Latin, French, Italian The best music site on the web there is where you can read about and listen to blues, jazz, classical music and much more. This is your ultimate music resource. Tons of albums can be found within. http://www.theblues-thatjazz.com/en/latin-french-italian/375.html Sat, 12 Oct 2024 10:03:08 +0000 Joomla! 1.5 - Open Source Content Management en-gb Mercedes Sosa - 30 Anos http://www.theblues-thatjazz.com/en/latin-french-italian/375-mercedessosa/666-30-anos.html http://www.theblues-thatjazz.com/en/latin-french-italian/375-mercedessosa/666-30-anos.html Mercedes Sosa - 30 Anos

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01 - La maza.
02 - María, María.
03 - Gracias a la vida.
04 - Todo cambia.
05 - Sólo le pido a dios / con León Gieco.
06 - Canción con todos.
07 - Años.
08 - Alfonsina y el mar.
09 - María va.
10 - Unicornio o (Noticia).
11 - Canción para Carito o (Carito).
12 - Luna tucumana.
13 - Hermano dame tu mano.
14 - Como la cigarra.
15 - Si se calla el cantor / con Horacio Guarany.
16 - Inconsciente colectivo / con Milton Nascimento.
17 - La arenosa.
18 - Duerme negrito.
19 - Al Jardín de la República.

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administration@theblues-thatjazz.com (bluelover) Mercedes Sosa Thu, 15 Oct 2009 13:17:06 +0000
Mercedes Sosa - Canciones Censuradas – 2011 http://www.theblues-thatjazz.com/en/latin-french-italian/375-mercedessosa/10178-mercedes-sosa-canciones-censuradas--2011.html http://www.theblues-thatjazz.com/en/latin-french-italian/375-mercedessosa/10178-mercedes-sosa-canciones-censuradas--2011.html Mercedes Sosa - Canciones Censuradas – 2011

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01- Te recuerdo Amanda (Víctor Jara)
02- Adiós a Belgrano (Félix Luna / Ariel Ramírez)
03- Canción de lejos (Armando Tejada Gómez / César Isella)
04- Corazón (Saúl Tristán Quiroga)
05- Niño de mañana (Félix Luna / Graciela Yuste)
06- Duerme mi tripón (Otilio Galíndez Gutiérrez)
07- La niñez (Chacho Müller)
08- O cio da terra (Milton Nascimento / Chico Buarque)
09- San Vicente (Milton Nascimento / Fernando Brant)
10- Como la cigarra (María Elena Walsh)
11- Como un pájaro libre (Adela Gleijer / Diana Reches)				play
12- Canción de las simples cosas (Armando Tejada Gómez / César Isella)		play
13- Sueño con serpientes (Silvio Rodríguez)
14- Fuego en Anymaná (Armando Tejada Gómez / César Isella)
15- Gente humilde (Garoto / Chico Buarque / Vinícius de Moraes)

 

La Fundación Mercedes Sosa presentó en Buenos Aires, Argentina, el disco "Y seguí cantando: canciones censuradas e Inéditas", que contiene 15 temas de la popular cantante censurados durante la última dictadura militar (1976-1983). La recopilación reúne composiciones que habían sido eliminadas de las ediciones argentinas de los discos de Sosa, mientras que sí habían sido distribuidas en otros países.

Además, contiene otros temas que solo integraron discos simples y pistas que no formaron parte de sus LP originales. Entre las canciones incluidas se encuentran "Te recuerdo Amanda", de Víctor Jara, "Como la cigarra", de María Elena Walsh, y "Sueño con serpientes", de Silvio Rodríguez.

El disco es el primer volumen de la edición definitiva de la obra de Sosa, llevada a cabo por el sello Universal Music, que ya ha remasterizado los 35 álbumes que componen la discografía de la artista argentina para volver a lanzarlos. El acto de presentación del álbum se realizó en el espacio del futuro Centro Cultural de Música Popular Latinoamericana Colección Mercedes Sosa -antiguo albergue penitenciario- que se está acondicionando en el barrio porteño de San Telmo. ---larepublica.pe

 

Las canciones de Mercedes Sosa que la última dictadura militar argentina prohibió difundir fueron reunidas en un disco, "Censurada".

