Latin, French, Italian The best music site on the web there is where you can read about and listen to blues, jazz, classical music and much more. This is your ultimate music resource. Tons of albums can be found within. http://www.theblues-thatjazz.com/en/latin-french-italian/3479.html Wed, 24 Apr 2024 19:16:05 +0000 Joomla! 1.5 - Open Source Content Management en-gb Roxana Amed – Cinemateca Finlandesa (2010) http://www.theblues-thatjazz.com/en/latin-french-italian/3479-roxana-amed/13466-roxana-amed-cinemateca-finlandesa-2010.html http://www.theblues-thatjazz.com/en/latin-french-italian/3479-roxana-amed/13466-roxana-amed-cinemateca-finlandesa-2010.html Roxana Amed – Cinemateca Finlandesa (2010)

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1.    La Arenosa (Leguizamón – Castilla) 7:35
2.    Cuando Tu no estás (Gardel / Lattes Le Pera / Battistella) 5:59
3.    Pannonica. Little Butterfly (Monk / Hendricks) 4:38
4.    Balderrama (Leguizamón – Castilla) 4:57
5.    Foto de Helsinki 2 (Iaies) 2:34
6.    Rasguña las piedras (García) 5:34
7.    When Sunny Gets Blue (Fisher – Segal) 4:52
8.    Pannonica. otra pequeña mariposa (Monk – Hendricks) 2:46
9.    Zamba del laurel (Leguizamón – Tejada Gomez) 6:36
10.   Foto de Helsinki 1 (Iaies) 1:30
11.   Ask me now. How I wish (Monk – Hendricks) 6:08
12.   Foto de Helsinki 4. Awakening (Iaies – Amed) 2:00
13.   Zamba de Lozano (Leguizamón – Castilla) 6:52
14.   Viernes 3AM (García) 4:40

Roxana Amed - vocals
Adrián Iaies – piano

 

In 2009, back from her first European tour, Amed collaboration with pianist composer Adrián Iaies ended up in a duo album: Cinemateca finlandesa, released on September, 2010 by Acqua Records.

It includes original versions of classic authors as Thelonious Monk or the Argentine folk songwriter Gustavo “Cuchi” Leguizamón. This album was played for many enthusiastic audiences and it received laudatory reviews by national media and specialized critics all over Argentina.

“On one side, some beautiful songs and two excellent musicians, one pianist, the other one, singer. On the other side, an idea. The resources are minimal. And the results belongs to an endangered breed: that of the great albums”. PÁGINA 12 August 11th, 2010 “Inside the genres” by Diego Fischerman --- roxana-amed.com

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administration@theblues-thatjazz.com (bluelover) Roxana Amed Fri, 11 Jan 2013 17:33:32 +0000
Roxana Amed – Inocencia (2011) http://www.theblues-thatjazz.com/en/latin-french-italian/3479-roxana-amed/13368-roxana-amed-inocencia-2011.html http://www.theblues-thatjazz.com/en/latin-french-italian/3479-roxana-amed/13368-roxana-amed-inocencia-2011.html Roxana Amed – Inocencia (2011)

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1.Doña Ubenza (Néstor "Chacho" Echenique) 4:27
2.La sombra (Roxana Amed) 5:04
3.Piedra y camino (Atahualpa Yupanqui) 5:20
4.La nostalgiosa (Eduardo Falú / Jaime Dávalos) 6:26
5.Abandonada (Roxana Amed) 2:54
6.El arriero (Atahualpa Yupanqui) 5:19
7.Hijos de nadie (Roxana Amed) 6:35
8.Inocencia (Roxana Amed) 4:27
9.La volvedora (Pedro Aznar) 4:09
10.Cartas de amor que queman (Gustavo "Cuchi" Leguizamón / Manuel José Castilla) 6:49
11.LA oncena (Eduardo Lagos / Juan Goñi) 429
12.La nochera (Ernesto Cabeza / Jaime Dávalos) 5:18

Personnel:
Roxana Amed - vocals, acoustic guitar (7)
Facundo Guevara - percussion (1,2,7,9)
Damián Bolotin, Walter Prusak  - violín (1)
Elizabeth Ridolfi - viola (1)
Jorge Bergero - cello (1)
Sebastián Espósito - guitar (2,5), guitar 12 strings (8)
Claudio Iuliano - guitar (2,5), electric guitar (3,6,8,11), guitar nylon (7), lap steel (7)
Guillermo Klein - piano (3,6,11)
Ricardo Cavalli - clarinet (3), sax (6,11)
Richard Nant - flugelhorn (3), percussion (6,11)
Fernando Galimany – double bass (3,6,7,9)
Carto Brandán - drums (3,6,7,11)
Adrián Iaies - piano (4,9,10)
Pedro Aznar – vocals, guitar nylon (9)
Matías Méndez – electric bass (11)
Manolo Juárez - piano (12)

 

Cuando una persona carece de capacidad mental para comprender la naturaleza de sus actos, sin importar su conocimiento, se dice que se encuentra en estado de Inocencia. Aunque más acertado sería catalogar a la Inocencia como un estado del alma limpia de culpa, relacionándola al candor y a la sencillez. Esto en tiempos pretéritos. En la actualidad, gracias (¿gracias?) a los ¿buenos? oficios de los medios de comunicación (fundamentalmente), la Inocencia refiere, más que a otra cosa, a la mucha menos poética exención de culpa en un delito.

