1-Oror (Lullaby) 
2-Gakavi yerke (Song of the Partridge)
3-Manoogneroo Hayr Mer (Children's Prayer)
4-Yerginkn amble / Antsrevn yegav (The Cloudy Sky / It's Raining)
5-Dzirani Dzar (Apricot Tree)
6-Karoon a (Spring)
7-Alakyaz / Khngi dzar (Mount Alakyaz / Incense Tree)
8-Unabi (Dance of Unabi)
9-Shooshigi (Dance of Shooshig)
10-Keler tsoler (Striding, Beaming)
11-Hoy Nazan / Shakhgr shookhgr (Oh Nazan / Jingle-Jangle)
12-Akh Maral jan (Ah, Dear Maral)
13-Kele kele (Strolling)
14-Chinar Es (Tall as the Poplar Tree) 	
15-Chem grna khagha (I Cannot Dance)
16-Ervoom em / Shogher jan (I'm Burning with Love / Dear Shogher)	
17-Voh inch kaghtsr pan (Oh, What a Delight!)
18-Groong (The Crane)
19-Andooni (Without a Home)
20-Tsayn door ov dzovag (Call to the Sea)
21- Dsidsernag
22- Hayasdan

Isabel Bayrakdarian, soprano
The Chamber Players of the Armenian Philharmonic Orchestra
Eduard Topchjan, conductor
Serouj Kradjian, piano
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Gevorg Dabaghyan, duduk
Gevorg Gharabekyan, violin
Vyacheslav Manucharyan, clarinet
Karen Kocharyan, cello
Karen Khachatryan, double bass
Serouj Kradjian, piano

Gomidas Vartabed was largely responsible for rescuing Armenian folk music from oblivion; the songs he collected and arranged are among the few surviving records of a musical culture that was decimated by the Armenian genocide that began in 1915. The composer escaped death, but was deported, and later returned to his homeland a broken man. The music Gomidas transcribed or composed (Vartabed was not his surname, but a designation of his status as a priest) is achingly poignant in itself, and an awareness of the composer's national and personal tragedy makes it even more heartbreaking. A few of the songs are presented in the composer's own arrangement for voice and piano, but most are arranged for chamber ensemble by Serouj Kradjian. The dudek, a native wind instrument with a plaintive sound somewhat reminiscent of an alto saxophone, features prominently in the arrangements. Armenian-Canadian soprano Isabel Bayrakdarian is best known for her singing on the soundtracks for the Lord of the Rings films, and she is a genuinely versatile performer, with experience in the classical and European folk music worlds. She brings a sweet, strong, distinctive voice to these songs. It's obvious the idiom of this tradition is in her bones, and she sings with piercing expressivity. Credit for the powerful impact of the songs also goes to the sensitive, atmospheric arrangements by Kradjian, who is also Bayrakdarian's husband. The sound on most of the tracks is clear, clean, and warm. The album should be of strong interest to anyone who loves Eastern European folk music. ---Stephen Eddins, Rovi

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1. Where are you Mother?
2. You are a profound mystery
3. Trisagion
4. We celebrate
5. Chosen of God
6. Joyous Light
7. My heart trembles
8. Lord have Mercy
9. When you enter
10. The Fowl
11. The Mother of the Lord
12. Open for us, Lord
13. Be Delighted, O holy church
14. Rejoice, O holy church
15. You are the only Holy
16. Doxology
17. O Gardener
18. The Lord's prayer

Elmer Iseler Chamber Orchestra
Raffi Armenian - conductor

This is a stunning recording. Isabel Bayrakdarian's voice is a wonderful clear soprano, rich and warm throughout its range and free of any roughness. Her long familiarity with this repertoire lets her shape each phrase beautifully and, apparently, effortlessly. The disk derives from a concert that took place in Toronto in September, 2001 commemorating 1700 years of Christianity in Armenia. It consists of 18 pieces of liturgical music. In some Bayrakdarian sings a capella, but in most she is supported by a chamber orchestra. One is aware that this is not western music, but the modes in which it is written are just unusual enough to European ears to be a little exotic while remaining entirely accessible. It's not quite melodic, but not quite chant either. Bayrakdarian's melismas are always sensitive and subtle. The whole effect is soaring, haunting, ethereal, transporting, utterly wonderful.

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