 Чисто Поле  (Chisto pole)

Zhanna Vladimirovna Bichevskaya (or Jeanne Bichevskaya; Russian: Жанна Владимировна Бичевская, born June 17, 1944), is a prominent Russian bard and folk musician.

She was born in Zagorsk (Sergiev Posad) and in 1971 she graduated from the Moscow Circus and Performing Arts School. In the 1970s, Zhanna started to perform Russian folk songs and romances. At that time she was deeply influenced by Bulat Okudzhava, and she quickly gained popularity in Russia and abroad with some critics dubbing her the Russian Joan Baez. Her unique style of music is often described as Russian country-folk. In the late 1980s and early 1990s, Zhanna Bichevskaya’s songs started to have more political, nationalist and spiritual themes. She performed a series of White Guard officer’s songs, as well as a series of religious songs. The lyrics to the latter were composed by Father Roman, a priest of the Pskovo-Pechorsky Monastery. In 1999, Zhanna also became the host of her own show on Voice of Russia radio station. Her album “Hieromonk Romans’s songs” was benedicted by Hieromonk Roman in 1997.

Zhanna Bichevskaya’s political and religious stances attracted some criticism and controversy. She has been an active proponent of granting sainthood to tsar Ivan the Terrible.

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