Inocencia es el título del último registro discográfico de la cantante Roxana Amed, quien lejos está de carecer de capacidad mental para comprender la naturaleza de sus actos (más bien todo lo contrario); tampoco en su búsqueda intenta internarse en terrenos delictivos o criminales. Amed apela a buscar inocencias perdidas, soñándolas, en un canto esperanzador en el cual la vida corre más lejos que la muerte. ---Marcelo Morales, elintruso.com

 

Roxana Amed singer-songwriter, born in Buenos Aires, Argentina, is recognized by audiences and critics alike as one of the most amazing and soulful voices in Argentine music. After a celebrated career in Argentine jazz, awards winner and nominations as songwriter, with a solid education in Literature and Filmmaking, she built her singular figure to finally deliver her two powerful works, Limbo (2004) and Entremundos (2006), defying the structured rules of a limited market, providing her work international perspectives through the talented artists she worked with, such as Pedro Aznar (ex Pat Metheny Group), with whom she produced her two albums. Entremundos, considered by Rolling Stone magazine among the 5 top Argentine jazz albums in 2006, also shows Amed recording her own Spanish translated version, written with Aznar, of Tom Waits´ and Kathleen Brennan´s Georgia Lee, in duo with León Gieco (legendary Argentine artist of Latin America folk/rock music). With Georgia Lee, and Joni Mitchell´s Amelia, in duo with Pedro Aznar and included on her first album, Amed became the first Spanish spoken artist to record celebrated versions in this language, receiving enthusiastic comments from Mitchell herself for Amelia exquisite rendition. This original and independent artist, role model for the younger generations claming for new and alternative ways of making music and even to her own contemporary colleagues, changed the concept of the singer songwriter and expanded the borders of jazz songs in her country. Roxana Amed always goes beyond her own limits through her confessional and testimonial lyrics, sustained by her overwhelming musical performances and is destined to represent the best of Argentine music tradition. Entremundos has been nominated for two Gardel Awards 2007 for Best Album Testimonial Song Artist and Best Recording Engineering. ---myspace.com

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administration@theblues-thatjazz.com (bluelover) Roxana Amed Sun, 23 Dec 2012 23:17:02 +0000
Roxana Amed – Limbo (2004) http://www.theblues-thatjazz.com/en/latin-french-italian/3479-roxana-amed/13405-roxana-amed-limbo-2004.html http://www.theblues-thatjazz.com/en/latin-french-italian/3479-roxana-amed/13405-roxana-amed-limbo-2004.html Roxana Amed – Limbo (2004)

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1    Violines En El Camparo (R. Amed / J. Lozano) 4:26
2    Lonely People (R. Amed) 4:03
3    Durazno Sangrando (L. A. Spinetta) 4:44
4    Bajo Las Piedras (R. Amed) versión en castellano R. Amed y P. Aznar 4:29
5    Vanishing (R. Amed) 4:21
6    Amelia (J. Mitchell) versión en castellano P. Aznar • Dúo con Pedro Aznar 6:26
7    Arizona (R. Amed – J. Lozano) 4:41
8    Cuando No Estabas (R. Amed) 5:38
9    Hotel Room (R. Amed) 5:03
10    Limbo (R. Amed) 5:18
11    Epitafio (R. Amed) 4:36
12    Goodbye (R. Amed) 5:00
13    Amelia (J. Mitchell) • Dúo con Pedro Aznar 6:14

 

Roxana Amed singer-songwriter, born in Buenos Aires, Argentina, is recognized by audiences and critics alike as one of the most amazing and soulful voices in Argentine music. This original and independent artist offers a rare profile of the singer songwriter in Latin music with her outstanding performances and her poetry –her songs are written in both languages, Spanish and English- and sophisticated sound taking her music beyond the limits of the genres. Awards winner and nominated as songwriter, with an education also in Literature and Filmmaking, she built her singular figure to deliver five powerful works.

“Roxana Amed is one of the good surprises of the year. Her album “Limbo”, produced by Pedro Aznar, brings a breath of fresh air to Argentine music. (…) Roxana Amed is a new name in the commercial structure of Argentine music. But her voice is inmense, well known by the jazz fans of our country.” LOS ANDES de Mendoza, October 29th, 2004 --- roxana-amed.com

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administration@theblues-thatjazz.com (bluelover) Roxana Amed Sun, 30 Dec 2012 17:27:33 +0000