Considerado un verdadero testimonio histórico de una voz única e imprescindible de la música latinoamericana, el disco está compuesto por quince temas, incluidos algunos que fueron grabados solo en formatos sencillos o dobles. Títulos como Te recuerdo Amanda, de Víctor Jara; Adiós a Belgrano, de Félix Luna y Ariel Ramírez; Canción de lejos, compuesta por Armando Tejada y César Isella; y Niño de mañana, del propio Luna y Graciela Yuste, figuran entre los incluidos en el cd, que saldrá a la venta en los próximos días.

Una fotografía del pasaporte de Sosa y su huella digital, sintetizando el concepto de censura en el período 1976-1982, constituyen el arte de tapa de la producción, que presenta además un cuidado trabajo de restauración sonora. "Censurada" incluye también los datos precisos de las grabaciones originales, comentadas por el crítico Diego Fischerman, quien tuvo además a su cargo la selección de la edición. ---lr21.com.uy

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administration@theblues-thatjazz.com (bluesever) Mercedes Sosa Sat, 10 Sep 2011 18:41:23 +0000
Mercedes Sosa - Canta a Charly García (1998) http://www.theblues-thatjazz.com/en/latin-french-italian/375-mercedessosa/878-sosagarcia.html http://www.theblues-thatjazz.com/en/latin-french-italian/375-mercedessosa/878-sosagarcia.html Mercedes Sosa - Canta a Charly García (1998)


01. Cuchillos
02. Promesas sobre el bidet
03. Rezo por vos
04. Como mata el viento norte
05. Cuando ya me empiece a quedar solo
06. Hablando a tu corazón
07. Los sobrevivientes (con Alfredo Alcón)
08. El tuerto y los ciegos
09. De mí
10. Cerca de la revolución
11. Siempre puedes olvidar
12. Plateado sobre plateado (Huellas en el mar)

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administration@theblues-thatjazz.com (bluesever) Mercedes Sosa Sat, 17 Oct 2009 19:39:36 +0000
Mercedes Sosa - Cantora 2 http://www.theblues-thatjazz.com/en/latin-french-italian/375-mercedessosa/667-cantora2.html http://www.theblues-thatjazz.com/en/latin-french-italian/375-mercedessosa/667-cantora2.html Mercedes Sosa - Cantora 2


01 – Zona de promesas (Gustavo Cerati) con Gustavo Cerati
02 – Desarma y sangra (Charly García) con Charly García
03 – Canción para un niño en la calle (Armando Tejada Gómez – Ángel Ritro) con Calle 13
04 – Parao (Gabriel Julio Fernández “Vicen) con Vicentico
05 – Zamba del cielo (Fito Páez) con Fito Páez y Liliana Herrero
06 – Razón de vivir (Víctor Heredia) con Lila Downs
07 – El ángel de la bicicleta (León Gieco) con Gustavo Cordera
08 – Violetas para Violeta (Joaquín Sabina) con Joaquín Sabina
09 – Jamás te olvidaré (Marcela Morelo) con Marcela Morelo
10 – O que será o [À flor da terra] (Milton Nascimento – Chico Buarque) con Daniela Mercury
11 – Cántame (Franco de Vita) con Franco de Vita
12 – La luna llena () con Rubén Rada y La Chilinga
13 – Canción de las cantinas (Manuel José Castilla – Rolando Valladares) con Alberto Rojo
14 – Donde termina el asfalto (Pablo Dumit – Coqui Sosa) con Coqui Sosa
15 – Insensatez (Antonio Carlos Jobim – Vinícius de Moraes) con Luis Salinas
16 – Misionera () con Luis Carlos Borges
17 – Y así, así (Luciano Pereyra – Sebastián Schon) con Luciano Pereyra
18 – Himno Nacional Argentino (Vicente López y Planes – Blai Parera i Moret) con Los Folkloristas

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administration@theblues-thatjazz.com (bluelover) Mercedes Sosa Thu, 15 Oct 2009 13:18:33 +0000
Mercedes Sosa - Misa Criolla (1999) http://www.theblues-thatjazz.com/en/latin-french-italian/375-mercedessosa/12289-mercedes-sosa-misa-criolla-1999.html http://www.theblues-thatjazz.com/en/latin-french-italian/375-mercedessosa/12289-mercedes-sosa-misa-criolla-1999.html Mercedes Sosa - Misa Criolla (1999)

