1. Ca N'finira Jamais 
2. Je N'appartiens Qu'? Toi
3. Ca Peut Changer Le Monde
4. Si Mon Coeur
5. Etat De Grâce
6. Je M'arrete La?
7. C'est Pas Une Vie
8. Etreintes Fatales
9. On S'est Aimés
10. Emily
11. Je Voudrais Tellement
12. Je Tiendrai Bon
13. Les Enchaines (Unchained Melody)

Musicians:
Denis Benarrosh 	Percussion
Jef Cahours 	Trombone
Alain Couture 	Choir
Aurore Crévelier 	Choir, Piano
Johan Dalgaard 	Fender Rhodes, Piano, Vibraphone, Wurlitzer
François Desforges 	Timbales
Alexandre Grognet 	Viola
Johnny Hallyday 	Primary Artist
Gaëlle Hervé 	Choir
Freddy Koella 	Dobro
Alain Lanty 	Piano
Eric Le Cartier 	Trombone
Greg Leisz 	Pedal Steel
Andrew Lippman 	Trombone
Christophe Maé 	Composer, Harmonica
Jean-Marie Marrier 	Choir
François Michels 	Trombone
Jean-Paul Minalibela 	Viola
Lon Price 	Sax (Tenor)
Laurent Puchard 	Viola
Greg Szlapczynski 	Harmonica
Philippe Uminski 	Bass
Laurent Vernerey 	Bass

In short, Johnny's album (partly recorded in Los Angeles) is packed with potential hits. The title track has already been released as a single and, after being bombarded on the French airwaves for weeks has, not surprisingly, rocketed up the charts. Concocted with a little help from Calogero and his team, the song pays tribute to Johnny's loyal army of fans, the singer admitting that he is "only the sum of all those arms stretched out to me, all those beating hearts." Another French music star, Francis Cabrel has also written a song specially for Johnny, a slower bluesy number on which the veteran rocker recounts the daily life of a star with a few well-placed tremolos in his voice. Je n’appartiens qu’à toi - penned by France's new teen rock'n'pop idol Raphael - is probably the most outstanding track on the album. And love it or hate it, it is guaranteed to bring yet more tears to fans' eyes with its gentle piano notes and emotion-charged lyrics.

Ça ne finira jamais features more than its fair share of guest stars, involving contributions from Johnny's son David, Christophe Maé, the French slam artist Grand Corps Malade and the young British soul star Joss Stone. Yet somehow these rock ballads have more of a standard run-of-the-mill feel. Johnny has obviously sweated a little less over the making of this new album than fans hope their idol will live on stage during his stadium tour next May. --- rfimusique.com

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1 	Souvenirs, Souvenirs 	
2 	Depuis Qu'Ma Môme 	
3 	Je Cherche Une Fille 	
4 	Pourquoi Cet Amour 	
5 	J'Suis Mordu 	
6 	Laisse Les Filles 	
7 	Itsy Bitsy Petit Bikini 	
8 	J'Etais Fou 	
9 	Je Veux Me Promener 	
10 	T'Aimer Follement

Johnny Hallyday, who died at age 74, was by all accounts generous and warmhearted, and an undeniably charismatic showman. But understanding France’s ardor for him does not come easily to us Americans. Mr. Hallyday arrived onto a pop scene that was dominated by well-spoken musicians in neckties, pitter-patting out songs full of saucy wordplay. Stars like Serge Gainsbourg and Jacques Dutronc were intellectuals who sang from the head, even when their lyrical content was perverse. Johnny — one-name-only since his first album, “Hello, Johnny” sold one million copies in 1960 — dispensed with cleverness, and emanated from somewhere considerably further south. “Ah, c’est tout dans la hanche,” he growled to his audience in 1961 before launching, in English, into a cover of “Let’s Twist Again.” It’s all about the hips.

As rock music in Britain and America entered a Dionysian phase in the mid-1960s, the only French musician to achieve any success in the genre was Mr. Hallyday, who abandoned English as quickly as the world at large abandoned the Twist. ---nytimes.com

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