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Francisca Valenzuela - Festival de la Canción de Viña del Mar 2013

2009-10-15T11:16:56Z

Francisca Valenzuela - Festival de la Canción de Viña del Mar 2013


00:17 Buen Soldado
04:48 Quiero Verte Más
10:58 Mujer Modelo
15:20 Dulce
20:40 Afortunada
25:16 Esta Soy Yo
32:02 Peces
36:16 Muérdete La Lengua

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Francisca Valenzuela - Festival del Huaso de Olmue (2009)

2015-09-08T15:46:33Z

Francisca Valenzuela - Festival del Huaso de Olmue (2009)


01 Dulce
02 Afortunada
03 El Derecho de Vivir en Paz (Víctor Jara)
04 Run Run Se Fue Pal Norte (Violeta Parra)
05 Los Poderosos
06 Peces
07 Muérdete la Lengua
+
Bonus Track:
Doggy Style (31 Minutos)
El Tiempo en las Bastillas (Fernando Ubiergo)
Folsom Prison Blues (Johnny Cash)
Vuelvo (Patricio Manns)
Muérdete la Lengua (acústico)

El XL Festival del Huaso de Olmué se realizó los días 23, 24 y 25 de enero de 2009 en el Parque El Patagual, ubicado en Olmué, Chile. El animador fue Leo Caprile y fue emitido por Chilevisión.

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Francisca Valenzuela - Tajo Abierto (2014)

2015-03-30T15:37:43Z

Francisca Valenzuela - Tajo Abierto (2014)


1. Prenderemos Fuego Al Desierto 
2. No Esperen Mi Regreso 
3. Perfume De Tu Piel 
4. Siempre Eres Tú 
5. Catedral 
6. Almost Superstars 
7. Estremecen 
8. Armadura 
9. Insulto 
10. Cuequita Del Corazón 
11. Tajo Abierto

In this third full length album, Francisca explores a powerful, eclectic and adventurous sound, as well as ample lyrical pallet. String quartets, programming, flutes, brass, electric guitars and synths, vocal pads - it's her strongest work yet. No holds barred.

Published by Francisca's own record label, Frantastic Records, Tajo Abierto contains 11 songs -10 songs in Spanish and 1 in English- all written and composed by the singer herself.

As for the album's provocative title: "I chose Tajo Abierto (Sliced Open) for two reasons", saysFrancisca. "First, when I looked over the songs that would be on the album, I noticed that the body and the anatomical, the corporeal, became a recurring image and topic throughout the album -skin, organs, blood, ventricle, capillary, flesh and so on. Second, the song, 'Tajo Abierto' itself has a sort of representative spirit of the album: it's about being vulnerable, exposed, open; just as you are".

These same themes are the ones that prompted the artwork. Using her own collage work as inspiration and guideline -overlaying photos and images and "slicing them open"- Franciscadeveloped the visual concept of the album, and worked on it with longtime collaborator, designer Pablo González. --- corrientelatina.com

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Francisca Valenzuela – Muerdete La Lengua (2007)

2009-10-15T11:18:07Z

Francisca Valenzuela – Muerdete La Lengua (2007)


1. Peces. 
2. Muérdete la lengua. 
3. Afortunada. 
4. Excavador de tumbas. 
5. Muleta. 
6. Los poderosos. 
7. Dulce. 
8. Segunda vuelta. 
9. Las Vegas. 
10. Esta noche.

Francisca Valenzuela's 2007 debut LP Muérdete La Lengua brings to light a singer who's confident in her own skin and let's her accessible, alternative Spanish rock take center stage. The daughter of Chilean parents but born and raised in San Francisco, CA this multi-instrumentalist moved to Chile when she was twelve and with the release of her first album, became quite the figure in the Chilean rock movement. Muérdete La Lengua combines sulky, moody ballads with catchy, singable numbers in a record that is packed with promise and potential. The ten tracks are a mix of rock, pop, folk and a bit of jazz to go along with Valenzuela's sometimes melodramatic, angst-filled lyrics. Songs like, "Excavador de Tumbas" and "Segunda Vuelta" demonstrate her approachable yet spirited rock tendencies. The compositions are both reminiscent and eerily nostalgic of 90's alternative rock with the tracks use of guitar driven melodies, however, Valenzuela off-sets the more aggressive guitar tones with piano lines that syncopate the beats. Her vocals on these two numbers are strong and self-assured and display a singer comfortable in her style. Although, she doesn't have the world's most talented voice, she knows what she does well and sticks to her comfort zone.

A track like, "Afortunada" sees Francisca delving into her more sullen side. The ballad showcases her talents in classical piano as the song allows her skill to shine. The two singles, "Peces" and "Dulce" perfectly combine cheerful pop melodies with more assertive guitar propelled rock arrangements. Both of which were among the top 100 songs of the year as declared by Rolling Stone (Chile). Along with her piano playing, another of the highlights on the album is on the songs where she lets her voice loiter over the music, hovering unsuspended and at times, it appears to be channeling or at the very least influenced by, as many critics have pointed out, Fiona Apple. Yes, the tag of a Spanish Fiona Apple have been affixed to her since the beginning and although they are warranted, Valenzuela offers much more than a Spanish carbon copy of Apple. Altogether, her debut LP is a wonderful trip down memory lane to 90's influenced rock with a Spanish twist. Francisca Valenzuela was crowned the "Princess of Chilean Rock" by the media with this release and it's easy to see why. As mentioned before the record is brimming with promise and potential, most of which is materialized on this better than average debut. ---PiedreDeLuna, sputnikmusic.com

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