1     Chega de Saudade (Antonio Carlos Jobim – Vinícius de Moraes)
2     Águas de Março (Antonio Carlos Jobim)
3     Chovendo na Roseira (Antonio Carlos Jobim}
4     Boto (Antonio Carlos Jobim – Jararaca)
5     Mantiqueira Range (Paulo Jobim – Ronaldo Bastos)
6     Olha Maria (Antonio Carlos Jobim – Chico Buarque – Vinícius de Moraes)
7     Valse (Paulo Jobim)
8     Desafinado (Antonio Carlos Jobim – Newton Mendonça)
9     Falando de Amor (Antonio Carlos Jobim)
10     O Amor em Paz (Antonio Carlos Jobim – Vinícius de Moraes)
11     Eu Te Amo (Antonio Carlos Jobim – Chico Buarque)
12     Um Certo Capitão Rodrigo (Antonio Carlos Jobim – Ronaldo Bastos)
13     O Saci (Paulo Jobim – Ronaldo Bastos)

Joana Adnet 	Vocals
Mario Adnet 	Guitar, Vocals
Rafael Barata 	Drums
Helio Delmiro 	Guitar
Phillip Doyle 	French Horn
Paulo Guimarães 	Flute (Alto)
Jorge Helder 	Bass (Acoustic)
Henrique Band 	Sax (Baritone)
Dirceu Leitte 	Clarinet (Bass), Sax (Alto)
Armando Marçal 	Percussion
Marcelo Martins 	Flute, Sax (Tenor)
Vander Nascimento 	Flugelhorn, Trumpet
Eduardo Neves 	Sax (Tenor)
Marcos Nimrichter 	Accordion, Fender Rhodes, Piano
Nailor Proveta 	Clarinet, Sax (Alto)
Jessé Sadoc 	Flugelhorn
Vittor Santos 	Trombone
Ricardo Silveira 	Guitar (Electric)
André Siqueira 	Guitar (Electric) 

Although we often think of Antonio Carlos Jobim's bossa nova material as a kind of jazz, it isn't really, although he was familiar with the genre and often used its inflections and moods. With this album, however, Jobim definitely becomes jazzy. Guitarist Mario Adnet set out to do two things -- keep the Brazilian roots of the music faithfully intact, but also give jazz arrangements, including horns, to the pieces, some of which have rarely been heard. He's succeeded beautifully in both aims. His charts capture the subtle melodies and gorgeous sprung rhythms, but offer a full sound, with room for improvisation. Kudos, too, to the band, who play superbly throughout, while the singing is understated (even that of Joyce on "Paulo Voo Livre"), keeping the focus firmly on the instrumentalists. Adnet is obviously a scholar of Jobim's work, and a passionate fan, with a deep desire to bring more people to Jobim's music, and to highlight the jazz elements in it. It becomes more than an academic exercise, and the lulling, often beautiful sound is filled with little inventions that propel it along. ---Chris Nickson, AllMusic Review

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1. Takatanga; 
2. Mojave; 
3. Boto (Porpoise); 
4. Bonita; 
5. Antigua; 
6. O Homem (The Man); 
7. Ai Quem Me Dera (I Wish); 
8. O Barbinha Branca (The Little White Bearded Man);	play 
9. Samba de Maria Luiza (Maria Luiza’s Samba); 	play
10. Wave; 
11. Marina Del Ray; 
12. Deau e o Diabo Na Terra Do Sol (God and the Devil in the Land of the Sun); 
13. Samba do Avião (Song of the Jet) (intro: Rhapsody in Blue by George Gershwin).

Personnel: 
Andrea Ernest Dias: flute 
Joana Adnet: clarinet 
Zé Canuto: alto saxophone 
Marcelo Martins: tenor saxophone 
Henrique Band: baritone saxophone 
Philip Doyle: French horn 
Jessé Sadoc: trumpet, flugelhorn 
Aquiles Moraes: trumpet, flugelhorn 
Everson Moraes: trombone 
Vittor Santos: trombone 
Mario Adnet: acoustic guitar 
Antonia Adnet: acoustic guitar 
Ricardo Silveira: electric guitar
Marcos Nimrichter: piano, accordion 
Jorge Helder: acoustic bass 
Jurim Moreira: drums 
Raphael Barata: drums 
Armando Marçal: percussion.

With More Jobim Jazz, Brazilian guitarist Mario Adnet continues his tribute to fellow countryman and songwriter Antonio Carlos Jobim. The second volume of music from the legend's songbook, this installment includes some familiar songs like "Wave," and "Bonita," among thirteen superb selections, and follows the same recipe used on Jobim Jazz (Adventure Music, 2007), originally inspired by what would have been Jobim's 80th birthday in January, 2007. Adnet transforms Jobim's compositions, infusing the rich Brazilian style with strong elements of contemporary jazz by employing heavy brass arrangements featuring reeds, French horn, trombone and trumpets.

Though this session represents the latest Adnet tribute to the icon, the guitarist's love for the music actually began much earlier when, in 2002, he recorded a definitive compilation of Jobim's lesser-known songs on the orchestral Jobim Sinfonico (Biscoito Fino Br, 2003). Recorded in Rio de Janeiro in early 2011, More Jobim Jazz may well be the best of the series, with Adnet's ensemble of between 9 to11 players drawn from an all-Brazilian cast of seventeen musicians.

The light, bossa-tinged "Takatanga" makes a strong opening statement with horns of plenty in play, featuring solos from alto saxophonist Ze Cantu, tenor Marcelo Martins and trumpeter Jesse Sadoc, accompanied well by trombone, French horn and baritone. The brassy sounds continue throughout the rest of an album that also include accordionist Marcos Nimrichter on "Boto" and electric guitarist Ricardo Silveira on the classic "Bonita." "Antigua" offers one of the most recognizable Brazilian rhythms on the disc, and stands as one of its most exceptional pieces.

Not every song on this project is overly brassy; baritone saxophonist Henrique Band and flugelhornist Sadoc are the only horns gracing the beautiful "Ai Quem Me Dera (I Wish)." Some lesser-known Jobim pieces include "O Barbinha Branca (The Little White Bearded Man)," "Samba de Maria Luiza" and the dark "Deus e o Diablo Na Terra Do Sol (God and the Devil in the Land of the Sun)."

But what would any Jobim tribute be without "Wave"—aside from "The Girl from Ipanema," his most recognizable work. This rendition is no less enthralling, as it rides into the sunset on a wave of horns. "Marina Del Rey" rounds out the album as a true ballad that, though brief, offers a glimpse of the master's penchant for the gentler side of the genre.

There is little argument about Jobim's music it was groundbreaking when first introduced and has remained special ever since. Master guitarist Adnet reinvents the music with creative arrangements that paint Jobim's compositions on a new canvas, turning More Jobim Jazz into a musical masterwork. ---Edward Blanco, allaboutjazz.com

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