01. It’s A Woman’s Way
02. By Your Side
03. We Stayed Together
04. Golden
05. Swamp Swim
06. Love Coming On Strong
07. Heaven
08. Halsted Street
09. The Sky Is Crying
10. Young Women Blues

Joanna Connor - Composer, Guitar, Vocals
Omar Coleman - Harmonica
Charlie Kimble - Sax (Tenor)
The Lewis Family - Vocals (Background)
Hope Lewis - Vocals (Background)
Jeff Lewis - Keyboards
Marion Lance Lewis - Bass, Composer, Drums, Percussion, Producer, Synthesizer, Vocals
Steve Lewis - Vocals (Background)
Charles "Richard" Pryor - Flugelhorn, Trumpet
Gary Solomon - Sax (Alto), Sax (Soprano) 

In the language of social media, the video clip of Joanna Connor at the 2014 North Atlantic Blues Festival went viral. She gives the rapt audience a three minute display of her astounding slide guitar playing, a performance that has been viewed over 870,000 times on-line. For many people, that may have been their first exposure to Connor – but Chicago-area fans have reveling in her club performances for several decades, reaching back to her first release, Believe It, in 1989 on Blind Pig Records.

After a fourteen year recording hiatus that had Connor focusing on raising her daughter, she is back with her second release for M.C. Records. Exploring that vast territory where blues and rock converge, she offers plenty of fiery playing that mirrors what viewers saw in the video. Take “Halsted Street,” a brooding instrumental with some gentle acoustic guitar wrapped around eerie, effects-laden electric tones. Suddenly, her guitar erupts with a solo sequence that would make Eddie Van Halen proud. The slow blues, “We Stayed Together,” centers on her impassioned vocal bracketed by two penetrating guitar interludes.

Her slide guitar dominates the first two tracks. On “It’s A Woman’s Way,” Connor encourages her daughter to take advantage of the expanding opportunities available to women, then illustrates the message with taut slide licks over the hard-charging rhythm laid down by Marion Lance Lewis on drums, bass, and percussion. Personal relationships are explored on “By Your Side,” but it quickly becomes apparent that any man would struggle to match the attachment Connor has to her guitar. The ballad “Golden,” penned by Jill Scott, shifts to a softer approach centered on the acoustic guitar and Jeff Lewis on an electronic keyboard A spoken passage finds the singer asserting, “I am not second-rate or an after-thought for anybody. Come direct or don’t come at all. No silver or bronze for me!”

“Love Coming On Strong” is a primal stomp about love swirling out of control, following the instrumental “Swamp Swim,” with guest Omar Coleman’s harp intertwining with unearthly slide tones to form a haunting sonic landscape. Connor shifts to a more positive frame of mind on “Heaven,” the arrangement bolstered by Charlie Kimble on tenor sax, Gary Solomon on alto & soprano sax, and Charles Pryor on trumpet/flugelhorn. Lewis is moved by the spirit, preaching with the fervor of true believer. A staple of her shows, Connor shows her interpretive skills on a live recording of the Elmore James classic, “The Sky Is Crying,” her nimble six-string phrasing mirroring the agony in her voice. “Young Women Blues” is a dreamy stroll that mixes jazz elements through a tremolo-induced haze.

Appropriately titled, Six String Stories should build on the world-wide interest generated by that short video. Once people hear Joanna’s new disc, no one is going to classifying her as as anything other than first-rate. ---Mark Thompson, bluesblastmagazine.com

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01. Big Girl Blues (3:47)
02. 43rd St. (4:35)
03. Fly Away (4:25)
04. They Love Each Other (4:28)
05. Sweet Baby (3:11)
06. You Should Be My Lover (4:28)
07. Sister Spirit (4:28)
08. You Oughta Know (4:34)
09. Heart Of The Blues (6:01)
10. Juicy (4:11)
11. Meditations (4:05)
12. Smoke It Up (3:30)

Joanna Connor (vocals, guitar, acoustic guitar, slide guitar); 
Anthony Palmer (vocals, guitar); 
Larry Ortega (vocals, organ, drums, percussion); 
Stan Mixon (vocals); Jon Sass (tuba).

In 1996 the release of Connor's third rockin' blues album spread word of her talent as a guitarist, singer, and songwriter. A committed player who paid her dues on the Chicago blues scene with the likes of Johnny Littlejohn and James Cotton, Connor plays lines that are deep and clean, usually heated to a boil, often with a slider used on the strings. As a vocalist, Connor's assured phrasing and earthy tone prove to be effective both when she asserts her spiritual side, as on "Meditations," and when she celebrates lustiness, as on "You Should Be My Lover." Connor, a Massachusetts native, wrote all 11 songs on this album, and not one is less than enjoyable. Bonus track "Smoke It Up" seems like a ganja-induced reggae goof. ---Frank-John Hadley, amazon.com

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01. Walkin' Blues - 4:22 
02. Living On The Road - 4:13 
03. Fight - 3:57        play
04. Walk Away - 3:52 
05. Heaven - 3:36 
06. Lost - 3:27        play
07. Texas - 5:22 
08. Your Love Was Never Mine - 4:01 
09. I Got Love - 4:07 
10. Child Of Two Worlds - 3:33 
11. No Good For Me - 3:21

Joanna Connor (guitar, vocals), 
Anthony Palmer (guitar), 
Jim Spake (saxophones), 
Scott Thompson (trumpet), 
Greg Redding (keyboards), 
Stan Mixon (bass), 
Tim Austin, Brian "BJ" Jones (drums), 
Jackie Reddick, Jackie Johnson (background vocals).

Brooklyn-born, Massachusetts-raised Joanna Connor was drawn to the Chicago blues scene like a bee to a half-full soda can. Connor, a fiery guitarist raised in the 1970s -- when rock & roll was all over the mass media -- just wanted to play blues. She was born August 31, 1962, in Brooklyn, N.Y., and raised by her mother in Worcester, MA. She benefitted from her mother's huge collection of blues and jazz recordings, and a young Connor was taken to see people like Taj Mahal, Bonnie Raitt, Ry Cooder and Buddy Guy in concert.

Connor got her first guitar at age seven. When she was 16, she began singing in Worcester-area bands, and when she was 22, she moved to Chicago. Soon after her arrival in 1984, she began sitting in with Chicago regulars like James Cotton, Junior Wells, Buddy Guy and A.C. Reed. She hooked up with Johnny Littlejohn's group for a short time before being asked by Dion Payton to join his 43rd Street Blues Band. She performed with Payton at the 1987 Chicago Blues Festival. Later that year, she was ready to put her own band together.

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