Latin, French, Italian The best music site on the web there is where you can read about and listen to blues, jazz, classical music and much more. This is your ultimate music resource. Tons of albums can be found within. http://theblues-thatjazz.com/en/latin-french-italian/5752.html Mon, 18 Jan 2021 02:46:51 +0000 Joomla! 1.5 - Open Source Content Management en-gb Jeanette - Corazon De Poeta (1981) http://theblues-thatjazz.com/en/latin-french-italian/5752-jeanette/21602-jeanette-corazon-de-poeta-1981.html http://theblues-thatjazz.com/en/latin-french-italian/5752-jeanette/21602-jeanette-corazon-de-poeta-1981.html Jeanette - Corazon De Poeta (1981)

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01. Corazon De Poeta (4:39)
02. Un Dia Es Un Dia (3:52)
03. Cuando Estoy Con El (4:23)
04. Frente A Frente (3:24)
05. Viva El Pasodoble (4:05)
06. El Muchacho De Los Ojos Tristes (3:39)
07. Comienzame A Vivir (4:03)
08. Si Te Vas Te Vas (4:11)
09. Toda La Noche Oliendo A Ti (3:52)
10. Acabare Llorando (4:28)

Arranged By, Orchestrated By, Producer – Manuel Alejandro
Conductor - D. Beigbeder

 

Jeanette is an English-born Spanish pop star who was popular throughout the 1970s and 1980s, scoring a long string of hit singles, most notably "Porque Te Vas." Born Janette Anne Dimech on October 10, 1951, in London, England, she grew up in the United States. At age 12 she moved to Barcelona with her mother, who was of Spanish heritage, and she learned to speak Spanish. During the 1960s she took an interest in American folk music (e.g., Bob Dylan, the Byrds) and began writing songs of her own. In 1967-1968 she recorded a series of mostly unsuccessful singles ("Cállate, Niña," "Amanecer," "Me Olvidarás") with the band Pic-Nic, plus a full-length album Pic-Nic (1968). During the early '70s, after the demise of Pic-Nic, she embarked on a solo career and scored her first hit single in 1971 with "Soy Rebelde," a song written by Manuel Alejandro, with whom she would collaborate in later years on subsequent hits, most notably the album Corazón de Poeta (1981). The label misspelled her name as Jeanette (rather than Janette) when it released "Soy Rebelde," but because the song became such a runaway hit, the misspelling became her official stage name. Successive singles were released over the course of the decade, including "Estoy Triste" (1972), "Palabras, Promesas" (1973), "Porque Te Vas" (1974), "Hoy Nos Hemos Dicho Adiós" (1975), "Todo Es Nuevo" (1977), "No Digas Buenas Noches" (1978), and "Voy a Tener un Niño" (1978). There were also a few albums: Palabras, Promesas (1973), Porque Te Vas (1976), and Todo Es Nuevo (1977). Her greatest success was "Porque Te Vas," which became an international hit after appearing in the award-winning film Cría Cuervos (1976). Numerous cover versions of "Porque Te Vas" would be recorded over the years. In 1981 Jeanette collaborated once again with Manuel Alejandro (the songwriter of "Soy Rebelde") for numerous songs on the album Corazón de Poeta, including the hit singles "Corazón de Poeta" and "Frente a Frente." She remained active throughout the remainder of the 1980s, releasing the albums Reluz (1983), Ojos en el Sol (1984), and Loca por la Musica (1989), along with a string of singles. However, the 1990s marked the end of her success, though she herself remained popular and her back catalog was repackaged into a continual stream of greatest-hits collections. ---itunes.apple.com

 

"Corazón de poeta" es el cuarto álbum de la cantante inglesa Jeanette lanzado en 1981 por RCA. El disco significó una evolución en la carrera de la cantante ya que se enfocó en un público adulto en comparación con sus anteriores producciones juveniles. RCA le propuso a Jeanette volver a las baladas al lado del compositor Manuel Alejandro. Este produjo y escribió todas las canciones del disco.

"Corazón de poeta" posee influencias de la música pop así como las del folclore español, además contó con los arreglos de grandes orquestas. El disco produjo tres pares de sencillos. «Frente a frente» fue el primero en rodar en radios. El tema se volvió inmediatamente éxito en Hispanoamérica, igualmente su cara B «Cuando estoy con él». El segundo par fue «Corazón de poeta» y «Comiénzame a vivir» los cuales se mantuvieron en las listas musicales. La tercera pareja «El muchacho de los ojos tristes» y «Toda la noche oliendo a ti» fueron lanzados en 1982. Otras canciones como «Un día es un día» y «Si te vas, te vas» también fueron populares sobre todo en Sudamérica. La promoción del disco llevó a Jeanette a una gira internacional por España y Sudamérica.

