1. Raise The Roof		play
2. Take Care
3. Time
4. Soul Bird
5. Forever And A Day
6. Spring Changes		play
7. Seven Day Fool
8. All That
9. Ode To St Cecile
10. Leaving Home
11. Prayer

Bass – Riaan Vosloo
Clarinet, Baritone Saxophone, Alto Saxophone – Jonny Spall
Drums – Graham Fox
Flugelhorn [Flugal Horn] – Fulvio Sigurta
Flute, Tenor Saxophone – Mark Hanslip
Piano, Organ [Hammond] – Ross Stanley
Strings – Adam Newman (2), Andre Harvey, Edward Brenton, Lucy Railton, Mackenzie Richards, Melanie Martin, Robin Martin, Roz Gladstone
Trombone – Angus Dearness, Trevor Mires
Trumpet – André Canniere, Fulvio Sigurta

‘Raise The Roof’, Lizzy Parks’ debut album on Tru Thoughts, is an original and unforgettable introduction to one of the most talented singers of the moment. Deftly produced by Ben ‘Nostalgia 77’ Lamdin and with rich, dramatic orchestration from Riaan Vosloo of the acclaimed Nostalgia 77 Octet, ‘Raise The Roof’ embodies Lizzy’s fresh and modern personal twist on the singer-songwriter tradition, encompassing elements of various styles from retro jazz and boogie soul to ambient experimental music.

Singing, writing and playing music from the age of 7, Lizzy Parks took her love of music to another level when she graduated from the Birmingham Conservatoire with an honours degree in music in 2003. Lizzy played in pubs and clubs for several years and had her first experience of session work while still at university in 2001 with artist Chris Bowden - signed to the über cool Ninja Tune record label. Eight years and three fantastic albums later, Lizzy Parks has performed with some of the biggest names in UK Soul Jazz such as The Heritage Orchestra and Nostalgia77.

Lizzy is mostly gigging in the UK for the moment, as well as preparing her fourth album, due for release in 2010. But she's also aiming to make her mark on the French music industry, following her move to the French Riviera earlier this year. In an exclusive interview with FR2DAY, Lizzy describes how she was "surprised to find out that France is Tru Thoughts' biggest market in terms of record sales" and that she is "looking forward to being more involved in the French scene and learning about French audiences". We at FR2DAY are certainly big fans of Lizzy's music and can't wait to see her in some South of France venues in the very near future.

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01. This and that				play
02. Forever and A Day (Acoustic Version)
03. Deluge
04. Soul Bird (Acoustic Version)
05. A Taste of Honey
06. Time (Acoustic Version)			play
07. Eyes of A Child
08. Raise the Roof (Acoustic Version)
09. Leaving Home (Acoustic Version)

Double Bass – Riaan Vosloo
Flute – Mark Hanslip
Guitar – Max Gilkes
Percussion – Will Fry
Piano – Riaan Vosloo
Saxophone – Mark Hanslip
String Quartet – Robin Martin, Rose Redgrave, Roz Gladstone, Sophie Ryan
Vocals – Lizzy Parks

Until 2008, British vocalist, songwriter, and multi-instrumentalist Lizzy Parks had been gigging on records since she performed with Chris Bowden on his groundbreaking Slightly Askew album back in 2001. Until last year she was known primarily for her guest work with Ben Lamdin on the Nostalgia 77 and Nostalgia 77 Octet groupings, and with his help she released the stellar Raise the Roof on Tru Thoughts (not her debut but a breakthrough nonetheless); an in-your-face set of jazzed-up dance, funk, and nu-soul offerings with scant touches of post-modern rockism tossed in for good measure. 2009's follow-up, This and That, is a different kind of offering altogether. The vibe here is far more acoustic in nature, stressing her songwriting talents more.

All tracks were written with Lamdin and Riaan Vosloo (also of Nostalgia 77). The arrangements include strings and horns, but mostly feature a core band of guitar, double bass, piano, hand percussion, and flute with a single saxophone. Parks' jazz roots comes out more on this set because of its stripped arrangements. She comes off as an excellent ballad singer, as evidenced on "Deluge," with its hand drums and saxophone, and recalls a Beat Generation hipness but is thoroughly in the moment -- check her twinned, near scatting with the saxophone in the latter half of the tune. Other standouts include an acoustic version of "Raise the Roof," with a fine string arrangement by Vosloo. The restrained yet shimmering delivery of the lyrics turns the song inside out and even alters its meaning.

The album's lone cover is a reading of Bobby Scott's "A Taste of Honey," and rather than the fingerpopping, scattershot, uptempo song we've been accustomed to hearing since Herb Alpert and the Beatles in the '60s, Parks turns in a folk-pop version that is as elegant as fine chamber music and uncovers the root of the song in the traditional ballad "Greensleeves." Simply put, this set is a pure joy in its elegant, graceful presentation and reveals that Parks' gift for both creating and interpreting songs in rich new ways is vast, and the well of her inspiration is very deep indeed. Anyone interested in the jazzier side of songwriting and singing without the saccharine or cheap sentiment provided by countless others should check out This and That. ---Thom Jurek

"This And That" zawiera tylko dziewięć utworów, ale są to zdecydowanie najpiękniejsze utwory, jakie miałem okazję ostatnio słyszeć. Większość z nich to akustyczne wersje kompozycji z poprzedniego albumu Lizzy, "Raise The Roof", oraz dwa kowery: "Deluge" Wayne'a Shortera i "A Taste Of Honey"; w aranżacji Riaana Vosloo (gitara basowa), Willa Fry'a (perkusja), Marka Hanslipa (saksofon) oraz Maxa Gilkesa (gitara akustyczna).

Z jaką muzyką mamy do czynienia na "This And That"? Na pewno nie jest to jazz poszukujący, ale raczej to co nazywamy dziś smooth jazzem. W tym klimacie głos Lizzy Parks brzmi dużo bardziej wyraziście. Muzycy wiedzą jak zostawić wokalistce wolną przestrzeń, którą wypełnia przepięknymi wokalizami. Myślę, że mało komu nie będę się podobały nowe wersje doskonale znanych piosenek, bo ich interpretacje uważam za bardzo ciekawe. --- Ed Hammerhead, muzyka.gery.pl

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