Danzas Españolas, Op.26
1.No.7 in A minor - Vito, Op.26 No.1	5:36
2.No.8 in C major - Habanera, Op.26 No.2	5:00

3.Jota Aragonesa, Op.27	4:48
4.Serenata Andaluza, Op.28	6:03
5.El Canto del ruiseñor, Op.29	8:24

Danzas Españolas, Op.21
6.No.1 - Malagueña, Op.21 No.1	4:17
7.No.2 - Habanera, Op.21 No.2	4:13

Danzas Españolas, Op.22
8.No.3 - Romanza Andaluza, Op.22 No.1	4:18
9.No.4 - Jota Navarra, Op.22 No.2	4:33

Danzas Españolas, Op.23
10.No.5 - Playera, Op.23 No.1	4:06
11.No.6 - Zapateado, Op.23 No.2	3:14

12.Caprice Basque, Op.24	5:57
13.Zigeunerweisen (Aires Gitanos), Op. 20	7:53

Julia Fischer - violin
Milana Chernyavska  - piano

These dazzling works . . . make great showstoppers and encores, but what's surprising is how satisfying they turn out to be in their own right. Beginning with a couple of Spanish dances, it's apparent from the get-go how effortlessly the 30-year-old masters the technical challenges of works designed to leave jaws on floor. She sounds like she's having fun, and why wouldn't she, especially in "Zigeunerweisen", whose czárdás rhythm allows Fischer and accompanist Milana Chernyavska to demonstrate how convincingly a German and a Ukrainian can perform Spanish music inspired by Hungarian gypsies . . . What a terrific, entertaining disc. --- deccaclassics.com

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01 - Concert Fantasy on Carmen, Op.25: Introduction:Allegro moderato (Sarasate)
02 - Concert Fantasy on Carmen, Op.25: I:Moderato (Sarasate)
03 - Concert Fantasy on Carmen, Op.25: II: Lento assai (Sarasate)
04 - Concert Fantasy on Carmen, Op.25: III:Allegro moderato (Sarasate)
05 - Concert Fantasy on Carmen, Op.25: IV: Moderato (Sarasate)
06 - Thaïs: Méditation from "Thaïs" (Massenet)
07 - Tzigane, Rhapsodie de Concert (Ravel)
08 - Romance in F minor B39 (Op. 11) (Dvorak)
09 - Romances: Romance in F, Op. 50 (Beethoven)
10 - Suite forOrchestra No. 3 in D Major, BWV 1068: Air (Bach)
11 - Zigeunerweisen Op. 20 8:25 (Sarasate)

Sarah Chang – violin

Berlin Philharmonic Orchestra
Placido Domingo - conductor

FIRE & ICE, Sarah Chang's eleventh recital album, is a throwback of sorts: an old-fashioned star turn packed with virtuosic showpieces that would test the mettle of any violinist. But the precociously talented Chang is not just any violinist and she certainly proves it here. As usual, she rises to the occasion and offers a dazzling, bravura performance of a crowd-pleasing program, guaranteed to make even the most jaded listeners sit up and take notice. The album title is meant to convey the spectrum of moods and emotions represented in the line-up of works and Chang demonstrates the range of her interpretive abilities by navigating them with her customary blend of technical fluency and musical acumen. The disc is also notable for the participation of Placido Domingo, not in the familiar role of tenor extraordinaire, but as conductor. The legendary maestro acquits himself admirably on the podium, leading the forces of the Berlin Philharmonic in fine support throughout. ---arkivmusic.com

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