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01 - Kyrie
02 - Gloria
03 - Credo
04 - Sanctus
05 - Agnus dei
06 - La anunciación
07 - La peregrinación
08 - El nacimiento
09 - Los pastores
10 - Los reyes magos
11 - La huída

Artists:
Mercedes Sosa 	- Vocals
Chango Spasiuk - Accordion
Poppi Spatocco – Piano
Nicolás "Colacho" Brizuela - Guitar
Oscar Giunta - Double Bass
Jaime Torres – Charango
Chango Farías Gómez - Bombo, Percussion
Rubén Lobo - Percussion

Asociación Coral Lagun Onak
Estudio Coral DeBuenos Aires
Carlos López Puccio, Mario DeRose – director

 

Ramirez' Creole Mass is a daring fusion of Catholic liturgy and Latin American folk music. This particular performance is made even better by the presence of José Carreras as lead singer. Carreras seems to have a personal feeling for this music and uses the power and control of his voice without ever becoming inappropriately operatic. The mass features a wonderful variety of folk instruments -- like the mandolin-like charango and the quena, a breathy Andean flute -- along with lots of percussion. The composer on piano and harpsichord is backed by a mixed chorus from Spain.

Although the music is ostensibly folk, Ramirez slyly inserts jazzy riffs and rhythms (into "the Credo," for example), and a great deal of classical drama into almost every section. "The Gloria" -- which is appropriately glorious, full of percussion and strumming, huffing folk instruments -- is a vocal tour de force for Carreras; he varies his voice from almost a whisper to quiet intensity and shouts of devotion.

The second half of this 44-minute disc is made up of Christmas songs. "Navidad en Verano" is for male soloist, piano, and chorus. It's pretty, if not outstanding in the manner of what comes before and after it. "Navidad Nuestra" is a song cycle about the Nativity from the Annunciation to the flight of the mother and child into Egypt. It has a folk flavor, sometimes being whimsical. The best songs in the cycle are "Los Reyes Magos" which brings together all the folk, jazz, and classical influences into one triumphant yet danceable celebration. "La Huida," which closes the cycle and the album, is a song of flight and anguish with muffled hoofbeats for percussion, a subdued chorus for accompaniment, and Carreras, who is allowed to cut loose with passion and sadness. An unforgettable disc. ~ Kurt Keefner, Rovi

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administration@theblues-thatjazz.com (bluelover) Mercedes Sosa Fri, 01 Jun 2012 16:43:32 +0000
Mercedes Sosa interpreta Atahualpa Yupanqui (1977) http://www.theblues-thatjazz.com/en/latin-french-italian/375-mercedessosa/669-interpreta-atahualpa-yupanqui.html http://www.theblues-thatjazz.com/en/latin-french-italian/375-mercedessosa/669-interpreta-atahualpa-yupanqui.html Mercedes Sosa interpreta Atahualpa Yupanqui (1977)

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01. Piedra y camino
02. Guitarra dímelo tú
03. Chacarera de las piedras
04. Tú que puedes, vuélvete
05. La viajerita
06. Los hermanos
07. Criollita santiagueña
08. La alabanza
09. La arribeña
10. Duerme negrito
11. Zambita de los pobres
12. El Alazan

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administration@theblues-thatjazz.com (bluesever) Mercedes Sosa Thu, 15 Oct 2009 13:20:47 +0000
Mercedes Sosa – Cantora 1, 2009 http://www.theblues-thatjazz.com/en/latin-french-italian/375-mercedessosa/668-cantora1.html http://www.theblues-thatjazz.com/en/latin-french-italian/375-mercedessosa/668-cantora1.html Mercedes Sosa – Cantora 1, 2009


01 - Aquellas pequenas cosas 
02 - Barro tal vez 
03 - Sea 
04 - Corazo vagabundo 
05 - La maza 
06 - Zamba para olvidarte 
07 - Agua, fuego, tierra y viento 
08 - Celador de suenos 
09 - Sabiendose de los descalzos 
10 - Himno de mi corazon 
11 - Novicia 
12 - Zamba de los dioses 
13 - Nada 
14 - Esa musiquita 
15 - Romance de la luna Tucumana 
16 - Deja la vida volar 
17 - Pajaro de rodillas

