Classical

Chopin - The Piano Concertos (Lang Lang) [2008]

2016-04-11T19:10:43Z

Chopin - The Piano Concertos (Lang Lang) [2008]


01] Piano Concerto No. 2 In F Minor, Op. 21: I. Maestoso
02] Piano Concerto No. 2 In F Minor, Op. 21: Ii. Larghetto
03] Piano Concerto No. 2 In F Minor, Op. 21: Iii. Allegro Vivace
04] Piano Concerto No. 1 In E Minor, Op. 11: I. Allegro Maestoso
05] Piano Concerto No. 1 In E Minor, Op. 11: Ii. Romance (Larghetto)
06] Piano Concerto No. 1 In E Minor, Op. 11: Iii. Rondo (Vivace)
07] 12 Etudes, Op. 10: No. 3 In E "Tristesse"

Lang Lang – piano
Vienna Philharmonic
Zubin Mehta – conductor

Given the complexity and depth of expression heard in the two piano concertos of Frédéric Chopin, it's sometimes easy to forget that they are in fact youthful works, written only a short time after completing his studies at the Warsaw Conservatory. They were instrumental in cementing Chopin's reputation both as a performer and composer during his early premieres. Despite the now-customary numbering and gap in opus numbers, the two concertos were written within only about a year of each other, with Concerto No. 1 actually written before Concerto No. 2. The present recording of pianist Lang Lang and the Vienna Philharmonic Orchestra under Zubin Mehta does a splendid job of overcoming some of the shortcomings inherent in these works. The orchestral tuttis, often criticized as being derivative and poorly scored, are played with exceptional vigor and intensity. Mehta treats the accompanimental passages as what they truly are: vehicles to enhance the piano part; the dialogue between soloist and conductor is fluid and seamless. Lang Lang's playing deftly avoids the trap of over-romanticizing or over-indulging in rubato. Lang Lang cites Artur Rubinstein as one of his primary inspirations for Chopin interpretation; this is quite clear in these recordings. Both Lang Lang and Rubinstein trod the fine line between lush Romanticism and outright sappiness, and both pull a rich, lush tone from their instruments. Whereas Rubinstein's performances were notoriously marred by technical errors and over-pedaling to cover them, Lang Lang's playing is as technically precise as it is musically. Throughout the recording, listeners are presented with a true sense of intimacy and closeness to the piano's sound; recorded sound quality is well-rounded and balance between orchestra and piano is exceptional. --- Mike D. Brownell, Rovi

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Lang Lang - Romance (2017)

2018-01-11T14:03:43Z

Lang Lang - Romance (2017)


01. Liszt - Liebestraum No. 3 in A-Flat Major, S. 541 / 3
02. Bach - Orchestral Suite No. 3 in D Major, BWV 1068: III. Air, "On the G String" (Arr. for Piano)
03. Chopin - Nocturne Op. Posth., KK IVa, No. 16 (20a), in C-Sharp Minor
04. Tchaikovsky - The Nutcracker, Op. 71: No. 14, Pas de deux, Var. II "Danse de la Fée Dragée"
05. Chopin - Études, Op. 25: No. 1 in A-Flat Major
06. Zimmer - Gladiator Rhapsody (From "Gladiator")
07. Bach - Herz und Mund und Tat und Leben, BWV 147: X. Jesus bleibet meine Freude (Choral)
08. Tchaikovsky - The Seasons, Op. 37a: VI. June: Barcarolle
09. Chopin - Études, Op. 25: No. 5 in E Minor
10. Liszt - Ave Maria (Schubert), S. 558/12
11. Chopin - Etude, Op. 10, No. 3 (Transcribed Version in A Major)
12. Liszt - Romance "O pourquoi donc" in E Minor, S. 169
13. Beethoven - Piano Sonata No. 3 in C Major, Op. 2: II. Adagio
14. Chopin - Andante spianato and Grande Polonaise, Op. 22: Andante spianato
15. Dudley - Poldark Prelude
16. Liszt - Consolation No. 3 in D-Flat Major, S. 172
17. Tchaikovsky - The Seasons, Op. 37a: I. January: At the Fireside

Lang Lang - piano

Aeolian Harp Etude naturally lead into Hans Zimmer s captivating main soundtrack theme from the film Gladiator. Similarly, the juxtaposition of Chopin s C-sharp minor Nocturne, Liszt s Consolation No. 3 and the Adagio from Beethoven s Sonata op. 2 no. 3 and Bach s Air on the G String illuminates the common ground between four proudly individual composers. Romance casts fresh light on Lang Lang s lyrical gifts, revealing the artist behind the phenomenon. ---Editorial Reviews, amazon.com

