1. Waltz With a Swing/Americana [Medley] - Judy Garland 
2. Opera Vs. Jazz [Americana Reprise] - Deanna Durbin, Judy Garland 
3. Got a Pair of New Shoes - Judy Garland 
4. Sun Showers - Judy Garland 
5. Down on Melody Farm - Judy Garland 
6. Why, Because! - Fanny Brice, Judy Garland
7. Ever Since the World Began/Shall I Sing a Melody? - Judy Garland
8. Every Little Movement (Has a Meaning All Its Own) - Judy Garland, Mary Kent 
9. Tom, Tom, the Piper's Son - Judy Garland 
10. When I Look at You - Bob Crosby & His Orchestra, Judy Garland 
11. Paging Mr. Greenback - Judy Garland, MGM Studio Chorus 
12. Where There's Music /Where There's Music/St. Louis ... [Finale Medley/W - Judy Garland 
13. Till the Clouds Roll By - Judy Garland, , Orchestra 
14. Look for the Silver Lining - Judy Garland 
15. Can't Help Lovin' Dat Man - Judy Garland, Lena Horn, Lena Horne 
16. Leave It to Jane/Cleopatterer June Allyson - Judy Garland 
17. Make Believe/Who Cares If My Boat Goes Upstream - Judy Garland, Kathryn Grayson, Tony Martin 
18. Life upon the Wicked Stage - Judy Garland, Virginia O'Brien 
19. D'Ye Love Me? - Judy Garland 
20. Who? [Extended Version] - Judy Garland, 
21. Last Time I Saw Paris - Judy Garland, Dinah Shore 
22. Ol' Man River - Judy Garland, Frank Sinatra

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A1 	Zing! Went The Strings Of My Heart 	3:30
A2 	I Can't Give You Anything But Love 	4:40
A3 	This Is It 	2:18
A4 	More Than You Know 	3:24
A5 	I Am Loved 	3:23
B1 	I Hadn't Anyone Till You 	3:33
B2 	I Concentrate On You 	3:20
B3 	I'm Confessin' 	2:45
B4 	Do I Love You ? 	3:15
B5 	Do It Again 	2:39
B6 	Day In - Day Out 	3:55

Judy Garland - vocals
Nelson Riddle - conductor

For his second LP assignment with Judy Garland (following 1956's Judy), arranger/conductor Nelson Riddle planned a contrast to her previous outing, the melancholy Alone, an album of torch songs made with Gordon Jenkins in 1957. As its title suggested, Judy in Love was the antithesis, a collection of songs that celebrated the state of infatuation. It was actually a challenge for a singer who excelled at melodramatic exhortations and could certainly belt, but was well past the ingénue stage and had never been particularly bubbly. Riddle began by recasting Garland's old favorite "Zing! Went the Strings of My Heart" (which she had been singing since 1938) as a typical '50s hard swing number, then reversed engines to turn "I Can't Give You Anything but Love" (described in Jimmy McHugh's liner notes as the first number she ever sang) into a slow, lazy ballad that prominently used vibes and a flute to solo around the singer. The vibes returned on a slow treatment of "I'm Confessin'" later on the album, and elsewhere Riddle took advantage of the cha cha craze to underlie several songs with Latin percussion. The choice of three Cole Porter songs -- "I Am Loved," "I Concentrate on You," and "Do I Love You?" -- wisely oriented the set toward a sophisticated, effervescent attitude, allowing Garland to render the material from an emotional distance. That might seem like an odd approach for a record concerned with love's early stages, but it was appropriate coming from a 36-year-old singer with considerable and well-publicized baggage in the romantic department. Without saying so directly, Garland and Riddle were recontextualizing these interwar love songs (only one dated from after 1940) as statements of mature passion. Released late in the year, and with Garland temporarily off the road, the album suffered commercially, but remains a gem. ---William Ruhlmann, AllMusic Review

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Side 1:
01) Medley
02) Over The Rainbow
03) Swanee
04) Come Rain Or Come Shine
05) The Man That Got Away

Side 2:
01) Chicago
02) I Can't Give You Anything But Love
03) Zing! Went The Strings Of My Heart
04) April Showers
05) Rock-A-Bye Your Baby
06) When You're Smiling

Originally released in 1963, this album proved to be one of Capitol's most popular compilations. It was re-released over the years many times, with varying cover art (especially overseas - see below). Although the contents of the record would remain the same, the color scheme of the cover and the text would change, as would the various Capitol logos. Sometimes, as in the 1987 CD release shown at right, the text would disappear altogether. ---thejudyroom.com

After becoming the model for many acting and singing superstars during World War II, Judy Garland made her way through the '50s and '60s battling drugs, making comebacks, and doing a bit of television. Her big return to the limelight, of course, came with the release of the bravura Judy at Carnegie Hall record. This was during her 1957-1965 stretch at Capitol Records, a time when Garland's voice was still in fine form and sporting the beneficial affects of years in the singing business; the gratuitous enthusiasm of the '30s and '40s had been replaced by a burnished tone and some well-heeled phrasing. This 20-track Capitol roundup proves the point with a strong mix of updated chestnuts like "Somewhere Over the Rainbow" and some fine Latinized versions of "I Concentrate on You" and "Old Devil Moon" (Lena Horne's Lena Goes Latin comes to mind). Other highlights include "Down With Love," "Little Girl Blue," and "Happiness Is a Thing Called Joe." From cabaret ballad drama to frenetic big band swingers, Judy Garland revels in her golden prime on this classic collection. ---Stephen Cook, Rovi

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