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administration@theblues-thatjazz.com (bluelover) Mercedes Sosa Thu, 15 Oct 2009 13:19:33 +0000
R.Berdi M.Sosa & A.Ramirez - Cantata Sudamericana (1972) http://www.theblues-thatjazz.com/en/latin-french-italian/375-mercedessosa/670-cantatasudamerica.html http://www.theblues-thatjazz.com/en/latin-french-italian/375-mercedessosa/670-cantatasudamerica.html R.Berdi M.Sosa & A.Ramirez - Cantata Sudamericana (1972)


*-01 - Es Sudamerica mi voz.mp3
*-02 - Canta tu cancion.mp3
*-03 - Antiguos dueños de flechas.mp3
*-04 - Pampas del sur.mp3
*-05 - Acercate cholito.mp3
*-06 - Oracion al sol.mp3
*-07 - Sudamericano en Nueva York.mp3
*-08 - Alcen la bandera.mp3

Charango – Kelo Palacios
Contrabass – Oscar Além
Cuatro, Guitar – Santiago Bertiz
Harmony Vocals – Los Arroyeños
Organ – George Kenny (2)
Percussion – Domingo Cura, Enrique Roizner, León Jacobson
Piano, Harpsichord, Directed By, Written-By – Ariel Ramírez
Quena – Raúl Mercado
Requinto Guitar – Gustavo Fernández (2)
Vocals – Mercedes Sosa

 

Well, long before political correctness and the plethora of female artists there was Mercedes Sosa. She is the perrrenial female artist who sings of Latin America as one.This particular disc is a nice showcase of her extensive vocal talents. Like a wailing Indian voice in the wilderness, Mercedes Sosa laments and sings songs of joy and hope. Her music is filled with a vision of common causes throughout Latin America. Listening carefully to this disc you can hear the echoes and roots of such diverse contemporary female artists as Lila Downs and Alejandra Guzman. Sosa projects the voice of the indigeneous population of America without borders. Her universal appeal has made her legendary to indigenous populations throughout Latin America.This is a beautiful conceptual disc, a classic piece of music that celebrates the common ethnic and spiritual characteristics of South America. The Argentine composers of the music Ariel Ramirez( who also plays piano and clavecin on the disc) and Felix Luna studied extensively to create these authentic manifestations of ancient cultures. On "Oracion al Sol" (Prayer to the Sun) Luna studiing the remnants of Quichua literature and their religious beliefs to create his compositon. This coupled with the use of authentic instruments, such as the Quena(Indian flute),Cuatro(four stringed guitar) ,the Requinto(small guitar)Charango( small guitar made the hide of an armadillo) maracas and various percussion intruments, including the woooden drum,Alauakataki earthenware drum, create a magnificent piece of timeless music. Although the instruments used are beautiful it is Sosa 's voice that solidifies and projects the music deep into your soul. Her voice is full of emotion, gentle but firm, demanding your attention soaring from high and low notes with her feet firmly on the ground. She has a range that can rest on the deep end but the feeling you get from listening to her is the strength of women and in particular the indigeous woman. All eight tracks are beautiful and different. "Canta tu Cancion" is a bossa nova type number that swings in a manner unlike the other songs because the others are more "Indian sounding" because of the instruments used. More typical fare represenative of the disc is "Alcen La Bandera' where Sosa sings to a beat that carries a tune similar to "Guantamera."Mercedes Sosa's wonderful vibe is projected as the earth mother crying out for peace, justice and respect between men and women. She sings of the common roots of South Americans, the Spanish and Indian past and the bridge to the future. She is a visionary who uses her voice to reach out to the multitudes. Her utopian vision of Latin America is heartfelt as her soulful vocals testify.Recommended for those that like indigenous music that has a message of unity, peace and justice for all. ---Enrique Torres, amazon.com

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administration@theblues-thatjazz.com (bluelover) Mercedes Sosa Thu, 15 Oct 2009 13:22:09 +0000