1 	Jump Back, Honey 	
2 	Dreamin' And Cryin' 	
3 	My Song 	
4 	If You Love Me (Really Love Me) 	
5 	I'm Still In Love 	
6 	I Don't Mind 	
7 	You Let My Love Get Cold 	
8 	All Night Long 	
9 	Time Was When 	
10 	Trust In Me 	
11 	Remember 	
12 	When I Leave The World Behind 	
13 	Somewhere In That Direction 	
14 	I Went To Your Wedding 	
15 	He's Coming Home 	
16 	Brooks Boogie

Hadda Brooks 	Piano, Primary Artist, Vocals
Abie Baker 	Bass
Eddie Barefield 	Clarinet
Howard Biggs 	Piano
Teddy Bunn 	Guitar
James Cannady 	Guitar
Don Costa 	Arranger, Conductor
Bill Jones 	Drums
Taft Jordan 	Trumpet
Ted Kelly 	Trombone
Leroy Kirkland 	Arranger, Conductor
Grachan Moncur II 	Bass
Kelly Owens 	Piano
Sam "The Man" Taylor 	Sax (Tenor)
Fred Williams 	Sax (Baritone)
Marty Wilson 	Drums 

She was best known as a boogie-woogie piano player in the late 1940s, but this first-time CD reissue focuses on Hadda Brooks' brilliantly sophisticated, laidback vocal material in the 1950s. These songs don't carry the dirgelike sentiments of most blues, but more of a euphoric look at life and love. There are rocking dancers such as "Jump Back Honey" and "Brooks Boogie" among tasteful ballads such as "I Went To Your Wedding" and saucy midtempos like "Time Was When." ---Bil Carpenter, AllMusic Review

Tim Hauser, Manhattan Transfer, aired an AM broadcast a couple years back in which he featured artists of bygone musical genres. After listening to one or two songs by Hadda Brooks I bought two of her CDs. Both were quite listenable, acknowledging the fact each spotlighted performances given in her later years.

Finally I purchased "Jump Back Honey...", performances from which were obviously recorded in her younger years. The title track is rather catchy in its own offbeat way. The two boogie woogie piano pieces fit in nicely with the other vocal performances.

I especially like Track 12, "When I leave This World Behind" for its very wistful sentiment, the type of expression so devoid in much of today's music. Track 11, Irving Berlin's "Remember" receives a similar treatment and sets the listener up nicely for Track 12.

There is a certain beauty and wholesomeness throughout all the vocal numbers presented, which is not unlike the feeling one gets in looking at the CD cover photo of Ms. Brooks. Her love for the music she creates as well as for the audience she entertains is apparent throughout the entire CD.

I feel that finally when Ms. Brooks "left this world behind" she took all her beauty and talent to a place on high where those who now surround her will forever more be privileged to receive her God-given talent. God simply would not create such a joy only eventually to end it forever. Something tells me it would have been a privilege to have met her in this lifetime -- that's just how her music affects me. ---Patrick J. Ryan, amazon.com

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01 - Variety Bounce (Aka Variety Boogie)
02 - That's My Desire
03 - Romance In The Dark		play
04 - Bully Wully Boogie
05 - Out Of The Blue
06 - Honey,honey, Honey
07 - Keep Your Hand On Your Heart
08 - Bewildered
09 - Jukebox Boogie
10 - Trust In Me
11 - Do'nt Take Your Love From Me
12 - Schubert's Serenade In Boogie
13 - Tough On My Heart
14 - When A Woman Cries
15 - Say It With A Kiss		play
16 - I've Got My Love To Keep Me Warm
17 - I Feel So Good
18 - It All Depends On You
19 - Don't Call It Love
20 - Honky Tonk Boogie
21 - Don't You Think I Ought To Know
22 - You Wo'nt Let Me Go
23 - Tootsie Timesie

This special lady, known alternately as Empress Of The Torch Blues and Queen Of The Boogie, was one of America's best-kept secrets for, although she was a prolific recording artist as both a singer and pianist, just three of her songs made an impact on the charts - in 1947/48 on what then passed for the R&B charts for the small Modern label. She would also record for Columbia's "race" label Okeh, but without any chart success for her singles releases.

Heading the Hadda Brooks Trio [with Basie Day on bass and Al Wichard on drums] her first hit was That's My Desire which went to # 4 in June 1947, a tune covered by Frankie Laine for HIS first hit on the much larger Mercury label [# 4 pop]. The flipside [not included here] was Humoresque Boogie.

A year later, after singing Out Of The Blue in the 1947 George Brent movie of the same name, a recorded version went to # 9 b/w Bully Wully Boogie. Both are included here. Her last charter then came a month or so later in October 1948 when What Have I Done? topped out at # 3 for her best hit. But while the flipside, Tootsie Timesie is included here, the A-side is not! Nor does it seem to be included in any of the other Hadda Brooks compilations offered, which indicates that, perhaps, the master has been lost (a good bet since, if Ace didn't include it then it likely was unattainable). If that's the case it's a tragedy for music historians.

Even though no further hits ensued, she would continue recording, including acclaimed LPs, almost right up to the time of her death on November 21, 2002 at age 86. She also appeared in several more films, usually in a singing role, among them the 1950 Bogart movie In A Lonely Place, and the 1952 Kirk Douglas/ Lana Turner award-winning The Bad And The Beautiful.

In 1957 she became the first black woman to host her own weekly television show in L.A., The Hadda Brooks Show, which featured That's My Desire as her theme song. Towards the end of her life she appeared in the 1995 Jack Nicholson film The Crossing Guard, directed by Sean Penn, a situation brought about by the fact she was a long-time favourite of both star and director. Another who adored her is Johnny Depp, who had a special 80th birthday party for her at his L.A. club The Viper Room in October 1996. Three years later she made her final film appearance in The Thirteenth Floor.

An amazingly talented woman whose early music [and her later material] deserved a better fate in terms of singles sales and chart recognition, a situation all too common back then for black recording artists unable to hook up with a major distributor.

Thanks to Ace of London we at least get to hear 23 of her best, both the torch and boogie varieties, in this beautiful package which includes comprehensive liner notes as only Ace can do them. And the sound quality is impeccable. Highly recommended. And while you're listening take the time to drop a note to the Blues Hall Of Fame and tell them to remove their blinders and pull out their ear plugs. This lady should have been among the FIRST inductees, never mind still on the outside looking in. --- AvidOldiesCollector (Ottawa, Ontario, Canada)

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