Los crítica favoreció la producción del álbum. En 1982 Jeanette ganó el premio Billboard en Español por este álbum. --- Lomas Maslo, melopopmusic.blogspot.com

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administration@theblues-thatjazz.com (bluelover) Jeanette Sat, 13 May 2017 15:56:31 +0000
Jeanette - Ojos En El Sol (1984) http://theblues-thatjazz.com/en/latin-french-italian/5752-jeanette/21617-jeanette-ojos-en-el-sol-1984.html http://theblues-thatjazz.com/en/latin-french-italian/5752-jeanette/21617-jeanette-ojos-en-el-sol-1984.html Jeanette - Ojos En El Sol (1984)

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01. Hombre (3:18)
02. America (3:54)
03. Amiga Mia (3:18)
04. Y Ahora Mucho Mas (3:19)
05. Que Puedo Hacer? (3:43)
06. Ojos En El Sol (3:52)
07. Chao Amore Mio (3:26)
08. Baila Conmigo (3:26)
09. Buenas Noches (3:28)
10. It's Been A Long Night (3:26)

Arranged By – Carlos Gomez, Graham Preskett, Javier Losada, Richard Myhill

 

Para enderezar la carrera de la cantante tras el relativo fiasco de “Reluz” (RCA, 1983) se encargó a Óscar Gómez, que había trabajado con Mecano, la dirección de un nuevo LP y de un lavado de cara al estilo de la cantante, que ya empezaba a aburrir con tanta balada soporífera. Aquí encontramos a una Jeanette electropop, que ha sustituido en parte la orquesta por un grupo de acompañamiento más moderno en el que los teclados cubren casi todo el espectro sonoro. La voz suena ahora más agresiva y los acompañamientos son más duros, con ritmos más contundentes y marcados. En algunos temas, como el que da título al LP se nota en exceso la disociación entre un acompañamiento plenamente pop y una voz anclada en el pasado de baladas susurrantes. Con todo, no se hace una apuesta decisiva, ya que conviven los temas perfectamente definibles como pop con algunas baladas de las de toda la vida. Esta indefinición no favoreció a este LP con el que Jeanette siguió perdiendo seguidores y caché.

El disco no consiguió convencer a casi nadie y no vendió lo que estaba prevista; sin embargo, su canción “Amiga mía” en formato single devolvió a la cantante a las listas sudamericanas de ventas tras tres años sin asomarse a ellas. Esta circunstancia salvó hasta cierto punto la producción. El citado tema se convirtió en un clásico y diez años después fue un gran éxito en la voz de la mejicana Yuri. También aquí en España funcionó el single encabezado por “Ojos en el sol”.

Poco después de la publicación del disco RCA y Jeanette rescindieron su contrato y la cantante siguió actuando esporádicamente y casi abandonó la música durante unos años. --- Julián Molero, lafonoteca.net

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administration@theblues-thatjazz.com (bluelover) Jeanette Tue, 16 May 2017 13:56:04 +0000
Jeanette - Porque Te Vas (1994) http://theblues-thatjazz.com/en/latin-french-italian/5752-jeanette/21710-jeanette-porque-te-vas-1994.html http://theblues-thatjazz.com/en/latin-french-italian/5752-jeanette/21710-jeanette-porque-te-vas-1994.html Jeanette - Porque Te Vas (1994)

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01. Palabras, Promesas
02. Porque Te Vas
03. Que Le Han Hecho A Mi Cancion, Mama
04. Debajo Del Platanero
05. No Digas Nada
06. Soy rebelde
07. Estoy Triste
08. Oye Papa, Oye Mama

Arranged By – Eddy Guerin, Juan Marquez, Waldo De Los Rios

 

On this compilation of hits from her early career, Jeanette is at her best when sticking to melancholy with a helpful dose of realism. Garnering fame in the mid-seventies when a then unknown song "Porque te vas" was used in a film recognized at the Cannes Film Festival, propelled her to stardom. Jeanette continued turning out unique takes on romantic pop ballads which would go on to top and chart in several European and South American countries, as well as Japan. Being best described as alluringly detached, her voice elicits compassion amongst the heartache and tragedy that she sings about. "Soy rebelde" her first single, demonstrates the capabilities of her timid whisper flawlessly. Jeanette's delicate, soft spoken intonation and choice of words pull at the heartstrings while the accompanying orchestration adds to the feeling of isolation. Perhaps perfected with that song, other choices on the compilation continue the theme of forlorn love, both emotionally and physically. None sung with such abandonment as the former yet most still manage to bring about an inclination of rejection, even as the melodies begin to brighten. Amidst the longing for youth and possibility, there are a few songs which buck the trend and instead aim for more lightheartedness.

Having begun her career idolizing American folk singers, the pop tracks included on the disc discard the depression using cheerful and peppy guitar lines to accentuate the oral story telling found in traditional folk music. Tracks like "Qué le han hecho a mi canción, mamá?" and "Debajo del platanero", both sung in her native language of English, lack the tenderness and affection of their Spanish counterparts while demonstrating the swing and carefree attitude of a bygone era. The former employing the use of several brass instruments, towards the end, to pay tribute to Americana. However, the handful of upbeat selections take away from the touching sensibilities of the album. The flowery melodies accompanied by pleasant overtones of the two former songs appear out of place on a collection highlighting empathetic numbers. While by no means horrible, they just don't appear to fit amongst the anthologies atmosphere. As a whole, the album remains a solitary search for companionship and love in all the wrong places. While a great introduction to a singer who doesn't get her fair share of attention in the states, the compilation's overall disposition could benefit from either a better selection of songs or simply--fewer. Although, to its credit, the selections were never meant to be seen as a unified whole merely a collection of singles to broaden her appeal and to that extent, the album definitely succeeds. --- PiedradeLuna, sputnikmusic.com

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administration@theblues-thatjazz.com (bluelover) Jeanette Sat, 03 Jun 2017 14:48:22 +0000