Sony Classical zaprasza do wysłuchania albumu "Romance" – jednego z największych pianistów XX wieku, supergwiazdy światowej pianistyki - Lang Langa. Nie ulega wątpliwości, że mamy do czynienia z jednym z największych talentów wśród wirtuozów fortepianu. Lang Lang to artysta cieszący się swoją odrębnością, a także nieskrępowaną wolnością twórczą.Tym razem w jego wykonaniu usłyszymy wybór utworów zawierającej ogromny ładunek emocjonalny. Nie zabraknie tu "przebojów" Chopina, Beethovena, Liszta, Czajkowskiego, Zimmera... ---empik.com

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Lang Lang - The Mozart Album (2014)

2016-04-11T19:08:06Z

Lang Lang - The Mozart Album (2014)

Piano Concerto No. 24 In C Minor K 491
    Cadenza – Lang Lang, Lili Kraus

A1 	I. Allegro 	
A2 	II. Larghetto 	
A3 	III. Allegretto 	

Piano Concerto No. 17 In G Minor K 453
    Cadenza – W. A. Mozart

B1 	I. Allegro 	
B2 	II. Andante 	
B3 	III. Allegretto - Presto 	

Piano Sonata No. 5 In G Major K 283 (198h) 	
C1 	I. Allegro 	
C2 	II. Andante 	
C3 	III. Presto 	

Piano Sonata No. 4 In E-Flat Major K 282 (198g) 	
C4 	I. Adagio 	
C5 	II. Menuetto I - II 	
C6 	Allegretto 	

Piano Sonata No. 8 In A Minor K 310 (300d) 	
D1 	I. Allegro Maestoso 	
D2 	II. Andante Cantabile Con Espressivo 	
D3 	III. Presto 	

D4 	March No. 1 K 408 	
D5 	Konzertstück In F Major K 33b 	
D6 	Allegro For Piano In F Major K 1c 	
	Piano Sonaata N0. 11 In A Major K 331 	
D7 	III. Rondo Alla Turca - Allegretto ("Turkish March")

Lang Lang – piano
Wiener Philharmoniker
Nikolaus Harnoncourt – conductor

For this all-Mozart twofer from Sony, piano virtuoso Lang Lang, conductor Nikolaus Harnoncourt, and the Vienna Philharmonic present a program of piano concertos, piano sonatas, and several short solo pieces that give a good sampling of the composer's keyboard output. The roster may provoke some cognitive dissonance, though, because Harnoncourt is best known for historically informed period interpretations of Mozart, while Lang Lang and the Vienna Philharmonic are more associated with a conventional, mainstream performance style. One might expect some compromise between the two camps, yet while the orchestra incorporates some aspects of Classical sound into its playing, it remains a modern orchestra of full size, and Harnoncourt doesn't ask for the tone colors and techniques he would demand of his own Concentus Musicus Wien. For the soloist's part, Lang Lang is rather restrained and sensitive to the character of the music, and apart from some showiness in his cadenzas, he shows less of the ebullience and bravura playing he otherwise shows in Liszt or Rachmaninov. The section of the program devoted to solo piano works is less of a stylistic challenge, but Lang Lang's mannered playing is a matter of taste, and listeners who like a fairly Romantic interpretation will like his approach. Others, however, will already know Lang Lang's readings are not historically informed performances and avoid them. ---Blair Sanderson, Rovi

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Lang Lang: Bach - Goldberg Variations (2020)

2020-10-21T15:13:43Z

Lang Lang: Bach - Goldberg Variations (2020)


1Johann Sebastian Bach: Goldberg Variations, BWV 988: Aria05:20
2Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 1 a 1 Clav.02:07
3Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 2 a 1 Clav.01:37
4Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 3 Canone all'Unisono. a 1 Clav.03:10
5Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 4 a 1 Clav.01:04
6Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 5 a 1 ovvero 2 Clav.01:22
7Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 6 Canone alla Seconda. a 1 Clav.01:13
8Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga02:20
9Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 8 a 2 Clav.02:00
10Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 9 Canone alla Terza. a 1 Clav. 02:13
11Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 10 Fughetta. a 1 Clav.01:40
12Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 11 a 2 Clav.02:26
13Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 12 Canone alla Quarta. (a 1 Clav.)02:10
14Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 13 a 2 Clav.06:09
15Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 14 a 2 Clav.02:18
16Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 15 Canone alla Quinta. a 1 Clav. Andante06:28
17Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 16 Ouverture. a 1 Clav.02:45
18Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 17 a 2 Clav.02:01
19Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 18 Canone alla Sesta. a 1 Clav.01:43
20Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 19 a 1 Clav.01:16
21Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 20 a 2 Clav.02:04
22Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 21 Canone alla Settima. (a 1 Clav.)04:31
23Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 22 a 1 Clav. Alla breve01:28
24Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 23 a 2 Clav.02:13
25Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 24 Canone all'Ottava. a 1 Clav.03:02
26Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 25 a 2 Clav. Adagio10:01
27Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 26 a 2 Clav.01:48
28Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 27 Canone alla Nona. a 2 Clav.01:37
29Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 28 a 2 Clav.02:05
30Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav.02:07
31Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 30 Quodlibet. a 1 Clav.02:30
32Johann Sebastian Bach: Goldberg Variations, BWV 988: Aria da Capo06:26
33Johann Sebastian Bach: Goldberg Variations, BWV 988: Aria04:55
34Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 1 a 1 Clav.02:00
35Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 2 a 1 Clav.01:39
36Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 3 Canone all'Unisono. a 1 Clav.03:07
37Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 4 a 1 Clav.01:02
38Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 5 a 1 ovvero 2 Clav.01:24
39Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 6 Canone alla Seconda. a 1 Clav.01:07
40Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga02:11
41Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 8 a 2 Clav.02:06
42Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 9 Canone alla Terza. a 1 Clav.02:22
43Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 10 Fughetta. a 1 Clav.01:40
44Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 11 a 2 Clav.02:21
45Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 12 Canone alla Quarta. (a 1 Clav.)02:15
46Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 13 a 2 Clav.06:13
47Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 14 a 2 Clav.02:17
48Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 15 Canone alla Quinta. a 1 Clav. Andante07:00
49Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 16 Ouverture. a 1 Clav.02:54
50Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 17 a 2 Clav.02:02
51Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 18 Canone alla Sesta. a 1 Clav.01:55
52Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 19 a 1 Clav.01:18
53Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 20 a 2 Clav.02:01
54Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 21 Canone alla Settima. (a 1 Clav.)04:56
55Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 22 a 1 Clav. Alla breve01:31
56Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 23 a 2 Clav.02:03
57Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 24 Canone all'Ottava. a 1 Clav.03:35
58Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 25 a 2 Clav. Adagio10:34
59Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 26 a 2 Clav.01:46
60Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 27 Canone alla Nona. a 2 Clav.01:50
61Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 28 a 2 Clav.02:05
62Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav.01:59
63Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 30 Quodlibet. a 1 Clav.02:44
64Johann Sebastian Bach: Goldberg Variations, BWV 988: Aria da Capo06:01
65Johann Sebastian Bach: Goldberg Variations, BWV 988: Aria02:41
66Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga01:11
67Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 13 a 2 Clav.03:08
68Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 15 Canone alla Quinta. a 1 Clav. Andante03:20
69Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 25 a 2 Clav. Adagio05:14
70Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 26 a 2 Clav.00:58
71Johann Sebastian Bach: Goldberg Variations, BWV 988: Variatio 30 Quodlibet. a 1 Clav.

Lang Lang - piano

Lang Lang has realized a lifelong dream by recording Johann Sebastian Bach's monumental keyboard work, the Goldberg Variations, often described as "a musical Everest". It will be released on Deutsche Grammophon on September 4, 2020 in two complementary performances given by the pianist: the first was recorded in a single take in concert at the legendary St. Thomas Church in Leipzig, Germany, Bach's workplace for almost 30 years and site of his grave; the second was made soon after in the seclusion of the studio, on the eve of the pandemic. The two recordings can be purchased together as part of a super deluxe edition, comprised of the live and studio album release.

"I'm now 38 and, while that's not old, I think the time was right for a new stage in my artistic development," comments Lang Lang. "I've moved into new terrain with the Goldberg Variations and really immersed myself fully in this project. My goal as an artist is to keep becoming more self-aware and more knowledgeable, as well as to keep offering inspiration to others. It's an ongoing process, but this project has taken me a little further along the path."

The pianist's long journey into the soul of one of the greatest landmarks of world culture began with childhood lessons in Bach's music in his native China. He was just 17 when he played the Goldberg Variations from memory for the conductor and pianist Christoph Eschenbach, an unforgettable experience for both musicians. Lang Lang subsequently sought expert advice from leading interpreters of the composer's music, conductor Nikolaus Harnoncourt and harpsichordist and early keyboard specialist Andreas Staier among them.

Having allowed his relationship with the work to evolve naturally over time, Lang Lang finally felt ready to record Bach's great "Aria" and 30 variations. In early March 2020, shortly before beginning his studio sessions, he gave a poignant public performance of the work in Leipzig. "Playing in the Thomaskirche (St. Thomas Church), where Bach is buried, was unbelievably emotional for me," he recalls. "I've never felt as close to a composer as I did during that recital. The live version is very spontaneous, whereas in the studio version my playing is different – very considered and reflective. In a concert situation you experience the 100-minute work as a whole. In the studio you can focus on individual details and nuances, and of course that can affect the musical experience quite substantially."

It's believed that Bach wrote the Goldberg Variations for his pupil, a teenage harpsichord virtuoso named Johann Gottlieb Goldberg. The composer's first biographer reported that the piece was commissioned by the Russian ambassador to the Dresden court, an insomniac, as a "soothing and cheerful" work for young Goldberg to play during the night. Published in late 1741, it demands total spiritual focus from the performer.

"This isn't just the most exceptional and creative work in the keyboard repertoire, it's also the most multidimensional," observes Lang Lang. "It allows us to draw on everything we have within ourselves, but also makes us realize what's missing and what we still have to learn." ---highresaudio.com

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